Tough as a rock-boring urchin: adult Echinometra sp. EE from the Red Sea show high resistance to ocean acidification over long-term exposures

Ocean acidification, a process caused by the continuous rise of atmospheric CO2 levels, is expected to have a profound impact on marine invertebrates. Findings of the numerous studies conducted in this field indicate high variability in species responses to future ocean conditions. This study aimed at understanding the effects of long-term exposure to elevated pCO2 conditions on the performance of adult Echinometra sp. EE from the Gulf of Aqaba (Red Sea). During an 11-month incubation under high pCO2 (1,433 µatm, pHNBS 7.7) and control (435 µatm, pHNBS 8.1) conditions, we examined the urchins' somatic and gonadal growth, gametogenesis and skeletal microstructure. Somatic and gonadal growths were exhibited with no significant differences between the treatments. In addition, all urchins in the experiment completed a full reproductive cycle, typical of natural populations, with no detectable impact of increased pCO2 on the timing, duration or progression of the cycle. Furthermore, scanning electron microscopy imaging of urchin tests and spines revealed no signs of the usual observed effects of acidosis, such as skeletal dissolution, widened stereom pores or non-smoothed structures. Our results, which yielded no significant impact of the high pCO2 treatment on any of the examined processes in the urchins studied, suggest high resistance of adult Echinometra sp. EE to near future ocean acidification conditions. With respect to other findings in this area, the outcome of this study provides an example of the complicated and diverse responses of echinoids to the predicted environmental changes.

Subjective Evaluation of Transmission Errors in IPTV and 3DTV

The increase of multimedia services delivered over packet-based networks has entailed greater quality expectations of the end-users. This has led to an intensive research on techniques for evaluating the quality of experience perceived by the viewers of audiovisual content, considering the different degradations that it could suffer along the broadcasting system. In this paper, a comprehensive study of the impact of transmission errors affecting video and audio in IPTV is presented. With this aim, subjective assessment tests were carried out proposing a novel methodology trying to keep as close as possible home environment viewing conditions. Also 3DTV content in side-by-side format has been used in the experiments to compare the impact of the degradations. The results provide a better understanding of the effects of transmission errors, and show that the QoE related to the first approach of 3DTV is acceptable, but the visual discomfort that it causes should be reduced.

Modelado de sistemas multimedia para personalización y recomendación híbrida a partir del consumo audiovisual de los usuarios

