Model thrombi formed under flow reveal the role of factor XIII-mediated cross-linking in resistance to fibrinolysis

Background: Activated factor XIII (FXIIIa), a transglutaminase, introduces fibrin-fibrin and fibrin-inhibitor cross-links, resulting in more mechanically stable clots. The impact of cross-linking on resistance to fibrinolysis has proved challenging to evaluate quantitatively. Methods: We used a whole blood model thrombus system to characterize the role of cross-linking in resistance to fibrinolytic degradation. Model thrombi, which mimic arterial thrombi formed in vivo, were prepared with incorporated fluorescently labeled fibrinogen, in order to allow quantification of fibrinolysis as released fluorescence units per minute. Results: A site-specific inhibitor of transglutaminases, added to blood from normal donors, yielded model thrombi that lysed more easily, either spontaneously or by plasminogen activators. This was observed both in the cell/platelet-rich head and fibrin-rich tail. Model thrombi from an FXIII-deficient patient lysed more quickly than normal thrombi; replacement therapy with FXIII concentrate normalized lysis. In vitro addition of purified FXIII to the patient's preprophylaxis blood, but not to normal control blood, resulted in more stable thrombi, indicating no further efficacy of supraphysiologic FXIII. However, addition of tissue transglutaminase, which is synthesized by endothelial cells, generated thrombi that were more resistant to fibrinolysis; this may stabilize mural thrombi in vivo. Conclusions: Model thrombi formed under flow, even those prepared as plasma 'thrombi', reveal the effect of FXIII on fibrinolysis. Although very low levels of FXIII are known to produce mechanical clot stability, and to achieve ?-dimerization, they appear to be suboptimal in conferring full resistance to fibrinolysis.

A model of the hydrothermal system at Casa Diablo in Long Valley, California, based on resistivity profiles and soil mercury analyses

A description and model of the near-surface hydrothermal system at Casa Diablo, with its implications for the larger-scale hydrothermal system of Long Valley, California, is presented. The data include resistivity profiles with penetrations to three different depth ranges, and analyses of inorganic mercury concentrations in 144 soil samples taken over a 1.3 by 1.7 km area. Analyses of the data together with the mapping of active surface hydrothermal features (fumaroles, mudpots, etc.), has revealed that the relationship between the hydrothermal system, surface hydrothermal activity, and mercury anomalies is strongly controlled by faults and topography. There are, however, more subtle factors responsible for the location of many active and anomalous zones such as fractures, zones of high permeability, and interactions between hydrothermal and cooler groundwater. In addition, the near-surface location of the upwelling from the deep hydrothermal reservoir, which supplies the geothermal power plants at Casa Diablo and the numerous hot pools in the caldera with hydrothermal water, has been detected. The data indicate that after upwelling the hydrothermal water flows eastward at shallow depth for at least 2 km and probably continues another 10 km to the east, all the way to Lake Crowley.

Wall of Respect for Women

Inscription: Verso: Mural, Rutgers Street, New York.

Geochemistry of tephra from Lake Ohrid

Here we present a tephrostratigraphic record (core Co1202) recovered from the northeastern part of Lake Ohrid (Republics of Macedonia and Albania) reaching back to Marine Isotope Stage (MIS) 6. Overall ten horizons (OT0702-1 to OT0702-10) containing volcanic tephra have been recognised throughout the 14.94 m long sediment succession. Four tephra layers were visible at macroscopic inspection (OT0702-4, OT0702-6, OT0702-8 and OT0702-9), while the remaining six are cryptotephras (OT0702-1, OT0702-2, OT0702-3, OT0702-5, OT0702-7 and OT0702-10) identified from peaks in K, Zr and Sr intensities, magnetic susceptibility measurements, and washing and sieving of the sediments. Glass shards of tephra layers and cryptotephras were analysed with respect to their major element composition, and correlated to explosive eruptions of Italian volcanoes. The stratigraphy and the major element composition of tephra layers and cryptotephras allowed the correlation of OT0702-1 to AD 472 or AD 512 eruptions of Somma-Vesuvius, OT0702-2 to the FL eruption of Mount Etna, OT0702-3 to the Mercato from Somma-Vesuvius, OT0702-4 to SMP1-e/Y-3 eruption from the Campi Flegrei caldera, OT0702-5 to the Codola eruption (Somma-Vesuvius or Campi Flegrei), OT0702-6 to the Campanian Ignimbrite/Y-5 from the Campi Flegrei caldera, OT0702-7 to the Green Tuff/Y-6 eruption from Pantelleria Island, OT0702-8 to the X-5 eruption probably originating from the Campi Flegrei caldera, OT0702-9 to the X-6 eruption of generic Campanian origin, and OT0702-10 to the P-11 eruption from Pantelleria Island. The fairly well-known ages of these tephra layers and parent eruptions provide new data on the dispersal and deposition of these tephras and, furthermore, allow the establishment of a chronological framework for core Co1202 for a first interpretation of major sedimentological changes.

