Combining histology, stable isotope analysis and ZooMS collagen fingerprinting to investigate the taphonomic history and dietary behaviour of extinct giant tortoises from the Mare aux Songes deposit on Mauritius

Taphonomic research of bones can provide additional insight into a site's formation and development, the burial environment and ongoing post-mortem processes. A total of 30 tortoise (Cylindraspis) femur bone samples from the Mare aux Songes site (Mauritius)were studied histologically, assessing parameters such as presence and type of microbial alteration, inclusions, staining/infiltrations, the degree of microcracking and birefringence. The absence of microbial attack in the 4200 year old Mare aux Songes bones suggests the animals rapidly entered the soil whole-bodied and were sealed anoxically, although they suffered frombiological and chemical degradation (i.e. pyrite formation/oxidation, mineral dissolution and staining) related to changes in the site's hydrology. Additionally, carbon and nitrogen stable isotopeswere analysed to obtain information on the animals' feeding behaviour. The results show narrowly distributed δ13C ratios, indicating a terrestrial C3 plant-based diet, combined with a wide range in δ15N ratios. This is most likely related to the tortoises' drought-adaptive ability to change their metabolic processes, which can affect the δ15N ratios. Furthermore, ZooMS collagen fingerprinting analysis successfully identified two tortoise species (C. triserrata and C. inepta) in the bone assemblage,which,when combined with stable isotope data, revealed significantly different δ15N ratios between the two tortoise species. As climatic changes around this period resulted in increased aridity in the Mascarene Islands, this could explain the extremely elevated δ15N ratio in our dataset. The endemic fauna was able to endure the climatic changes 4200 years ago, although human arrival in the 17th century changed the original habitat to such an extent that it resulted in the extinction of several species. Fortunately we are still able to study these extinct tortoises due to the beneficial conditions of their burial environment, resulting in excellent bone preservation.

Uma introdução à geometria projetiva para o ensino fundamental

A Geometria Projetiva é o ramo da matemática que estuda as propriedades geométricas invariantes de uma projeção. Ela surge no século XVII da tentativa de compreender matematicamente as técnicas de desenho em perspectiva empregadas pelos artistas da Renascença. Por outro lado, a Geometria Descritiva também se utiliza de projeções para representar objetos tridimensional em um plano bidimensional. Desta forma, a Geometria Projetiva dialoga com o desenho artístico através das regras de perspectiva, e com o desenho técnico através da Geometria Descritiva. A partir das relações entre estes três campos do conhecimento, elaboramos uma proposta didática para o ensino da Geometria Projetiva a alunos do 9 ∘ ano do ensino fundamental. Este trabalho apresenta esta proposta e busca embasá-la matematicamente, relacionando-a aos principais fundamentos da Geometria Projetiva.

Catherine Tekakwitha et la peinture missionnaire : stratégies de conversion en Nouvelle-France au 17e siècle

Pour respecter les droits d’auteur, la version électronique de ce mémoire a été dépouillée de certains documents visuels et audio-visuels. La version intégrale du mémoire a été déposée au Service de la gestion des documents et des archives de l'Université de Montréal

“In The Good Old Days of Long Ago": Echoes of Vaudeville and Minstrelsy in the Music of Uncle Dave Macon

Uncle Dave Macon provided an essential link between nineteenth-century, urban popular stage music (especially the minstrel show and vaudeville) and commercialized country music of the 1920s. He preserved through his recordings a large body of songs and banjo techniques that had their origins in urban-based, nineteenth-century vaudeville and minstrelsy. Like the minstrel and vaudeville performers of the nineteenth century, Macon told jokes and stories, employed attention-grabbing stage gimmicks, marketed himself with boastful or outrageous slogans, and dressed with individual flair. At the same time, Macon incorporated many features from the rural-based folk music of Middle Tennessee. Overall, Macon’s repertoire, musical style, and stage persona (which included elements of the rube, country gentleman, and old man) demonstrated his deep absorption, and subsequent reinterpretation, of nineteenth-century musical traditions. Macon’s career offers a case study in how nineteenth-century performance styles, repertoire, and stage practices became a part of country music in the 1920s. As an artist steeped in two separate, but overlapping, types of nineteenth-century music—stage and folk—Macon was well-positioned to influence the development of the new commercial genre. He brought together several strains of nineteenth-century music to form a modern, twentieth-century musical product ideally suited to the new mass media of records, radio, and film. By tracing Macon’s career and studying his music, we can observe how the cross-currents of rural and popular entertainment during the nineteenth and early twentieth centuries interacted to form the commercial genre we now know as country music.