This doctoral thesis focuses on the modeling of multimedia systems to create personalized recommendation services based on the analysis of users’ audiovisual consumption. Research is focused on the characterization of both users’ audiovisual consumption and content, specifically images and video. This double characterization converges into a hybrid recommendation algorithm, adapted to different application scenarios covering different specificities and constraints. Hybrid recommendation systems use both content and user information as input data, applying the knowledge from the analysis of these data as the initial step to feed the algorithms in order to generate personalized recommendations. Regarding the user information, this doctoral thesis focuses on the analysis of audiovisual consumption to infer implicitly acquired preferences. The inference process is based on a new probabilistic model proposed in the text. This model takes into account qualitative and quantitative consumption factors on the one hand, and external factors such as zapping factor or company factor on the other. As for content information, this research focuses on the modeling of descriptors and aesthetic characteristics, which influence the user and are thus useful for the recommendation system. Similarly, the automatic extraction of these descriptors from the audiovisual piece without excessive computational cost has been considered a priority, in order to ensure applicability to different real scenarios. Finally, a new content-based recommendation algorithm has been created from the previously acquired information, i.e. user preferences and content descriptors. This algorithm has been hybridized with a collaborative filtering algorithm obtained from the current state of the art, so as to compare the efficiency of this hybrid recommender with the individual techniques of recommendation (different hybridization techniques of the state of the art have been studied for suitability). The content-based recommendation focuses on the influence of the aesthetic characteristics on the users. The heterogeneity of the possible users of these kinds of systems calls for the use of different criteria and attributes to create effective recommendations. Therefore, the proposed algorithm is adaptable to different perceptions producing a dynamic representation of preferences to obtain personalized recommendations for each user of the system. The hypotheses of this doctoral thesis have been validated by conducting a set of tests with real users, or by querying a database containing user preferences - available to the scientific community. This thesis is structured based on the different research and validation methodologies of the techniques involved. In the three central chapters the state of the art is studied and the developed algorithms and models are validated via self-designed tests. It should be noted that some of these tests are incremental and confirm the validation of previously discussed techniques. Resumen Esta tesis doctoral se centra en el modelado de sistemas multimedia para la creación de servicios personalizados de recomendación a partir del análisis de la actividad de consumo audiovisual de los usuarios. La investigación se focaliza en la caracterización tanto del consumo audiovisual del usuario como de la naturaleza de los contenidos, concretamente imágenes y vídeos. Esta doble caracterización de usuarios y contenidos confluye en un algoritmo de recomendación híbrido que se adapta a distintos escenarios de aplicación, cada uno de ellos con distintas peculiaridades y restricciones. Todo sistema de recomendación híbrido toma como datos de partida tanto información del usuario como del contenido, y utiliza este conocimiento como entrada para algoritmos que permiten generar recomendaciones personalizadas. Por la parte de la información del usuario, la tesis se centra en el análisis del consumo audiovisual para inferir preferencias que, por lo tanto, se adquieren de manera implícita. Para ello, se ha propuesto un nuevo modelo probabilístico que tiene en cuenta factores de consumo tanto cuantitativos como cualitativos, así como otros factores de contorno, como el factor de zapping o el factor de compañía, que condicionan la incertidumbre de la inferencia. En cuanto a la información del contenido, la investigación se ha centrado en la definición de descriptores de carácter estético y morfológico que resultan influyentes en el usuario y que, por lo tanto, son útiles para la recomendación. Del mismo modo, se ha considerado una prioridad que estos descriptores se puedan extraer automáticamente de un contenido sin exigir grandes requisitos computacionales y, de tal forma que se garantice la posibilidad de aplicación a escenarios reales de diverso tipo. Por último, explotando la información de preferencias del usuario y de descripción de los contenidos ya obtenida, se ha creado un nuevo algoritmo de recomendación basado en contenido. Este algoritmo se cruza con un algoritmo de filtrado colaborativo de referencia en el estado del arte, de tal manera que se compara la eficiencia de este recomendador híbrido (donde se ha investigado la idoneidad de las diferentes técnicas de hibridación del estado del arte) con cada una de las técnicas individuales de recomendación. El algoritmo de recomendación basado en contenido que se ha creado se centra en las posibilidades de la influencia de factores estéticos en los usuarios, teniendo en cuenta que la heterogeneidad del conjunto de usuarios provoca que los criterios y atributos que condicionan las preferencias de cada individuo sean diferentes. Por lo tanto, el algoritmo se adapta a las diferentes percepciones y articula una metodología dinámica de representación de las preferencias que permite obtener recomendaciones personalizadas, únicas para cada usuario del sistema. Todas las hipótesis de la tesis han sido debidamente validadas mediante la realización de pruebas con usuarios reales o con bases de datos de preferencias de usuarios que están a disposición de la comunidad científica. La diferente metodología de investigación y validación de cada una de las técnicas abordadas condiciona la estructura de la tesis, de tal manera que los tres capítulos centrales se estructuran sobre su propio estudio del estado del arte y los algoritmos y modelos desarrollados se validan mediante pruebas autónomas, sin impedir que, en algún caso, las pruebas sean incrementales y ratifiquen la validación de técnicas expuestas anteriormente.

Recommender system for sport videos based on user audiovisual consumption

This paper describes a recommender system for sport videos, transmitted over the Internet and/or broadcast, in the context of large-scale events, which has been tested for the Olympic Games. The recommender is based on audiovisual consumption and does not depend on the number of users, running only on the client side. This avoids the concurrence, computation and privacy problems of central server approaches in scenarios with a large number of users, such as the Olympic Games. The system has been designed to take advantage of the information available in the videos, which is used along with the implicit information of the user and the modeling of his/her audiovisual content consumption. The system is thus transparent to the user, who does not need to take any specific action. Another important characteristic is that the system can produce recommendations for both live and recorded events. Testing has showed advantages compared to previous systems, as will be shown in the results.

