Formação inicial de professores: o curso de licenciatura em física – UNESP/FCT – Presidente Prudente/SP em questão

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

As blusas verdes e as marchadeiras. Movimentos de mulheres e participação politica nos anos 30 e 60

Understanding the women’s political manifest at the present national scenario through analyzing the historicity and complexity of women’s movement and their contradictions regarding females / feminists actions in public and political areas. Thus, I give emphasis to the 30s and its “green blouses” and 60’s with “the marchadeiras” showing how those conservatives movements and their facist trend took on organized actions. And, also acting on the opposite way of democratic areas and the struggles for increasing the rights and advocating the maintenance of a status quo, keeping female traditional practices. Those women, who were living in the most visible female conjunctures and resistance to authoritarian governments, have taken positions that were holding back the progress in the game, contributing to reflux before the conquest of rights and gender equity.

História das disciplinas escolares e história oral: alguns apontamentos

Este artigo resultou de trabalhos realizados no âmbito do projeto integrado de pesquisa A história da didática em instituições de formação de professores no Brasil (1827-2011) , o qual se desenvolve junto a um programa de pesquisa com o mesmo título e objetivos gerais, a saber: identificar, reunir, selecionar, sistematizar, analisar e interpretar aspectos da didática, como disciplina e campo de conhecimento em instituições de formação de professores no Brasil, entre 1827 e 2011. Trata-se de investigações inseridas no campo de investigação conhecido como história das disciplinas escolares, cujo quadro teórico-metodológico é constituído, sobretudo, segundo as formulações de Ivor Goodson e André Chervel. Para esses pesquisadores, a constituição dos saberes escolares específicos de cada disciplina, do currículo, é resultado de um complexo processo envolvendo conflitos, mediações diferentes por diversos sujeitos e instituições, diante dos papéis que, em cada época e sociedade, são atribuídos à escola. Nesse sentido, estudar a história das disciplinas, considerando o saber professoral que as embalou em cada instituição de formação de professores no Brasil, significa dar margem a aspectos de um conjunto heterogêneo de vozes e saberes que contribui para a compreensão do campo de conhecimento sobre a história da formação de professores no Brasil. Daí nossas opções metodológicas pautadas na história oral. Assim, neste artigo, nosso objetivo central é apresentar alguns apontamentos acerca das contribuições da história oral para a pesquisa em história das disciplinas escolares.

As fronteiras: retomando a palavra e libertando significados. Quem sou eu? As mulheres e as identidades redescobertas

From one dimension of culture, the word boundary breaks away from the idea of territorial boundary defined a priori as something fixed to the delineation of boundaries. Released this commitment, it can be thought of in other dimensions: as of transition moments of identity experienced by individuals, for women, compared to established norms. Questioning the determinant and connected speech processes of change, they left the banks in which they lived and sought recognition of self, identity and new choices have taken up other possibilities for being, social inclusion, coupled with the guarantee of their rights. Recognizing the existence of this movement, I propose a look at border on the inclusion of women as widows in order to observe the multiple identities of their female protagonists. This reflection aims to take account of social fraying beyond the limits and directions in taxes and if the widow, to expand the boundaries of its meaning and consider the possibility of hybrid subjects, differentiated, and therefore mobile and moving all the time an ongoing performance of operations, as well as contemporary studies have shown about gender relations that take into account the distinctions of race, class, ethnicity, and especially for generations.

Variação e gênero textual: o uso das preposições nas cartas de leitoras brasileiras e portuguesas

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Trabalho em tempos de crise: a superexploração do trabalho penal nos Centros de Ressocialização Femininos do Estado de São Paulo

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O perigo das águas: aspectos do feminino terrível em Gustavo Adolfo Bécquer, Octavio Paz e Eduardo Galeano

Pós-graduação em Estudos Literários - FCLAR

O retorno: identidades à deriva no romance português contemporâneo

This paper concentrates on the analysis of how the typical voices of History are manifested, which is achieved by the aesthetics of the contemporary Portuguese narrative, as it aims at the same time the reflexion and the reformulation of the Lusitanian cultural imaginary in the course of O retorno, a novel by Dulce Maria Cardoso. The hypothesis that arises is that the trajectory of Rui’s individual experience, as wells as the other’s characters “retornados” looking for identity, is parallel to the proposed revision of the Portuguese nation collective cultural imaginary in the decolonization context, after the 25th April Revolution. It is its objective to investigate how the historical processes concerned to the concepts of exile and uprooting, displacement and belonging (BAUMAN, 2005) are fictionalized in the novel, seen as motes for Rui’s pursuit for identity and for the revision of the Portuguese Destiny theme

