949 resultados para lcsh: Architectural criticism Europe History 19th century
Resumo:
Written in one column, 21 lines per page, in black and red.
Resumo:
by Alex. Russell.
Resumo:
Este trabajo explora la historia escolar a inicios del siglo XXI analizando sus actuales propósitos, contenidos y prácticas con el fin de señalar sus cambios, conquistas y pérdidas respecto al siglo XX. Focaliza el nivel secundario de la provincia de Buenos Aires a través del análisis de fuentes áulicas, normativas y pedagógicas. El artículo indica que la historia escolar manifiesta el quiebre del código disciplinar configurado a fines del siglo XIX y desarrollado durante gran parte del siglo XX (caracterizado como civilizatorio, patriótico, elitista, fáctico, libresco, memorístico) y presenta cambios que muestran uno nuevo donde cobra relevancia lo contemporáneo y reciente, lo crítico y plural, y lo subjetivo. También señala que la historia escolar evidencia, por un lado, importantes conquistas -en relación con la perspectiva latinoamericana y la historia reciente-, y, por otro, ciertas pérdidas -en relación con la formación de una identidad colectiva y el carácter narrativo.
Resumo:
The present 30 volumes seem to have remained with the Dukes of Leuchtenberg, until the ducal library was acquired for sale in 1935 by the dealers Ulrich Hoepli (Milan) and Braus-Riggenbach (Basel). The volumes are not complete, as leaves have been wholly or partly removed throughout; this is particularly evident in preliminary volumes 2 and 10 and volume 75. Prints and the relatively small number of drawings are mostly French, with some German, Dutch and English, and are mostly of the 17th or 18th centuries. They are mounted generally on rectos of leaves, often with hand-written captions. Large prints are occasionally bound in directly; these are often folded. The engraved general title page (bearing the date 1788) appears at the beginning of each volume; below the printed title a hand-written volume number and brief title describing the volume's contents usually appear. In many volumes the title leaf is followed by a hand-written contents leaf listing the section titles, which are also written individually throughout the volume on leaves with etched decorative frames. Sections are numbered continuously throughout the work as a whole. Numbering of the leaves, when present, appears in black ink within each volume at top center recto. Printmakers include B. & J. Audran, Francesco Bartolozzi, Abraham Bosse, Stefano della Bella, Jacques Callot, François Chéreau, Wenceslaus Hollar, Romeyn de Hooghe, Raymond La Fage, Sébastien Le Clerc, Pierre Lepautre, Claude Mellan, Bernard Picart, and Simon Thomassin. There are also early color prints by Gautier-Dagoty and Jean-Baptiste Morret.
Resumo:
Pt. 3 has imprint: London : J.H. and J. Parker.
Resumo:
Added title page: Allgemeine Länderkunde hrsg. von Wilhelm Sievers.
Resumo:
Divided in 4 "divisions," each accompanied respectively by 30, 20, 30, 20 lithographs after designs of the author.
Resumo:
Consists of lithographic plates.
Resumo:
Mode of access: Internet.
Resumo:
Contains 304 mounted albumen prints in postage stamp format.
Resumo:
Includes index.
Resumo:
First published under title The fatal marriage; or, The innocent adultery.
Resumo:
017.4 T22d v.1 cop.1: Publisher's printed wraps bound-in; "O-7-30" inscribed in blue pencil on front cover; bookseller's label on front cover: "Libreria di Ulrico Hoepli, succ. a Teodoro Laengner, Galleria de Christoforis 15, 60, Milano."
Resumo:
Sir Walter Scott is often regarded as the first historical novelist. Reinventing Liberty challenges this view by returning us to the rich range of historical fiction written in the late 18th and early 19th century. For the first time placing these works in the context of British politics and British history writing, this book redefines the historical novel, revealing a genre which seeks to manage political change through historiographical experimentation. It explores how historical novelists participated in a contentious debate concerning the nature of commercial modernity, the formulation of political progress and British national identity. Ranging across well-known writers, like William Godwin, Horace Walpole and Frances Burney, to lesser-known figures, such as Cornelia Ellis Knight and Jane Porter, Reinventing Liberty uncovers how history becomes a site to rethink Britain as ‘land of liberty’. Reading Scott in relation to this tradition, Reinventing Liberty demonstrates the genre’s troubled role in the construction of the myth of Britain as a nation of gradual, safe political change.
Resumo:
"Elogio di Eustachio Zanotti tradotto dal latino di Luigi Palcani": p. [V]-XXVIII.