O embate crítico entre Mario Vargas Llosa e Antonio Cornejo Polar: leituras de José María Arguedas e do indi- genismo peruano

Pós-graduação em Letras - FCLAS

Observação da relação mãe-bebê pertencentes à classe trabalhadora durante o primeiro ano de vida

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Humanization of health care: a reflexive theoretical essay based on the philosophy of Emmanuel Lévinas

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Distribuição de pausas na interpretação de atores

Introduction: The literature about the work with the voice of actors in the theater focuses the research on organic issues involved in the vocal process as “misuse” or “vocal abuse”. To a lesser amount, there are studies that highlight issues of interpretation and expressive resources, as well as others that highlight the linguistic resources of interpretation. This work shows a linguistic feature – the pause – and its collaboration for the theatrical interpretation. Objective: to verify the extent to which similarities and differences occur between the points judged as occurrence of pauses in interpretations of a theatrical text. Method: Subjects of this study were four theater actors, who played individually a same theatrical text. Later, a group of ten judges judged the points where pauses occurred. Based on a criterion of 70% agreement between judges, were searched similarities and differences between the points judged as pause of each recording. Results: the four subjects showed different amounts of pause in the stretch in common that they interpreted: S1= ten occurrences; S2= 14 occurrences; S3= 6 occurrences; and S4= 9 occurrences. In this inter-subject variation, five points of pause in common were detected. Conclusion: we have seen, then, that this variability (featuring subjectivity in interpretation) is built inside given possibilities, with lesser or greater flexibility, by the structure of the theatrical text.

Pausas na interpretação teatral: delimitação de constituintes prosódicos

We intend to observe the function of a linguistic resource – the pause – in theatrical interpretation. Connected to the field of speech therapy, we search for theoretical support in the Linguistics field, mainly in prosodic phonology – specifically, we highlight intonational phrase and phonological utterance, prosodic constituents –, proposing a dialogue between these fields, regarding the work with actors. In speech therapy literature, the work with actors focuses, centrally, in organic issues involved in the vocal process, such as “misuse” or “voice abuse”. To a smaller extent, we find, in this literature, researches that emphasize issues regarding interpretation and expressive resources, besides a few emphasizing the importance of linguistic resources in interpretation. Differently, in linguistics literature, the pause is approached, to a larger extent, from the phonetic perspective, related to several language levels. In this research, we analyzed audio recordings of four actors from a same theatrical group, acting the theatrical text Brutas flores, focused on these aims: (1) detect the place where pauses happen in the interpretation of a single text by four actors; (2) survey physical characteristics of length of these pauses; (3) check to what extent the length of a pause is related to the place where it happens, regarding the prosodic limits of intonational phrases (I) and phonological utterance (U). We could observe that, although the interpretation is characterized by the subjectivity of the actor, the interpretation is constructed based in the possibilities offered by the prosodic organization of the text itself, being more or less flexible.We were also able to confirm, by considering the length of VVs units containing pauses, the prosodic hierarchy proposed by Nespor & Vogel, once the length of these units in U's limits was significantly higher than the length in I's limits. Thus, our results reinforce the premise that a linguistic structure overlaps the subjectivity of the actor, i. e., the premise that the strength of linguistic structure organization acts on the possible individual operation/style.

Notas para a compreensão da constituição do sujeito em Freud

In this paper we intend to understand the functioning of Freudian psychism concerning the constitution of the psychic subject in his relation with knowledge. In order to do that, we will analyze one of the most important writings by Freud: An Outline of Psycho-Analysis. This choice was made because we think that the author synthesizes his thought in that book, whose maturity makes possible for us to access a later elaboration of the functioning and the conceptions we intend to analyze: The regions of Psychic apparatus; The problem of the Psycho-Analysis approach: science and philosophy; and The psychic qualities of the subject.

A universalidade da educação em Hegel

Cannot the education reach the universality? Is the universality the annihilation of the individual? Can the individual have his identity preserved as such in the State? Those questions are answered with the attention returned and led to the education. To Hegel the education universalizes the individual insofar as it introduces him into the life of the State in which the subjectivity and individuality are known in fact, preserved and promoted. In the Elements of the Philosophy of Right, Hegel deals with the realization of freedom in the institution of State and identifies it with the realization of freedom. The aim here is to reflect upon the Hegelian comprehension of State towards education, its meaning, signification to the life of the State and its possible repercussions regarding the figures of the subject and individual also nowadays. To Hegel the education supports the State as such because it is the process of the Sate’s awareness along its formation as a living organism. A State that knows itself is a State that is known by its members who do not reach neither the State’s awareness nor themselves’ without the relation that gathers them together as the substantial universality. The education is the means that brings the individuals to the life of the State. Bringing the individual to the life in the State, the education reveals the individual to himself as well as to his true nature, that is, a being in relation to others who are not but himself. The knowledge of oneself in the education happens also through its formalization regarding the specific contents developed and accumulated throughout the history. Here comes the figure of the formal educator through whom the State aims its process of formation. This way Hegel confirms that nobody learns alone and that the universal is precisely this relation.

Da ideia inicial do aluno à elaboração do conceito de metodologia da mediação dialética

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O leitor machadiano das crônicas da Gazeta de Notícias

Pós-graduação em Linguística e Língua Portuguesa - FCLAR

A prática social na pedagogia histórico-crítica e as relações entre arte e vida em Lukács e Vigotski

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Se (eu) não me engano... condicionalidade na modalização?

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Software baseado em rede neural artificial desenvolvido por meio de algoritmo genético para a classificação morfológica de blastocistos bovinos

Pós-graduação em Biociências - FCLAS

Aquisição/aprendizagem de LE na infância: a produção de enunciados em inglês por crianças de 3 a 5 anos

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Entre o direito à ternura e a 'pedagogia do amor': a dimensão (sócio-) afetiva da identidade docente

No mundo globalizado, a complexidade dos processos subjetivos e objetivos envolvidos na construção das identidades singulares e culturais exige pensar como o sujeito da atualidade sofre, experimenta e vivencia a diversidade de influências culturais nas quais está imerso. Neste contexto, escolheu-se, de um lado, a figura do professor como objeto de estudo, para saber como esta complexidade de processos perpassa a construção de sua identidade docente vinculada ao desenvolvimento pessoal, mas também profissional. Por outro lado, a influência dos livros de autoajuda também será objeto de estudo por apresentar um papel cada vez mais presente no preenchimento da perda de autoestima do professor, assim como da “perda de subjetividade”, visando elevar “a moral” dos professores, mas que nos passa a compreensão de uma contribuição dúbia para o exercício da profissão. Assim, nosso olhar volta-se para a questão da construção da identidade desse professor e do exercício de sua profissionalidade, considerando a questão da dimensão afetiva como um dos constructos da autoestima docente e de sua identidade. Tendo como referência esses pressupostos, este trabalho tem como objetivos: (a) averiguar nas políticas públicas de formação de professores como a dimensão (sócio-)afetiva (ou dimensão pessoal) vem sendo tratada nas propostas de formação docente; (b) identificar nos docentes que atuam em escolas da rede de ensino, educação básica, os aspectos constitutivos da dimensão (sócio-)afetiva (ou dimensão pessoal) da identidade do professor; e (c) assinalar nas descrições dos professores respondentes (a partir de fonte documental ou questionário) a existência ou não da literatura de autoajuda no cotidiano docente. Optou-se, como procedimento metodológico, pela pesquisa qualitativa, na perspectiva do “construtivismo social”... (Resumo completo, clicar acesso eletrônico abaixo)

O corpo entre concertos e consertos: um estudo sobre a dança tribal

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)