Si hay moreras hay cristianos nuevos: Los Duques de Pastrana y la industria de la seda en la formación de un espacio de conflicto (Pastrana, c. 1569- c. 1609)

Durante las últimas décadas del siglo XVI los moriscos, amparados por el poder ducal, acapararon la producción y comercio de la seda de la villa de Pastrana, así como adquirieron cada vez mayores cotas de poder municipal. En este artículo se analiza la constitución en la villa ducal de Pastrana de un espacio de odio a causa de la competencia social entre cristianos viejos y moriscos. Este odio se tradujo en una caracterización de los moriscos, sobre todo a partir de 1572, como cristianos nuevos sospechosos. Esta experiencia estigmatizadora sería un precedente de lo que ocurriría en las primeras decadas del siglo XVII con los mercaderes portugueses que sustituyeron en el negocio de la seda a los moriscos tras su expulsión. Entonces se contruiría la imagen del portugués critptojudío.

Portugueses al amparo de la nobleza (la inquisición contra los vasallos del Duque de Pastrana acusados de judaísmos durante el siglo XVII)

Este trabajo es el resultado de un detallado estudio acerca del modo como la justicia e institución inquisitorial consiguieron penetrar en los espacios propios de la jurisdicción señorial de Monarquía Hispánica durante el siglo XVII. Para realizar este análisis se ha tomado como objeto de estudio el ducado y la villa de Pastrana, situados en la Alcarria. Los protagonistas de esta compleja problemática estudiada fueron los grupos de portugueses que se asentaron en el territorio de este señorío y en su villa principal a lo largo de los siglos XVI y XVII, los cuales participaron en su vida social, económica y política de manera muy intensa. Su papel en la dinamización y organización interna de este espacio señorial fue notable. La acusación de judaísmo contra algunos de estos portugueses y el procesamiento inquisitorial al que fueron sometidos nos permite ver algunos aspectos fundamentales de esta interesante cuestión.

Between the rose and the shoulders of giants

The following are thoughts on 2 of the most well-known phrases in the English language, recognized as universal academic icons. That of Juliet Capuleto’s in Act II, scene II, “The Balcony”, in the immortal work of William shakespeare’s Romeo and Juliet about “A rose by any other name”, and “On the shoulders of giants”, traditionally attributed to Isaac Newton, the discoverer of the Mechanical Universal Laws, including that of Universal Law of Gravitation, in the 17th Century, but in reality first said by the humanistic philosopher and theologist Bernard of Chartres in the 12th Century

La poesía de Miguel Botelho de Carvalho. Estudio y edición de la "Fábula de Píramo y Tisbe" (1621) y "Rimas varias" (1646)

This doctoral thesis entitled “Miguel Botelho de Calvalho‟s Poetry. Study and edition of Fábula de Píramo y Tisbe (1621) and Rimas Varias (1646)” is born to approach Miguel Botelho de Carvalho‟s (1595-?) life and works. He was a Portuguese poet that lived during the Spanish monarchy reign (1580-1668) and is inexorably referred to in the works of Portuguese poets who wrote in Spanish during the 17th century. The works by this author of which we are certain were written from 1621 to 1646 – namely: an epyllion about the love affairs between Píramo and Tisbe (Fábula de Píramo y Tisbe, Madrid, 1621), a pastoral novel (Prosas y versos del pastor de Clenarda, Madrid 1621), as well as the works printed after his travel to India. This last period includes his narrative poem divided into six cantos, La Filis (1641) and another publication containing two works: a poetic anthology entitled Rimas varias and his approach to drama in Tragicomedia del martir d’Ethiopía (Ruán, 1646). Botelho de Carvalho is constantly being referred to among the critics, above all in general studies about that period. Few of them have delved into the author, nonetheless. The treatment given to writers who are included both in Portuguese and Spanish philosophical streams is still a niche to be explored nowadays and that highly contributes to a deeper knowledge of reality, which is on many occasions not looked at...