Use and abuse of audivisual media in the college classroom. Slides show and web pages

The multimedia development that has taken place within the university classrooms in recent years has caused a revolution at psychological level within the collectivity of students and teachers inside and outside the classrooms. The slide show applications have become a key supporting element for university professors, who, in many cases, rely blindly in the use of them for teaching. Additionally, ill-conceived slides, poorly structured and with a vast amount of multimedia content, can be the basis of a faulty communication between teacher and student, which is overwhelmed by the appearance and presentation, neglecting their content. The same applies to web pages. This paper focuses on the study and analysis of the impact caused in the process of teaching and learning by the slide show presentations and web pages, and its positive and negative influence on the student’s learning process, paying particular attention to the consequences on the level of attention within the classroom, and on the study outside the classroom. The study is performed by means of a qualitative analysis of student surveys conducted during the last 8 school Civil Engineering School at the Polytechnic University of Madrid. It presents some of the weaknesses of multimedia material, including the difficulties for students to study them, because of the many distractions they face and the need for incentives web pages offer, or the insignificant content and shallowness of the studies due to wrongly formulated presentations.

Sound of lasers (SOL) - An audiovisual approach to semiconductor laser dynamics

We present an educational software addressed to the students of optical communication courses, for a simple visualization of the basic dynamic processes of semiconductor lasers. The graphic interface allows the user to choose the laser and the modulation parameters and it plots the laser power output and instantaneous frequency versus time. Additionally, the optical frequency variations are numerically shifted into the audible frequency range in order to produce a sound wave from the computer loudspeakers. Using the proposed software, the student can simultaneously see and hear how the laser intensity and frequency change, depending on the modulation and device parameters.

Un proyecto de Arquitectura Audiovisual: Un Medidor de Paisaje

El artículo propone un ejemplo de arquitectura audiovisual, que apoye la hipótesis del valor de lo virtual frente a lo real. Un elemento intercambiable capaz de superar la seducción que ofrece el mundo presencial, por el hecho de ser intransferible.

Grapheme-color synesthetes show peculiarities in their emotional brain: cortical and subcortical evidence from VBM analysis of 3D-T1 and DTI data

Grapheme-color synesthesia is a neurological phenomenon in which viewing achromatic letters/numbers leads to automatic and involuntary color experiences. In this study, voxel-based morphometry analyses were performed on T1 images and fractional anisotropy measures to examine the whole brain in associator grapheme-color synesthetes. These analyses provide new evidence of variations in emotional areas (both at the cortical and subcortical levels), findings that help understand the emotional component as a relevant aspect of the synesthetic experience. Additionally, this study replicates previous findings in the left intraparietal sulcus and, for the first time, reports the existence of anatomical differences in subcortical gray nuclei of developmental grapheme-color synesthetes, providing a link between acquired and developmental synesthesia. This empirical evidence, which goes beyond modality-specific areas, could lead to a better understanding of grapheme-color synesthesia as well as of other modalities of the phenomenon.

Sobre la identidad de la ciudad. El estudio de la interacción audiovisual en las nuevas herramientas para el proyecto. El caso de Cuenca

