900 resultados para write
Resumo:
In his famous children’s book, “Jim Button and Luke the Engine Driver”, Michael Ende describes a curious character: A phantom giant. Clothed in rags and with a long beard, the phantom giant appears enormous from far away, but shrinks to normal size as one gets closer. Most people avoid the poor creature, but the ones that dare approach it encounter a gentle, lonely being called Mr. Tur Tur. Chemical ecology is just the opposite of Mr. Tur Tur: A phantom dwarf. Or, in other words, an inverted phantom giant. From a distance, chemical ecology appears like a slightly odd, marginal section of biology and chemistry. But, as the interested scholar approaches, it starts growing and very quickly reaches gigantic dimensions, because all life is explained by chemistry, and all biological chemistry is guided by ecological principles. Herein lies the difficulty with chemical ecology: As it is not perceived well by biologists and chemists, few approach it to understand its significance, and the ones that do find themselves in front of a giant that defies their attempts to define and contain it. This is where the Journal of Chemical Ecology comes in: It invites us to take a closer look at an underestimated discipline and supports us to explore it and deal with its multidimensionality through the promotion of knowledge and methods. These services are unique and make the journal stand out of the crowd of scientific journals. Writing children’s books has become difficult in the era of information technology. And, so has the job of the Journal of Chemical Ecology. Young scientists gather information through accessible, dynamic websites and social platforms. They want articles that are available through a single mouse click, anywhere, anytime. They prefer advanced interactive hypertext protocols over clumsy pdf files. They care about transparency, non-profit and open access just as much as about traditional journal properties. In my view, reaching “the kids” is the major challenge of the Journal over the next years. Promoting an inverted phantom giant in the 21st century requires a combination of high-quality information and boosted visibility. In Michael Ende’s book, Jim and Luke follow exactly this strategy with Mr. Tur Tur: They become friends and offer him a job as a living lighthouse to protect their small island. They combine a quality relationship with high visibility, et voilà, the story ends well! I am looking forward to seeing if the Journal of Chemical Ecology will follow a similar path to reach the next generation of biologists and chemists. If yes, there is a good chance that in 40 years from now, somebody will write a laudation and refer to another famous book by Michael Ende: “The Neverending Story”.
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Anke von Kügelgen joins Peter to discuss developments over the last century or so, including attitudes towards past thinkers like Avicenna, Averroes and Ibn Taymiyya. This interview is based on research conducted to write a forthcoming book on Philosophy in the Islamic world in the 19th and 20th centuries, to be co-edited by Prof von Kügelgen together Professor Ulrich Rudolph, and Michael Frey as redactor. It will be the fourth volume of a German Overview of the whole history of philosophy in the Islamic world (Grundriss der Geschichte der Philosophie in der islamischen Welt, published by Schwabe Verlag in Basel). Prof von Kügelgen would like to recognize the contribution of her collaborators: her main partner for the philosophy in the Arab speaking countries is Sarhan Dhouib, originally from Tunesia, now at the University of Kassel. For Muslim Southasia, she is working with Jan Peter Hartung from the SOAS in London, and for Iran, Reza Hajatpour, Katajun Amirpur and Roman Seidel who are all at present at German Universities. The part on Philosophy in the Ottoman Empire is written by Sait Özervarlı from the Yildiz Teknik Universitesi in Istanbul and for Turkey by Christoph Herzog from the University of Bamberg.
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Even after Hilary Mantel has won the Man Booker prize two times in a row with Wolf Hall and Bring up the Bodies, her novelistic account of the life of Thomas Cromwell, her intriguing decision to write these historical novels in the present tense gave cause to surprisingly little extended comment beyond a perfunctory nod to its evocation of immediacy. This presents not only a lacunae in the discussion about Mantel’s novels, but is also symptomatic for a change in the contemporary critical evaluation of present-tense narration in general. If present-tense narration once used to be a marker for experimental daring and might even have implied a certain hostility towards fictionality, Mantel’s novels give ample evidence that literary sensibilities have changed. In order to understand the scope and nature of this change, my paper puts Mantel’s use of the present tense in the context of both the historical development of present-tense usage and the ample contemporary landscape of present-tense narration. This allows me to show that the complexities of present-tense usage belie a reduction of its effect to an evocation of immediacy. Rather, I argue, Mantel uses it for a delicate tightrope walk between proximity and distance, history and fiction, authenticity and imagination.