Análise dialógica do discurso publicitário

From the questions raised by Bakhtin Circle, especially those intended to gender and dialogue, this work aims to study the relationships of meaning that are established between the statements present in commercial advertising discourse. For each sphere of production, circulation and reception of discourses, genres are appropriate, therefore, all discourse requires a different choice of language resources, which determines, among other things, the style of the message. The advertising genre, a genre characterized as complex, as it works, reframes and incorporates primary genres, has the central objective of building the next one idea being to buy something more frequent. This process occurs mainly through the use of persuasive speeches, compelling, authoritative, imperative and seduction. Our goal is to analyze an advertising piece, discussing how the resources used in advertising participate in the process of enunciation and persuasion and the manner in which the voices of others (previous authors, recipients hypothetical ) mingle with the voice of the subject's explicit enunciation. (Bakhtin, 2010, p. XXVII). Thus, based on Bakhtinian studies, we will think about the relation of the dialogical voices raised in question in advertising, and attend to the role of the other, with his active responsive understanding, how to be active and modifying agent

Propaganda e inclusão social: uma análise dialógica do discurso publicitário

The means of mass communication are powerful tools to the spread of a concept as persuasion is a strong characteristic of discourses that gather around the sphere of communication, especially in advertising discourses. By the end of the 90’s, the advertisement “Down: the worst syndrome is prejudice”, did great success approaching prejudice / pre-concept in a subtle and innovative way, due its outstanding purpose and style inserting two boys in a carousel, one is a street child, the other a Down syndrome patient. The advertisement reveals a speak project of diffusion and spread of ideas that down syndrome patients are capable of dealing and supporting a routine full of activities, making a opposition to the campaigns and ideas that, in spite of raising the respect towards these kids, only contributed with the attenuation of their handicaps. Our objective is to investigate the presence of these social values in the quoted audio-visual material, and for that we’ve searched the contextualization of the advertisement in its own time period. The theory and methodological aspects got their base in Bakhtinian studies and concepts; we used the concepts of discourse gender, chronotope and mainly dialogism and enunciation. We analyzed the style utilized in the advertisement, the dialogue between the politically correct and the prejudice speeches, the verbal discourse of the music that flows with the progress of the enunciation, the non-verbal discourse of the photography (nostalgic, producing effects of sense in its relation with memory), the chronotope present in the utilization of the carousel and its significations. We concluded that the accession of the recipient, in it responsive comprehension of the enunciation at hand, is an effect produced by the well-succeded addition of these different types of discourses

Reflexão acerca das relações de gênero e inatividade feminina nas aulas de Educação Física escolar

As aulas de Educação Física escolar apontam para um cenário recorrente e ao mesmo tempo inaceitável: a inatividade feminina. Essa realidade surge como um marco negativo, uma vez que as conquistas femininas no “universo” do movimento estão consolidadas. Entretanto, essas conquistas podem não significar uma relação de equidade entre os sexos. Baseado nisso, pretendeuse investigar a prática pedagógica de dois professores de Educação Física no trato das questões de gênero e da inatividade feminina. A pesquisa realizada teve como abordagem a metodologia qualitativa de caráter descritivo. Foram observadas aulas de Educação Física de dois professores da rede pública de ensino da cidade de Rio Claro. Após o período de observação foi aplicada uma entrevista para as meninas, a fim de dialogar sobre a problemática da relação de gênero. Para essa coleta utilizou-se um gravador de voz para registrar a entrevista, que depois foi transcrita. Como resultado observou-se que as aulas acontecem predominantemente sem a interação entre os sexos, há um domínio simbólico masculino que faz com que meninos dominem o tempo e espaço da aula. Na entrevista as meninas mostraram-se contrárias a interação com os meninos, muitas vezes por motivos físicos, sendo assim, as práticas na Educação Física escolar estão permeadas de conteúdos que exigem rendimento. Conclui-se que há carência nas aulas de Educação Física de práticas coeducativas, o que ocasiona um aumento na distância entre os sexos, descaracterizando a condição igualitária que a escola deveria proporcionar e fazendo com que os corpos femininos neguem a interação com o sexo oposto, tanto por motivos biológicos, como por razões motoras.

O romance como veículo de preenchimento da falta humana: Reparação de Ian McEwan

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Um drink de tradição e novidade: considerações sobre Rilke Shake de Angélica Freitas

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Um jogo de mapas ou sobre engano geográfico de Marília Garcia

This essay aims to analyze the book Engano geográfico Marília Garcia, published in 2012. It is a long narrative poem that recounts a trip through Spanish and French landscapes, and which allows to question various shifts of the poetic voice. One of them, marked by the duplicity between geographic and poetic journey which I could characterize as a be­ 76 Revista semestral do Programa de Pós-Graduação em Letras – UFES tween-place given by the sign of waiting. A second, through a dialogical instance that allows a process of depoetization of the language with its permeability to other voices. Finally, through the presence of several pronouns “I”, “he”, “she”, “you”, without explicit textual reference, and that would indicate a kind of closeness of the loving attention.

João Miramar e as dobras do texto

This study about Memórias Sentimentais de João Miramar, by Oswald de Andrade, aims to explore the voices that organize the space of language in the narrative. Such space has an operative vision called polyphony, by which the signs organize themselves out of a hierarchical scale, although the chronological axis of the life of João Miramar is the guiding principle of the episodes.