Esta investigación se centra en el estudio de la dimensión audiovisual de la arquitectura, como aproximación intersensorial a la aprehensión e ideación del espacio. Poniendo en evidencia la complejidad de la relación hombre-medio, se plantea la necesidad de desarrollar nuevas metodologías y herramientas que tengan en cuenta dicha complejidad y que favorezcan el desarrollo del proyecto. Nos mueve en esta investigación la convicción de que los cambios rápidos y profundos que caracterizan nuestros tiempos en todos los ámbitos, social, económico, político… entrañan inevita-blemente nuevos modos de conocimiento y experimentación del espacio, y por tanto nuevos ejes de investigación. La creciente valoración, en todos los campos del conocimiento, de los aspectos subjetivos y sensoriales, el desarrollo de las tecnologías que ha cambiado completamente nuestras relaciones interpersonales y con el entorno, las nuevas capacidades de análisis, grabación y conservación y manipulación de datos y por ultimo, aunque no menos importante, la puesta a disposición democrá¬tica y global de todo el saber a través de Internet, imponen otra aproximación al hacer, concebir y vivir la arquitectura. Esta investigación se centra en un análisis crítico del estado de la cuestión, construyendo nue¬vas redes de relación entre disciplinas, que permitan plantear la dimensión audiovisual como un nuevo eje de investigación dentro de la arquitectura, poniendo en evidencia la necesidad de desa¬rrollar análisis de forma trasversal e interdisciplinar. Hemos prestado particular atención a la evolución de lo sonoro y su aproximación cualitativa a la arquitectura, mostrando como el sonido, con su capacidad de introducir el tiempo y los aspectos dinámicos (el movimiento, la presencia del cuerpo…), no es simplemente otro canal sensorial en la aprehensión del espacio, ya que su interacción con lo visual genera un espacio-tiempo indisociable, propio, característico de cada momento y lugar. A partir de este planteamiento se ha hecho una revisión metodológica dirigida a utilizar el reco¬rrido como herramienta de análisis, que permita estudiar la relación entre el espacio, la acción y la percepción audio-visual, cruzando para ello los datos correspondientes a la morfología del espacio, con los datos de la experiencia perceptiva individual y con los de los usos colectivos del espacio, utilizándose finalmente el video como un herramienta, no sólo de representación de lo real, sino también como instrumento de análisis, que permite tomar datos (grabaciones audio, video, obser¬vaciones…), aislarlos, estudiarlos, clasificarlos, ordenarlos, y finalmente, restituirlos mediante el montaje. Se ha realizado una primera experimentación “in situ” que ha servido para explorar la aplicación del método, planteando nuevas preguntas y abriendo líneas de análisis para ulteriores investigacio¬nes. ABSTRACT This research is focused on the study of the audiovisual dimension of architecture, as an in¬tersensorial approach to space apprehension and design. It is posed the necessity to develop new methodologies and tools that keep this complexity, as a contribution to the development of a project, by means of putting into evidence the sophistication of the relationship between man and media The research moves us to the conviction that the quick and relevant changes that confer a distinc-tion to these contemporary times all over the social, economic and political environments, involve, unavoidably, new ways of knowledge and experimentation on space, and therefore, new trends of research. The growing valuation of subjective and sensorial aspects all over the fields of the knowledge and the development of the technologies that have changed completely our interpersonal and environmental relationships, the new tools for analysis, recording, conservation and manipulation of data and, last but not least, the setting to democratic and global availability of the whole knowledge through Inter¬net, impose another approach to the making, conception and experience of architecture. This research deals with a critical analysis of the state–of- the-art of the matter, modelling new webs of relationship among disciplines that allow to outline the audiovisual dimension as a new focus of research on architecture, putting evidence into practice as it is necessary to develop any analysis in a transversal and interdisciplinary way. It is paid a special attention to the evolution of sound objects and their qualitative approach to ar¬chitecture, showing how sound, with its capacity to transmit time and dynamic aspects of things (movement, the presence of the body), it is not simply another sensorial channel in the apprehension of space, since its interaction with the visual thing generates an undetachable association of space and time, an specific one of every moment and place. Starting from this position a methodological revision has been made leading to use a walk as a tool for analysis that allows to study the relationship among the space, the action and the audio-visual perception, by means of crossing data corresponding to the morphology of space, with the data of a perceptive experience from the perspective of an individual observer and with those of the collective uses of the space, as video has been finally used as a tool, not only as a representation of the real thing, but also as a tool for analysis that allows to take isolated data (audio recordings, video, obser¬vations), to be studied, classified, and put into their appropriate place, and finally, to restore them by means of a multimedia set up. A first experimentation in situ has been carried out, being useful to explore a method of appli¬cation, outlining new questions and beginning with new ways of analysis for further research.