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Architectural decisions can be interpreted as structural and behavioral constraints that must be enforced in order to guarantee overarching qualities in a system. Enforcing those constraints in a fully automated way is often challenging and not well supported by current tools. Current approaches for checking architecture conformance either lack in usability or offer poor options for adaptation. To overcome this problem we analyze the current state of practice and propose an approach based on an extensible, declarative and empirically-grounded specification language. This solution aims at reducing the overall cost of setting up and maintaining an architectural conformance monitoring environment by decoupling the conceptual representation of a user-defined rule from its technical specification prescribed by the underlying analysis tools. By using a declarative language, we are able to write tool-agnostic rules that are simple enough to be understood by untrained stakeholders and, at the same time, can be can be automatically processed by a conformance checking validator. Besides addressing the issue of cost, we also investigate opportunities for increasing the value of conformance checking results by assisting the user towards the full alignment of the implementation with respect to its architecture. In particular, we show the benefits of providing actionable results by introducing a technique which automatically selects the optimal repairing solutions by means of simulation and profit-based quantification. We perform various case studies to show how our approach can be successfully adopted to support truly diverse industrial projects. We also investigate the dynamics involved in choosing and adopting a new automated conformance checking solution within an industrial context. Our approach reduces the cost of conformance checking by avoiding the need for an explicit management of the involved validation tools. The user can define rules using a convenient high-level DSL which automatically adapts to emerging analysis requirements. Increased usability and modular customization ensure lower costs and a shorter feedback loop.
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The purpose of this study was to investigate a selection of children's historical nonfiction literature for evidence of coherence. Although research has been conducted on coherence of textbook material and its influences on comprehension there has been limited study on coherence in children's nonfiction literature. Generally, textual coherence has been seen as critical in the comprehensibility of content area textbooks because it concerns the unity of connections among ideas and information. Disciplinary coherence concerns the extent to which authors of historical text show readers how historians think and write. Since young readers are apprentices in learning historical content and conventions of historical thinking, evidence of disciplinary coherence is significant in nonfiction literature for young readers. The sample of the study contained 32 books published between 1989 and 2000 ranging in length from less than 90 pages to more than 150 pages. Content analysis was the quantitative research technique used to measure 84 variables of textual and disciplinary coherence in three passages of each book, as proportions of the total number of words for each book. Reliability analyses and an examination of 750 correlations showed the extent to which variables were related in the books. Three important findings emerged from the study that should be considered in the selection and use of children's historical nonfiction literature in classrooms. First, characteristics of coherence are significantly related together in high quality nonfiction literature. Second, shorter books have a higher proportion of textual coherence than longer books as measured in three passages. Third, presence of the author is related to characteristics of coherence throughout the books. The findings show that nonfiction literature offers students content that researchers have found textbooks lack. Both younger and older students have the opportunity to learn the conventions of historical thinking as they learn content through nonfiction literature. Further, the children's literature, represented in the Orbis Pictus list, shows students that authors select, interpret, and question information, and give other interpretations. The implications of the study for teaching history, teacher preparation in content and literacy, school practices, children's librarians, and publishers of children's nonfiction are discussed.
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In November 2010, nearly 110,000 people in the United States were waiting for organs for transplantation. Despite the fact that the organ donor registration rate has doubled in the last year, Texas has the lowest registration rate in the nation. Due to the need for improved registration rates in Texas, this practice-based culminating experience was to write an application for federal funding for the central Texas organ procurement organization, Texas Organ Sharing Alliance. The culminating experience has two levels of significance for public health – (1) to engage in an activity to promote organ donation registration, and (2) to provide professional experience in grant writing. ^ The process began with a literature review. The review was to identify successful intervention activities in motivating organ donation registration that could be used in intervention design for the grant application. Conclusions derived from the literature review included (1) the need to specifically encourage family discussions, (2) religious and community leaders can be leveraged to facilitate organ donation conversations in families, (3) communication content must be culturally sensitive and (4) ethnic disparities in transplantation must be acknowledged and discussed.^ Post the literature review; the experience followed a five step process of developing the grant application. The steps included securing permission to proceed, assembling a project team, creation of a project plan and timeline, writing each element of the grant application including the design of proposed intervention activities, and completion of the federal grant application. ^ After the grant application was written, an evaluation of the grant writing process was conducted. Opportunities for improvement were identified. The first opportunity was the need for better timeline management to allow for review of the application by an independent party, iterative development of the budget proposal, and development of collaborative partnerships. Another improvement opportunity was the management of conflict regarding the design of the intervention that stemmed from marketing versus evidence-based approaches. The most important improvement opportunity was the need to develop a more exhaustive evaluation plan.^ Eight supplementary files are attached to appendices: Feasibility Discussion in Appendix 1, Grant Guidance and Workshop Notes in Appendix 2, Presentation to Texas Organ Sharing Alliance in Appendix 3, Team Recruitment Presentation in Appendix 5, Grant Project Narrative in Appendix 7, Federal Application Form in Appendix 8, and Budget Workbook with Budget Narrative in Appendix 9.^
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These Data Management Plans are more comprehensive and complex than in the past. Libraries around the nation are trying to put together tools to help researchers write plans that conform to the new requirements. This session will look at some of these tools.
