900 resultados para nineteenth-century music


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Comunicação, o termo central do título deste trabalho, pretende realmente ser uma espécie de pivô da articulação que queremos aqui estabelecer entre as ciências sociais e a saúde. Por um lado, a sua emergência como um campo de questões diferenciadas, com objetos e olhares relativamente novos, no seio do pensamento social já desde fins do século 18, passando pelas suas primeiras elaborações teóricas e estudos empíricos, já no quadro das ciências sociais, desde meados do século 19, depois pela sua diferenciação como um campo disciplinar em separado, em meados do século 20, até se tornar um verdadeiro emblema das sociedades contemporâneas, neste limiar do século 21. Por outro lado, as relações entre o que preferimos genericamente chamar de pensamento sobre a comunicação, rastreado no percurso histórico acima, e o campo da saúde, no seu mais amplo sentido. Assim, propomo-nos, primeiramente, a reconstituir a emergência e as evoluções desse pensamento sobre a comunicação nos últimos dois ou três séculos, destacando o seu profundo enraizamento nas ciências sociais, e, secundariamente, apontar as relações privilegiadas e variáveis ao longo da história entre esse pensamento e o conhecimento e a prática em saúde.

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This article seeks to reflect on geographic representation in the coats of arms of countries in Latin America, showing how the physical, aspects of the landscape, the elements of the economy and the republican symbols were used by local elites to compose an imaginary nation in the nineteenth century. This process of "naturalization of territory" was used as an important feature in the national discourse, because this time, in most cases, the Latin American nations were composed of multi-ethnic states, with strong differences of class and a large illiterate population plus a very tenuous territory from the point of view of national integration. Thus, the elements related to geographic image through the use of coats of arms, conveyed strong messages to citizens, showing how these heraldic symbols can become an important source of research to unravel the process of building the imaginary nation.

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Historically, the incorrect waste disposal has been related to epidemics which resulted in thousand of deaths. Despite the efforts to develop sanitary disposal methods in the 19 century, even today, uncontrolled dumps are often found in undeveloped countries. These places are responsible for environment pollution and for several diseases. The process of adequate waste disposal begins with the selection of suitable landfill areas, based on environmental characteristics. The goal of this research was to compare two methods of landfill site selection: the first one developed by IG-SMA (1999), and the other by Basílio (2001). Both methods were developed and applied in the same area - region of Campinas, São Paulo State, Brazil and this fact explains the choice for them; the comparison was made by superposing maps. Despite the same geographic area, the result was very different and few areas in common were found; IG-SMA (1999) obtained more suitable areas than Basílio (2001). This has been attributed to scale, criteria and attribute differences and, as a conclusion, Basílio (2001) was considered more restrictive than IG-SMA (1999).

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Includes bibliography

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This article demonstrates the existence of black families and the presence of children from these families in public schools of Maranhão, in the nineteenth century. Based on a conjectural methodology newspapers ads of the nineteenth century were consulted and also codices relating to records of baptism, marriage, and documentation of the Government Secretary, located in the Public Archives of the State of Maranhão and Public Library Benedito Leite.

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José de Alencar (1829-1877) is more known by the public reader by his novels. However, Alencar was also one of the most famous Brazilian playwright of nineteenth century's second half, with a work marked by successes, failures and controversies. This article intends to study an important part of his work, especially the beginning of his actions towards the still incipient Brazilian theatre in his chronic Ao correr da pena, as well as the analysis of two plays, O demônio familiar (1857), and As asas de um anjo (1857). These works not only show his public's success and failure, but also his flair for controversy. By using as theoretical basis João Roberto Faria and Martin Esslin, as well as other literary and theatre theorists, it will be shown that, although he defended French realism in theatre and used proceedings related to the genre, such realism, on his plays, was mixed with romantic solutions what made his work unique.

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Includes bibliography

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Pós-graduação em Artes - IA

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Pós-graduação em Artes - IA

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Pós-graduação em Artes - IA

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

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Pós-graduação em Geografia - FCT

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Pós-graduação em Educação - IBRC