Production and presence in the countries of Central America in Scopus on the theme of Documentation in Social Communication (1986-2013)

Describes and analyzes the results obtained after analysis of the publications present in Scopus data base and used that tool rankings generated by the research group Scimago on the production of the different countries of Central America on the issue of documentation the means of mass communication. Performed a comparative about different countries in the region and the scientific analyzes. Finally, and given and data analysis, a number of recommendations are made to improve the production and the presence in indexed database.

"Per aurem intrat Christus in Mariam". Aproximación iconográfica a la "conceptio per aurem" en la pintura italiana del Trecento desde fuentes patrísticas y teológicas

La tesis mariológica de la conceptio per aurem, según la cual la Virgen María habría concebido a Jesucristo por el oído en el momento de escuchar del ángel el mensaje celestial anunciándole que, sin perder su virginidad, sería madre del Hijo de Dios encarnado, ha merecido hasta ahora muy pocos estudios académicos rigurosamente fundados en fuentes primarias. De hecho, en la literatura especializada son muy escasas las referencias a tal teoría y, cuando algún estudioso la evoca, casi siempre se contenta con aludir a ella, sin aportar pruebas documentales. Sin embargo, tal como lo revelan las nueve pinturas italianas aquí analizadas, esa teoría fue ilustrada mediante sutiles metáforas visuales en muchas obras pictóricas medievales, las cuales se inspiraron en una sólida tradición literaria. Además una pléyade de Padres de la Iglesia y teólogos medievales testimonia, mediante afirmaciones explícitas, que semejante teoría gozó de notable aceptación entre los maestros del pensamiento cristiano. Basándose en numerosos textos patrísticos y teológicos, este artículo intenta dos objetivos esenciales: exponer, ante todo, las distintas formulaciones teóricas propuestas por esos pensadores; y además, tratar de poner en luz los significados dogmáticos que subyacen bajo esa sorprendente tesis.

El color en los códices prehispánicos del México Central: identificación material, cualidad plástica y valor estético

Este artículo investiga algunos de los valores plásticos y estéticos que presidieron la selección y la preparación de las materias colorantes empleadas para iluminar los códices creados por los nahuas del México Central durante el Posclásico Tardío. Estos códices son interesantes porque análisis arqueométricos y exámenes codicológicos recientes han permitido conocer la materialidad de su capa pictórica, así como las características formales y el comportamiento de los colores en estas obras. Uno de los aportes trascendentales de estos estudios ha sido averiguar que la paleta cromática que sirvió para pintar los códices del México Central era principalmente de origen orgánico, lo que contrasta con la naturaleza de los pigmentos detectados en restos de pintura mural y en esculturas creadas por los nahuas que son sobre todo minerales. El objetivo de este artículo es reflexionar sobre las razones de esas diferencias y demostrar que el uso de los colorantes orgánicos en los códices respondía a un fin plástico específico que concordaba con el canon estético imperante en la sociedad náhuatl.

Fuerteventura: estructura de asentamientos en una isla en transformación

[ES]Se trata de una representación gráfica en mural de las transformaciones experimentadas en Fuerteventura por los asentamientos humanos en las últimas décadas.