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Paul de Kruif is credited with being one of the first popular science writers for the general public. He received his Ph.D. from the University of Michigan in 1916 and worked at the Rockefeller Institute under Simon Flexner. After being fired in 1922 for publishing a scathing article on medical research, de Kruif caught the attention of Sinclair Lewis, who used his scientific background to write his Pulitzer Prize winning novel, Arrowsmith. In 1926, de Kruif published Microbe Hunters which recounted the exploits and discoveries of 14 renowned microbiologists from von Leeuwenhoek to Pasteur, Ross, Paul Ehrlich and Walter Reed. Microbe Hunters became a best seller, was translated into 18 languages, and formed the basis of two Hollywood movies, "Yellow Jack" and "The Magic Bullet." Generations of young readers were captivated by the vivid protrayal of these men and their discoveries.
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El análisis del discurso en Minotauroamor de Abelardo Arias, permite al lector acceder a una serie de conceptos acerca del hombre y de las realidades que le conciernen: el amor, la amistad, la belleza, el arte, el poder, entre otros. Si bien estos planteos alcanzan a todos los personajes, los mismos son focalizados, especialmente, en relación con los dos protagonistas: el Minotauro y Teseo. De hecho, Abelardo Arias ha declarado que lo que le impulsó a escribir esta novela fue, precisamente, un interrogante vital que lo asediaba: cuál era la verdadera condición del hombre moderno. El escritor mendocino parecía advertir, ya en ese entonces, una marcada degradación de los valores que han sido sostén de nuestra cultura e intenta despertar la conciencia de sus coetáneos a través de estas magníficas páginas. Es por ello que, en el presente trabajo, no sólo nos proponemos demostrar el enorme valor literario de la novela abelardariana y la riqueza de su contenido sino también señalar el vínculo que se establece entre los personajes con el concepto subyacente de “hombre normal". De este modo tratamos de dilucidar de qué modo, en este espacio literario, se proyectan las ideas sustentadas por el reconocido escritor mendocino. Con tal finalidad, se señalan, sucintamente, las coincidencias y modulaciones que se dan entre el mito original y la recreación que de él hace el autor mendocino para centrarnos en el análisis de los fragmentos que tienen como tema sustancial la “diagnosis" del hombre. Para este enfoque tomo en consideración un estudio de Alfonso López Quintás -Diagnosis del hombre actual-, publicado el mismo año de la obra que nos ocupa, y que plantea -desde otro lenguaje-, las mismas inquietudes que advertimos en el autor mendocino.
Resumo:
La utilización de la poesía costumbrista de contenido ético-social-poesía moralizante- durante el período de guerra civil entre unitarios y federales, tuvo en la región de Cuyo un representante en el periódico federal sanjuanino El Constitucional (1835). El otro tipo de poesía a la que apelaron los periódicos en aquellos años, fue la de carácter satírico-político. A partir de la minuciosa lectura y confrontación de fuentes periodísticas inéditas y del análisis bibliográfico necesario para la elaboración del marco teórico, se demuestra la intención de escribir literatura útil a la realidad político-social y de contribuir al desarrollo integral del hombre. Las composiciones literarias analizadas corresponden estrictamente al costumbrismo de contenido ético-social, motivada por la preocupación social y moral, la lucha contra los vicios, corrupciones y falacias del ser humano.
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Las aguas residuales son potenciales portadoras de enteroparásitos patógenos para el hombre cuya dosis infectiva puede ser mínima y prolongado el tiempo de sobrevivencia de huevos y quistes en el ambiente. La reglamentación limita la presencia de huevos de helmintos y, hasta el año 2000, no proponía una técnica para su detección. Este trabajo se realizó para caracterizar parasitológicamente los efluentes procedentes de agroindustrias. La capacitación en la identificación microscópica demandó la confección de fichas que describen las características de huevos de helmintos. Se efectuaron ensayos con muestras de bodegas y aceiteras en los puntos detectados de contaminación. Los métodos fueron adaptados a las particularidades de los efluentes. Los resultados no señalaron presencia de helmintos; no obstante, se hallaron Cyclospora e Isospora, protozoarios que, por su alto poder infectivo, también constituyen un riesgo para el hombre. Sin embargo, no están contemplados por la legislación. Respecto a helmintos, es necesario un estudio comparativo de las técnicas de detección para efluentes agroindustriales, con el fin de establecer las que optimicen su recuperación. En cuanto a otras especies es preciso continuar investigando su presencia para evaluar la conveniencia de incorporarlas a la reglamentación.