Impresos madrileños de 1626 a 1636

In Impresos madrileños de 1626 a 1636 a study on the printing carried on in Madrid is done in the period referred above. This Doctoral thesis is a typobibliography with its methodological introduction, bibliographic repertoire and their indices. The work is divided in three main areas. In the first of them, the introduction, I speak about the current state of preliminar typobibliographic investigation about printing in Madrid, including the rewiew of previous bibliographies by Cristóbal Pérez Pastor, Antonio Sierra Corella, Yolanda Clemente San Román and Justa Moreno Garbayo. This investigation is justified on the existing needing of completing the knowledge about these books printed in the 17th century from 1626. The typobibliographies dealing with the works performed in Madrid are uncompleted and imperfect so that, with this doctoral stablishes that the almost definitive corpus of those books printed in Madrid from 1626 to 1636. The last year of this period is explained because of the enormous amount of printed matter that were produced during the previous years, so completing the study of the decade would have been an impossible task. The abridget objetives of this dissertation are: - To stablish the definitive corpus of the printed matter from 1626 to 1636. - To present an analytical description of this printed matter based on the material bibliography rules. - To find new editions and issue and states variants in the already known editions. - To determine the view of the existing presses in Madrid in that time with a tipographic research about each press...

José de Escovar at the Chapel of the Souls: Technical and Material Study of a 1603 Panel Painting

This article reports the preliminary results of a technical and material study carried out on a 17th century panel painting located at the Chapel of the Souls in the main church of Vila Nova da Baronia (30 km away from Evora city, in southern Portugal). This painting is attributed to Jose the Escovar, a painter that worked for Evora Archiepiscopate between 1583 and 1622. Jose the Escovar is known by his mural paintings all across the Alentejo region. This is the first time that a panel painting made by this artist was studied. Analytical methods used included in situ technical photography (visible (Vis), raking light (RAK), infrared (IR), and ultraviolet (UV)), optical microscopy of cross sections, scanning electron microscopy with energy dispersive X-ray spectrometry (SEM-EDS), micro Raman spectroscopy, and micro Fourier transform infrared spectroscopy (m-FT-IR). The goal was to ascertain the techniques and colored materials used by Escovar on this painting so that the data can be used in future comparisons with others works attributed to this painter based on stylistic aspects.

Morir en el XVII

ResumenEste trabajo analiza las actitudes ante la muerte del grupo de personas que testaron en la ciudad de Cartago en el siglo XVII.AbstractThis work discusses examines attitudes towards death through the wills of individuals in 17th century Cartago.

Movimenti di genti in tempo di peste: studio antropologico e documentale dei deceduti nel Lazzaretto Vecchio di Venezia (xv-xvii secolo).

Fondato nel 1423 per decisione del Maggior Consiglio di Venezia, il Lazzaretto Vecchio, è la prima struttura permanente in Europa destinata al ricovero degli ammalati di peste e alla quarantena preventiva di coloro che erano entrati in contatto con infetti o che provenivano da zone epidemiche. Questo studio si pone come obiettivo quello di analizzare antropologicamente una parte dei resti umani rinvenuti e comparare i risultati ottenuti con le fonti edite riguardanti la composizione dei ricoverati all’interno della struttura. Sono stati selezionati 110 individui provenienti da 9 comuni appartenenti a due diversi archi cronologici, il 1575-1577 e il 1630-1631. Gli individui sono stati sottoposti a diverse analisi antropologiche tradizionali e indagini più dettagliate di stampo biomolecolare. Parallelamente, è stata vagliata la letteratura prodotta da studi popolazionistici editi. Le analisi antropologiche hanno rivelato un quadro popolazionistico con normale presenza di maschi e femmine, e attestazione di tutte le classi di età, dagli 0 agli oltre 50 anni. Le analisi chimico-fisiche hanno rivelato la presenza di sette individui non locali. Con riguardo all’alimentazione non vi sono particolari differenze in termini di periodi cronologici o di sesso degli individui, quanto invece si possono individuare schemi relativi alla qualità del cibo ingerito in relazione all’inserimento nel mondo del lavoro. Per quanto riguarda le indagini di carattere documentale, nonostante alcuni degli studi popolazionistici individuati non siano considerabili recenti, ci forniscono un quadro dell’andamento della popolazione a Venezia a partire dal 1500 fino al 1700, coprendo in questo modo le cronologie d’interesse del progetto, legate agli episodi di maggiore mortalità della peste. Si riscontra una sostanziale coerenza tra i dati riportati nei diversi resoconti e la sex ratio e le fasce di età alla morte riscontrate, anche se non mancano casi specifici di forte discostamento tra i dati.

