Integração e recuperação paisagística em pedreiras

Esta dissertação, elaborada no âmbito da obtenção do grau de mestre em Arquitetura Paisagista, tem como tema a “Integração e Recuperação Paisagística em Pedreiras”, a qual foi desenvolvida com base no trabalho de investigação desenvolvido, enquanto colaborador no Centro Tecnológico da Pedra Natural de Portugal (CEVALOR) localizado em Borba, desde o ano 2000, até à atualidade. A recuperação de pedreiras pode ser caracterizada, como um processo de intervenção local, inserido no âmbito da gestão visual, da conservação e de valorização da paisagem. Para realizar o processo de recuperação, não só é necessário o correto enquadramento legal, como entender o contexto paisagístico, que permite avaliar os impactes visuais potenciais e propor medidas de mitigação adequadas. O conteúdo metodológico desta dissertação apresenta a análise, interpretação e caracterização estrutural da paisagem assim como da avaliação do impacte visual, assim como as opções de recuperação com vista à sua integração das pedreiras na paisagem; Abstract: Integration and landscape reclamation in quarries This dissertation concerning the theme “landscape integration and rehabilitation of quarries” aims to obtain the master degree in landscape architecture, as the result of my research as a collaborator at CEVALOR since the year of 2000. The integration and rehabilitation of quarries can be described has a process of local intervention within the fields of visual management, conservation and amelioration of the landscape. In order to accomplish the rehabilitation process, not only is necessary to consider all legal obligations but understand the landscape context, through the analysis of the visual quality and the assessment of the visual impacts in order to propose the most adequate mitigation measures. This dissertation presents a methodological approach that describes the process of landscape analysis, landscape visual impact assessment and the feasible rehabilitation options regarding the visual integration of quarries in the landscape.

The FUELCON meta-architecture, in the landscape of intelligent technologies for refuelling

The conception of the FUELCON architecture, of a composite tool for the generation and validation of patterns for assigning fuel assemblies to the positions in the grid of a reactor core section, has undergone an evolution throughout the history of the project. Different options for various subtask were possible, envisioned, or actually explored or adopted. We project these successive, or even concomitant configurations of the architecture, into a meta-architecture, which quite not by chance happens to reflect basic choices in the field's history over the last decade.

Understanding landscape and the values of traditional architecture and construction

Ponencia presentada en el congreso internacional organizado por el Comité Internacional de Arquitectura Vernácula de ICOMOS - UNESCO.

Farm Bureau Decennial Celebration : DeKalb, Illinois, June 30, 1922 /

Inscribed by H.H. Parke, Committee Chairman.

The prairie spirit in landscape gardening : what the people of Illinois have done and can do toward designing and planting public and private grounds for efficiency and beauty /

Cover title.

City of Sycamore flood control project (Martin's Ditch Reservoir) : Small Projects Program : city of Sycamore, DeKalb County, Illinois.

Cover title.

City of Sycamore flood control project (Bethany Road Detention Pond) : Small Projects Program : city of Sycamore, DeKalb County, Illinois.

"OWR/SPR/01-001"

The responsiveness summary of permit decisions for the city of Lake Forest and DK Recycling Systems, Inc.'s landscape waste compost facility and landscape waste transfer station, Lake Forest, Illinois : hearing file no. 325-97.

"January 1998."

A treatise on the theory and practice of landscape gardening : adapted to North America, with a view to the improvement of country residences ; comprising historical notices and general principles of the art, directions for laying out gardens and arranging plantations, the description and cultivation of hardy trees, decorative accompaniments to the house and grounds, the formation of pieces of artificial water, flower gardens, etc. ; with remarks on rural architecture /

Signatures: [A][superscript 4] B[superscript 4](-B4), 2-62[superscript 4] 63[superscript 2](-632); 16 leaves of plates.

A treatise on the theory and practice of landscape gardening : adapted to North America; with a view to the improvement of country residences; comprising historical notices and general principles of the art, directions for laying out grounds and arranging plantations, the description and cultivation of hardy trees, decorative accompaniments to the house and grounds, the formation of pieces of artificial water, flower gardens, etc.; with remarks on rural architecture /

Mode of access: Internet.

Architecture of the Landscape and Landscape of the Architecture in Japan. A dialogue between water and earth

It's very difficult in traditional Japanese culture separate the landscape from the architecture. The Japanese architectural culture has its roots in China but soon this culture has developed its own culture and an aesthetic that was the result of a long isolation from the rest of the world. Zen Buddhism and the constant relationship with nature define the main characteristics of Japanese architecture: minimalism and simplicity. The architecture is a perfect balance of harmony, proportion and purity. This paper aims to analyze the cultural roots of the relationship between architecture and landscape in Japan and where the characteristics previously defined are very important for to know the significance of the Japanese architectural thinking.

Concerning the house museum and the picturesque landscape in the work of Sir John Soane : with raw hints for post-heritage museum space

The picturesque aesthetic in the work of Sir John Soane, architect and collector, resonates in the major work of his very personal practice – the development of his house museum, now the Soane Museum in Lincoln’s Inn Fields in London. Soane was actively involved with the debates, practices and proponents of picturesque and classical practices in architecture and landscape and his lectures reveal these influences in the making of The Soane, which was built to contain and present diverse collections of classical and contemporary art and architecture alongside scavenged curiosities. The Soane Museum has been described as a picturesque landscape, where a pictorial style, together with a carefully defined itinerary, has resulted in the ‘apotheosis of the Picturesque interior’. Soane also experimented with making mock ruinscapes within gardens, which led him to construct faux architectures alluding to archaeological practices based upon the ruin and the fragment. These ideas framed the making of interior landscapes expressed through spatial juxtapositions of room and corridor furnished with the collected object that characterise The Soane Museum. This paper is a personal journey through the Museum which describes and then reviews aspects of Soane’s work in the context of contemporary theories on ‘new’ museology. It describes the underpinning picturesque practices that Soane employed to exceed the boundaries between interior and exterior landscapes and the collection. It then applies particular picturesque principles drawn from visiting The Soane to a speculative project for a house/landscape museum for the Oratunga historic property in outback South Australia, where the often, normalising effects of conservation practices are reviewed using minimal architectural intervention through a celebration of ruinous states.

The modern movement architecture of four South African cities

South Africa's modern architecture is not confined to the cities, but the ideas of the movement were mostly disseminated by architects and academics in Johannesburg, Pretoria, Durban and Cape Town, its four major urban centres. The lay out of significant areas of each city was also influenced by international modernist plans. In outlining the achievements and innovative designs of architects in these cities between the 1930s and 1970s, this article draws a picture of the importance of modernism in South African urban space, and of its diversity. It also draws attention to the political nature of the South African landscape and space, where modernist design was used for racial purposes, and to past and present conservation ideologies. The second part of the article concerns the conservation of modern buildings in these centres; it quotes bibliographies and lists the registers, those existing or under construction. It concludes with an overview of the conservation legislation in place and the challenges of conservation in a context of changing cultural values.