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In his lessons of the Summer semester of 1921 called “St. Augustin and the Neo-Platonism"; M. Heidegger interprets the Bishop of Hipona from what he calls “the factitive experience of life". This experience would be indissolubly associated to became that turns the human existence historically placed in an ephemeral and transitory unit. Centering in the Book X of Confessiones, Heidegger makes a critic to the Augustinian notion of “memory", narrowly tied to his famous conception on time developed in the Book XIth of the same write. The philosopher from Freiburg affirms that, though Augustin has overcome the merely psychological conceptions about the memory, still he remains confined in the perspective of language of the traditional Metaphysics. This work tries to trace de Neo-Platonic roots of Augustinian thinking, ignored in the analysis of Heidegger, principally regarding Plotinus legacy and of another Platonic Christianized as Mario Victorinus, and to research this way in what measure that interpretation results faithful to the principal Augustinian intuitions.
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Esta tesis indaga en los textos escritos por la llamada generación del 37 (o "generación romántica" argentina) en el período de dominio rosista en el Río de la Plata (1830-1852). Se estudia el proceso simbólico de formación de una tradición y un canon literario nacional desde una perspectiva que toma en cuenta tanto los cruces genéricos como el contexto de enunciación de los distintos discursos analizados. En la primera parte, "Escribir (en) el desierto", se analiza el tratamiento del paisaje como forma simbólica en La cautiva de Echeverría, en el marco de los tópicos de la literatura de viaje de la época, y, en la segunda sección, los primeros ensayos dedicados a la formación de una literatura nacional en los periódicos románticos (La Moda, El Zonda, El Iniciador). En la segunda parte, "El tejido biográfico", se aborda el Facundo y el discurso modernizador de Sarmiento; en la tercera, "Linajes, memorias, influencias", se estudia la discusión sobre los límites de la nacionalidad a partir de las Investigaciones sobre la influencia social de la conquista y el sistema colonial de los españoles en Chile de José Victorino Lastarria, memoria presentada en 1844 en la Universidad de Chile, y a la que responden, desde distintos posicionamientos, Bello, Sarmiento y Alberdi.
Resumo:
Se propone la descripción y el análisis del empleo de la transmisión oral en la narrativa española actual como un recurso para configurar la memoria de la Guerra Civil española y del franquismo. Para ello se atendió especialmente a las estrategias que intervienen en la representación de la oralidad en relación con los diálogos y los relatos orales, entre otros procedimientos a través de los cuales se transmite el pasado traumático dentro de la ficción. Ha sido analizada la representación de la oralidad en la producción narrativa ficcional de diversos autores españoles de finales del siglo XX y comienzos del siglo XXI que han abordado la temática de la Guerra Civil en una situación particular en cuanto al surgimiento de replanteos y debates acerca del tratamiento del conflicto bélico. Los objetivos generales que guiaron el trabajo han sido indagar la presencia y la función de la transmisión oral en la literatura, profundizar el estudio de la oralidad como voz emergente de colectivos sociales desplazados y analizar la funcionalidad del empleo de la oralidad en textos representativos de la narrativa española contemporánea. A su vez, más específicamente, se propuso profundizar en el estudio de la ficcionalización de la transmisión oral como un artificio para la construcción de la memoria en la narrativa española actual, vincular las posibilidades de transmisión de la historia de la Guerra Civil española con medios propios de la historia oral en la literatura -especialmente en la novela-, problematizar determinadas perspectivas sobre el testimonio en la medida en que son literaturizadas para una concepción de la memoria de la Guerra Civil, de la posguerra y de la dictadura, y estudiar algunas miradas contemporáneas acerca de la Guerra Civil y del franquismo desde el campo de la narrativa como un correlato de ciertos reclamos sociales de la actualidad respecto del pasado reciente. Para esto fueron analizadas diversas propuestas que surgieron esencialmente desde la literatura -con algún detenimiento en un texto fílmico- para abordar el pasado traumático y se consideraron las técnicas de transmisión empleadas para la narración ficcional de aspectos largamente silenciados por la historia oficial. El corpus central de textos literarios ha quedado conformado por O lapis do carpinteiro y Os libros arden mal, de Manuel Rivas, Guárdame bajo tierra, de Ramón Saizarbitoria, Soldados de Salamina, de Javier Cercas, Home sen nome, de Suso de Toro, y Mala gente que camina, de Benjamín Prado. Como corpus complementario, se tornó pertinente incorporar un capítulo que articula un texto fílmico (Muerte en El Valle, de Christina Hardt) con un texto literario (Las esquinas del aire. En busca de Ana María Martínez Sagi, de Juan Manuel de Prada). Esto, que en principio puede parecer un apartamiento del corpus central, favoreció el análisis del tratamiento del testimonio desde la estetización de un texto fílmico o literario. Al realizar la selección, se estudiaron, junto con autores que escriben y publican en castellano, algunos textos escritos originariamente en lenguas minorizadas (gallego y euskera)