Illustrated catalogue of ... beautiful old English china and lustreware : belonging to the late Mr. Charles Wiley of East Orange, New Jersey.

Sale dates: January 10-11, 1921.

Keramic art of Japan /

Bound in full red morocco with scene in gilt on front cover. Title in gilt on spine.

Exhibition of the Kevorkian collection : including objects excavated under his supervision : exhibited at the galleries of Charles of London ... New York, March-April, 1914.

Cover title: Exhibition of Muhammedan-Persian art.

American Ceramic Society bulletin

Mode of access: Internet.

Steinzeitliche Keramik in der Mark Brandenburg.

"Sonder-Abdruck aus dem Archiv für Anthropologie, 25. Bd., 3. Heft."

The arts and crafts of older Spain,

Bibliography: v. 3, p. [259]-268.

The Mythology of all races ...

I. Greek and Roman, by W. S. Fox, 1916.--II. Eddic, by J. A. Macculloch. 1930.--III. Celtic, by J. A. Macculloch; Slavic by Jan M_achal. 1918.--IV. Finno-Ugric, Siberian, by Uno Holmberg. 1927.--V. Semitic, by S. H. Langdon. 1931.--VI. Indian, by A. B. Keith; Iranian, by A. J. Carnoy. 1917.--VII. Armenian, by M. H. Ananikian; African, by Alice Werner. 1925.--VIII. Chinese, by J. C. Ferguson; Japanese, by Masaharu Anesaki. 1928.--IX. Oceanic, by R. B. Dixon. 1916.--X. North American, by H. B. Alexander. 1916.--XI. Latin-American, by H. B. Alexander. 1920.--XII. Egyptian, by W. M. M_uller; Indo-Chinese, by J. G. Scott. 1918.--XIII. Complete index to volumes I-XII. 1932.

Histoire de la faience artistique de Moustiers. Tome Ier.

No more published.

The Ceramic, furniture, and silver collectors' glossary /

Reprint of 3 works originally published by the Walpole Society, New York: The ceramic collectors' glossary, by E.A. Barber, first published in 1914; The furniture collectors' glossary, by L.V. Lockwood, first published in 1913; and A silver collectors' glossary and a list of early American silversmiths and their marks, first published in 1917.

Orchomenos.

Series title varies slightly.

Ten centuries of art. Its progress in Europe from the IXth to the XIXth century.

Architecture.--Sculpture.--Painting.--Metal work.--Ivory and wood carving.--Glass and pottery.--Textile fabrics.--Mosaic.

Cyprus: its ancient cities, tombs, and temples. A narrative of researches and excavations during ten years' residence in that island.

Cesnola, L.P., honorary degree, 1880.

Inventarnyĭ katalog kleĭm na amfornykh ruchkakh i gorlyshkakh i na cherepit︠s︡akh ėrmitazhnagʹo sobranīi︠a︡. S Z risunkami v teksti︠e︡, 15 fototipicheskimi i l avtotipicheskoi︠u︡ tablit︠s︡ami.

Romanized record.

Phonological features of Yazghulami : A field study

Yazghulami is a South-East Iranian language spoken in the Pamir area of Tajikistan by about 9000 people. This study gives an account of the phonology of the language by describing contrastive segments and their distribution and realizations, as well as describing suprasegmental features such as syllable structure and stress patterns. Field research was carried out in a community of Yazghulami speakers in Dushanbe, the capital of Tajikistan, by recording, transcribing and annotating spoken language. Yazghulami is analyzed as having 8 vowel phonemes of which one pair contrasts in length, and 36 consonant phonemes with a considerable display of palatal, velar and uvular phonemes, of which a set of three labialized plosives and three labialized fricatives is found. The syllable structure of Yazghulami allows for clusters of no more than two consonants in the onset and two in the coda; clusters in both positions do not occur in one and the same syllable. The stress generally falls on the last syllable of a word, although when nouns are inflected with suffixes, the stress instead falls on the last syllable of the stem. With these results, a foundation for further efforts to develop and increase the status of this endangered language is laid.

Women and the Moral Politics of Dress in Twentieth Century Tehran

This research examines the politicization of women’s clothing under the Pahlavi monarchy and the Islamic Republican of Iran from the 1930s-1990s. I distinctively focus on the governments’ use of women’s clothing to define their idea of Iranian nationalism and how their sumptuary policies affected women’s lives. I assess the motives behind the sumptuary laws for each regime, and argue that both governments situated women as symbols of national health and honor, and used them as visualizations for the success of their platforms. Despite different interpretations of morality, my research suggests that both governments created these laws to “purify” their “corrupt” nation, using the same rhetoric. Paradoxically, this led to a sexualized culture that exists today in Tehran. I analyze a wealth of primary sources including women’s magazines, political cartoons, poetry, newspapers, extant clothing, photographs, legislation, autobiographies, speeches, passports, Revolutionary-era books written by Iranian intellectuals, and oral interviews that I conducted.