Music for Sleeping & Waking Minds

Music for Sleeping & Waking Minds is a 8-hour composition intended for overnight listening. It features 4 performers who wear custom-designed EEG sensors. The performers rest and fall asleep as they naturally would. Over the course of one night, their brainwave activity generates a spatial audio environment. Audiences are invited to sleep or listen as they wish. Composition & concept by Gascia Ouzounian. Physiological interface and interaction design by R. Benjamin Knapp. Audio interface and interaction design by Eric Lyon.

Image-Based Spatialization

An approach to spatialization is described in which the pixels of an image determine both spatial and other attributes of individual elements in a multi-channel musical texture. The application of this technique in the author’s composition Spaced Images with Noise and Lines is discussed in detail. The relationship of this technique to existing image-to-sound mappings is discussed. The particular advantage of modifying spatial properties with image filters is considered.

Using Noise Techniques to Destabilize Composition and Improvisation

A description of the uses of computer-generated noise in my instrumental scores and guided improvisations.

The Absent Image in Electronic Music

A survey of the after-effects of recording technology on media arts, particularly in the digital age. The article covers a wide variety of sound artists, including work by the author.

Premiere of Serenade for Percussion. Performed by NYC based ensemble TimeTable who commissioned the work. Performed at the AC Institute, NYC.

Performed by NYC based ensemble TimeTable who commissioned the work. Performed at the AC Institute, NYC.

Noise Triptych performed by "String Noise" the ensemble that commissioned the work. Venue: EXAPNO in Brooklyn, NYC.

performed by "String Noise" the ensemble that commissioned the work. Venue: EXAPNO in Brooklyn, NYC.