1000 resultados para Benozzo, di Lese, 1420-1497.


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Di-urea cross-linked poly(oxyethylene)/siloxane hybrids, synthesized by the sol-gel process and containing a wide concentration range of potassium triflate, KCF3SO3, have been analyzed by x-ray diffraction and differential scanning calorimetry. The pseudo-phase diagram proposed has been taken into account in the interpretation of the complex impedance measurements. The xerogels prepared are obtained as transparent, thin monoliths. At room temperature the highest conductivity found was 2 × 10-6 Ω-1 cm-1.

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Large volume parenteral solutions (LVPS) are widely used as vehicles for intravenous administration of drugs and polyvinyl chloride (PVC) flexible bags are, nowadays, the plastic containers most commonly used to pack and drip-feed LVPS. An advantage of using bags is that they collapse flat and thus reduce the risk of airborne contamination and embolism caused by air in the bloodstream. They are mainly used in hospitals. This review deals with some important aspects of the PVC packaging containing the plasticizer DEHP, generally used to pack LVPS. The interaction between drug and package is discussed, with an emphasis on the migration of DEHP from the PVC bag to LVPS containing the immunosuppressant cyclosporin, and toxicological aspects are considered.

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Incluye Bibliografía

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The cyclopalladated complex [Pd(C2,N-dmba)(μ-SCN)]2, where dmba = N,N-dimethylbenzylamine, was structurally characterized by single-crystal X-ray diffraction. This compound crystallizes in the monoclinic system, space group P21/n with a = 9.578(1)Å, b = 12.323(2)Å, c = 10.279(2)Å, β = 117.03(1)°, V = 1080.7(3)Å3, Z = 2. Each Pd(II) center displays a distorted square-planar coordination environment, formed by the C and N atoms from the dmba ligand, and one set of N and S atoms from the bridging SCN groups. 2009 © The Japan Society for Analytical Chemistry.

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This paper refers to issues related to the harmonic language of Claudio Monteverdi, its harmonic procedures and resulting melodic movements, its use as a dramaturgical resource and its potential allegorical meanings, based on theories and classifications of modes of the sixteenth and seventeenth centuries. At first, it approaches the matter of the multiple names and meanings of the modes and their potential allegorical references according to different authors. Secondly, it presents the analysis of two examples from his operas that deal with the representation of the death of Euridice and Clorinda (Orfeo & Il combattimento de Tancredi e Clorinda, respectively), correlating their harmonic procedures to the corresponding dramaturgical situations.

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As part of our ongoing research on antioxidant agents from Brazilian flora, we screened the free radical scavenging activity of two extracts and eight fractions of Kielmeyera variabilis (Clusiaceae) using DPPH (2,2-diphenyl-1- picrylhydrazyl-hydrate) and ABTS+ [2,2'-azinobis(3- ethylenebenzothiazoline-6-sulfonic acid)] colorimetric assays. The ethyl acetate and n-butanol fractions of the leaves of K. variabilis displayed the strongest activity (IC50 of 3.5 ± 0.3 and 4.4 ± 0.2 μg mL -1 for DPPH and 6.6 ± 0.4 and 3.1 ± 0.1 μg mL -1 for ABTS+, respectively). Chromatographic fractionation of the most potent fractions led to identification of three flavonols with previously described antioxidant activity, quercitrin (1), quercetin-3-O- glucoside (3), and quercetin-3-O-galactoside (4), and of one biflavone, podocarpusflavone A (2). This is the first time that the presence of these flavonoids in Kielmeyera variabilis has been reported. © 2013 by the authors.

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Pós-graduação em Ciências Sociais - FFC

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Pós-graduação em Ciência e Tecnologia de Materiais - FC

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Este trabalho trata de duas artes, Literatura e Cinema. Embora autônomas e específicas, traduzem-se em textos distintos, relações de identificação e ao mesmo tempo afastamento de uma obra em relação à outra. Nossa abordagem tem, como ponto de partida, o texto literário "O Leopardo", do escritor italiano Giuseppe Tomasi di Lampedusa e, como ponto de chegada, a obra cinematográfica homônima do cineasta, também italiano, Luchino Visconti. Lampedusa produziu uma obra que só ganharia reconhecimento postumamente. Nela, criou um discurso narrativo através do qual põe em destaque a História e a representação da sociedade. Apesar de ter nos legado uma obra pequena, caracteriza-se por apresentar um estilo próprio, marcado por requintes de liberdade e recriação da palavra. Luchino Visconti, o mais requintado criador da sétima arte de seu tempo, transpôs, com rigor, para a tela, importantes obras de renomados escritores. Seus filmes traduzem uma precisa visão histórica e aristocrática. A narrativa cinematográfica mescla ousadia e criatividade, desafiando a escritura ao arquitetá-la em magníficas imagens, cumprindo com o (quase) intuito da fidelidade a abstração da imagem literária.

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Pós-graduação em Agronomia (Horticultura) - FCA