Visitas pastorales y geografía histórica: la isla de Fuerteventura

[ES]Mural que representa gráficamente con comentarios las diferentes visitas pastorales que los obispos de la diócesis canariensis realizaron a las ermitas y parroquias de la isla de Fuerteventura.

Memory lineage of Ansúrez: the funerary monument in Gordaliza del Pino (León).

The discovery of the mural on the walls of the church of Santa Maria de Arbas of the town of Leon Gordaliza del Pino has been a revelation. The funerary monument called Knight Gordali-za addition to its artistic value , has a historical value that try to reflect in this study and that clears some questions about the his-tory of the kingdom of Leon, and specifically about the lineage of Ansúrez.

Murais modernos de Newton Navarro e Dorian Gray

This research aims to study wall paitings created by artists Newton Navarro and Dorian Gray, installed in public buildings of modern architecture, in Natal/RN from 1950 to 1970. The subject is seen by focusing on its concepts and characterization, linked to the ideia of integration of the arts and the meaning of modern mural painting in Brasil. The study presents an analyses of those paitings considering themes, techiniques and dimensions, comparing the solutions of local artists with brasilian muralist painters, particularly the work of Cândido Portinari. Registers of artistic works show a view of the inclusion of arts in modern architecture in the city

La recreaci?n dirigida como mediadora de habilidades sociales en los estudiantes de grado 9-3 de la Ciudadela Educativa Nuevo Latir

Este trabajo analiza la influencia que tiene la recreaci?n dirigida en el desarrollo y mejoramiento de las habilidades sociales, en estudiantes de grado noveno de la Ciudadela Educativa Nuevo Latir en Santiago de Cali. Este proceso de intervenci?n permiti? que los estudiantes, a partir de la realizaci?n de lenguajes l?dico creativos (juegos dram?ticos, mural mosaico, macrosiluetas, bandas gr?ficas, entre otros) reconocieran problem?ticas de la instituci?n educativa para el mejoramiento de sus relaciones interpersonales.

Mito e historia: incursiones en la leyenda canaria La pared de Roberto

[es] Una de las manifestaciones relativas a la literatura de tradición oral de la isla de La Palma (Canarias) que se encuentra pendiente de estudio es la referida a las leyendas. Durante la segunda mitad del siglo xix, un destacado grupo de escritores rescató media docena de estas narraciones y las formalizó en algunas versiones impresas. Desde entonces, las mismas han quedado fijadas como el canon de leyendas «clásicas» de La Palma. Una de ellas es la que toca con la Pared del Diablo o de Roberto, en la Cumbre de los Andenes, en el borde superior del parque nacional de la Caldera de Taburiente. En la actualidad esta leyenda se mantiene como un relato trufado de contenidos románticos. Con el fin de profundizar en las raíces y la evolución de esta leyenda se realiza una descripción, inventario y análisis de las distintas versiones localizadas que abren nuevos horizontes de reflexión sobre cuestiones fundamentales en torno a conceptos como mito e historia, lengua y escritura, individuo y pueblo. [en] One of the manifestations related to the oral literary tradition of the island of La Palma (Canaries) which remains under study is the legendary genre. During the second half of the nineteenth century, an outstanding group of writers rescued half a dozen of these stories and formalized them in some printed versions. Since then, they have been set up as the canon of «classical» legends of La Palma. One of them deals with the wall of the Devil or the wall of Roberto, at the Cumbre de los Andenes, on the upper edge of the National Park Caldera de Taburiente. Today this legend continues to be a story charged with romantic nuances. In order to deepen into the roots and evolution of this legend, we have carried out a description, inventory and analysis of the different discovered versions, opening new horizons of reflection on fundamental questions regarding concepts such as myth and history, language and writing, individual and people.

História eruptiva do sistema vulcânico fissural dos picos e avaliação da susceptibilidade a escoadas lávicas (ilha de S. Miguel - Açores)

Tese de Doutoramento, Geologia (Vulcanologia), 18 de Julho 2013, Universidade dos Açores.