951 resultados para Holy Coat.
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This article reports on a study done among hospitality management students who participated in study abroad programs between January 2001 and May 2003. The participants in the study were both incoming students to the US and outgoing students from the US. The study investigates, among other things, why they had decided to study abroad, why they had selected a particular institution, how their home institution compared to the partner institution abroad, and what they perceived to be the benefits and relevance of their international experiences. It was found that respondents were generally very positive about the study abroad experience. Some interesting differences of opinion were found when the perceptions of the incoming students were compared to those of the outgoing students. The results of this study may be of particular interest to hospitality management administrators and faculty who create and administer international exchange programs.
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FIU White Ceremony marks the beginning of 120 students' transitions into physicians. Ceremony held at Herbert and Nicole Wertheim Performing Arts Center on August 10, 2012.
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College of Medicine White Coat Ceremony marks the beginning of 43 students' transformation into physicians. Ceremony was held on August 6, 2010 at the Herbert and Nicole Wertheim Performing Arts Center at the Maidique Campus, Florida International University.
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FIU White Ceremony marks the beginning of 82 students' transitions into physicians. Ceremony held at Herbert and Nicole Wertheim Performing Arts Center on August 5, 2011.
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FIU White Ceremony marks the beginning of 122 students' transitions into physicians. Ceremony held at Herbert and Nicole Wertheim Performing Arts Center on August 9, 2013.
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by John Udall ; Carefully corrected, and many faults amended which were found both in the Latine and English copies By a Jew Rabine
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Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.
Mount Carmel in the Commune: Promoting the Holy Land in Central Italy in the 13th and 14th Centuries
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The Carmelite friars were the last of the major mendicant orders to be established in Italy. Originally an eremitical order, they arrived from the Holy Land in the 1240s, decades after other mendicant orders, such as the Franciscans and Dominicans, had constructed churches and cultivated patrons in the burgeoning urban centers of central Italy. In a religious market already saturated with friars, the Carmelites distinguished themselves by promoting their Holy Land provenance, eremitical values, and by developing an institutional history claiming to be descendants of the Old Testament prophet Elijah. By the end of the 13th century the order had constructed thriving churches and convents and leveraged itself into a prominent position in the religious community. My dissertation analyzes these early Carmelite churches and convents, as well as the friars’ interactions with patrons, civic governments, and the urban space they occupied. Through three primary case studies – the churches and convents of Pisa, Siena and Florence – I examine the Carmelites’ approach to art, architecture, and urban space as the order transformed its mission from one of solitary prayer to one of active ministry.
My central questions are these: To what degree did the Carmelites’ Holy Land provenance inform the art and architecture they created for their central Italian churches? And to what degree was their visual culture instead a reflection of the mendicant norms of the time?
I have sought to analyze the Carmelites at the institutional level, to determine how the order viewed itself and how it wanted its legacy to develop. I then seek to determine how and if the institutional model was utilized in the artistic and architectural production of the individual convents. The understanding of Carmelite art as a promotional tool for the identity of the order is not a new one, however my work is the first to consider deeply the order’s architectural aspirations. I also consider the order’s relationships with its de facto founding saint, the prophet Elijah, and its patron, the Virgin Mary, in a more comprehensive manner that situates the resultant visual culture into the contemporary theological and historical contexts.
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Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.
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The secretaries of the secret were an essential element of the Holy Office’s district courts. They were in charge of record-ing and writing all of the official documents of these tribunals, but also of keeping the archive in order. And not only of these, so they were not the simple bureaucrats that the traditional historians wrote about. In fact, their long working hours turned a unique and much defined office into a complex taxonomy of professionals who shared the secretaries of the secret’s concerns but not their privileges. This paper aims to go in depth into these profession-als’ current life. They were not officials, but they take care of some important duties even if they were not getting paid for it.
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Added title in Oriya.
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v.1. Genesis to Psalms.--v.2. Proverbs to Revelation.