903 resultados para German ballads and songs
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Mode of access: Internet.
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This on-line project consists of commentaries and critical editions of the songs of the 'Vormaerz' and the 1848 Revolution which have shaped the cultural memory of this period in Germany. Looking at both textual and musical developments the research deals with the history of reception of key 1848 songs by established as well as anonymous poets. These together have formed an enduring corpus in the repertoires of singers of German political song. One of the main findings is how songs are not static: they evolve musically and textually and can undergo changes of function during a process of historical reception which is often ideologically motivated.
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The late eighties and early nineties in Germany were not only marked by the fall of the Wall and German unification, but also by the dramatization of the political issue of asylum, resulting in outbreaks of xenophobic violence. In the context of the asylum debate of the early nineties, a number of punk bands produced songs between 1991 and 1994 which criticise the xenophobic climate created by the asylum debate and undermine an exculpatory official discourse about the violent attacks. The lyrics of these songs will be analysed as instances of counter-discourse emerging from a subcultural sphere that nurtures a critical distance towards hegemonic public and political discourse, arguing that Critical Discourse Analysis should pay more attention to defiance of hegemonic discourse.
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Mode of access: Internet.
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"The tune comparative list. One hundred and sixteen melodies of white people paired with same number of Negro-sung variants": p. [145]-227.
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Includes music.
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Three sets of songs bound together : a set of six songs.
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Without the music.
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Comprises four vols. first pub. in 1724, 1725, 1727, and 1732; it is doubtful whether Ramsay collected or edited the fourth vol.
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Title and text printed within colored ornamental borders.
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French, German, or Italian words, with English translations.
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Mode of access: Internet.
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Vols. 2-3 have imprint: London, Simpkin.
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Label mounted on t. p. reads: English translations by Th. Baker.