Le radici del monoteismo israelitico come riflesso dell'idea di regalita divina in epoca pre-esilica

Questa tesi è un contributo al dibattito meta-terminologico sull'uso scientifico del termine "monoteismo" in relazione alla religione dell'Israele antico. L'attenzione è rivolta principalmente a un tema specifico: l'esplorazione della nozione teistica di "esistenza" divina (implicita nell'uso di "monoteismo" come lente di osservazione) e il problema della sua applicazione alle concettualizzazioni della divinità che emergono nella Bibbia ebraica. In primo luogo, il "monoteismo" come termine e concetto viene ricondotto alle sue origini storiche nell'ambiente intellettuale del platonismo di Cambridge nell'Inghilterra del XVII secolo. Poi, si affronta il dibattito contemporaneo sull'uso del termine "monoteismo" in relazione alla religione dell'Israele antico e si evidenzia il ruolo dell'"esistenza" teistica come lente distorcente nella lettura dei testi biblici. La maggior parte della tesi sostiene questo assunto con una lettura esegetica dettagliata di tre passi biblici scelti come casi di studio: Sal 82; 1Re 18,20-40* e Zc 14,9. Queste analisi mostrano come la nozione teistica di un'esistenza divina astratta non sia in grado di spiegare la rappresentazione del divino che emerge da questi testi. Allo stesso tempo, il potere divino come categoria euristica viene proposto come un'alternativa più adatta a spiegare queste concettualizzazioni della divinità. L'ultima sezione elabora ulteriormente questi risultati. Qui la regalità di YHWH, come immagine metaforica del suo potere, viene utilizzata per descrivere i cambiamenti nella concettualizzazione di questa divinità. L'argomentazione finale è che in nessuna parte del materiale biblico affrontato in questa tesi si trova una nozione simile a quella di esistenza divina astratta. Poiché tale nozione è implicita nell'uso del termine "monoteismo", questi risultati richiedono una considerazione ancora più attenta del suo uso nel dibattito scientifico.

The pathogenesis of migraine - 17th to early 20th Century understandings

The modern understanding of the pathogenesis of migraine, based on the concept that it is a neurovascular disorder, is often thought to have emerged from the work of Harold Wolff in the period 1932-1962. However, over the preceding 300 years, from William Harvey onwards, various hypotheses of the pathogenesis of migraine had been proposed, a few bearing reasonably strong resemblances to Wolff's ideas, though based on less adequate evidence. Many of these earlier hypotheses regarded migraine either primarily as a vascular (e.g., Willis, Wepfer, Latham) or as a neural disorder (e.g., Harvey, Lieving and his 'nerve storms'). There were also variations around these two major themes and in the 19th Century a number of neurovascufar type hypotheses emerged assigning a major role in migraine pathogenesis to the autonomic nervous system. In addition, during the three centuries there were a number of other hypotheses based on different postulated pathogenic mechanisms, some quite ingenious, which had relatively brief vogues. No hypothesis has yet proved capable of explaining all the features of migraine satisfactorily. (c) 2005 Elsevier Ltd. All rights reserved.

The Cornerstones of Modern Government Maps, Weights and Measures and Census in Liberal Portugal (19th century)

Thesis submitted for assessment with a view to obtaining the degree of Doctor in History and Civilisation from the European University Institute