Camp-fire chats of the Civil War : being the incident, adventure, and wayside exploit of the bivouac and battle field, as related by veteran soldiers themselves ... /

Mode of access: Internet.

Kings of the battle-field : comprising a series of biographical sketches of the most distinguished military leaders, of Europe and America, who have contributed their life services to establish and perpetuate the freedom of their fellow-men and the sacred honor of their country /

Mode of access: Internet.

Tales of the kings of England : stories of camps and battle-fields, wars and victories ; from the old historians /

Mode of access: Internet.

Battle-fields of the South, from Bull Run to Fredricksburg;

Mode of access: Internet.

Tale of a tub. Written for the universal improvement of mankind. To which are added, An account of a battle between the ancient and modern books in St. James's Library, and a discourse concerning the mechanical operations of the spirit. With the author's apology, and explanatory notes,

Mode of access: Internet.

Visits to remarkable places; old halls, battle fields, and scesnes illustrative of striking passages in English history and poetry.

Mode of access: Internet.

Visits to remarkable places; old halls, battle fields and scenes illustrative of striking passages in English history and poetry.

Mode of access: Internet.

Camp, march and battle-field; or, Three years and a half with the Army of the Potomac.

Mode of access: Internet.

The antiquities of Hastings and the battlefield, with maps, and a plan of the battle.

Mode of access: Internet.

Battle abbey: with notices of the parish church and town,

Hazlitt tracts, v.19, no.5 Portrait of Isaac Ingall, "who lived in... Battle Abbey...aged 120 years," glued in back of book.

The lovers' battle : a heroical comedy in rhyme, founded upon Alexander Pope's "Rape of the lock" /

110 lines of Pope's Poem have been incorporated in the Play, and are indicated by brackets.--Author's note.

This battle was not over: Parade’s End as a transitional text in the development of ‘disenchanted’ First World War literature.

This chapter argues that the novels of Ford's Parade's End tetralogy occupy a significant place in the development of "disenchanted" fiction about the First World War. The values of Ernest Raymond's patriotic Tell England are contrasted with those of C. E Montague's Disenchantment, providing a brief synopsis of the early 1920s response to the conflict. Parade's End is seen as introducing several key themes in to the post-First World War discursive field, including national identity, psychology, memory, and time. The presentation of these aligned with the formal aspects of the novel, allows it to push the boundaries of the readerly horizon of expectations. Frayn argues that Ford's readership, though moderately-sized, was influential from a literary point of view, and thus facilitated the reception of later, more vitriolic, criticisms of war.