Wake

Combined media on photographic paper. 85" x 50"

Cue Cubi

Combined media on photographic paper. 53" x 77¼" Private Collection

Drawn Exegesis

Combined media on photographic paper. 55½" x 90" Private Collection

Blue Lingo

Combined media on photographic paper. 55½" x 86" Private Collection

Overslant

Combined media on photographic paper. 55" x 48½" Private Collection

Phantom

Combined media on photographic paper. 87¾" x 55½" Private Collection

Portent

Combined media on photographic paper. 27" x 55" Private Collection

Razored Foray

Combined media on photographic paper. 56¼" x 83" Private Collection

Subject in Process

Combined media on photographic paper. 51¼" x 83" Private Collection

Policy Options for New Student Contributions in Higher Education - Report to the Minister

The Government’s Framework for Sustainable Economic Renewal- Building Ireland’s Smart Economy, launched by the Taoiseach in late 2008, establishes Ireland’s ambition to become internationally renowned as an Innovation Island. At the core of achieving this ambition will be our capacity for producing highly skilled graduates and fostering a climate of creative thinking and advanced research and development. This relies on the quality of undergraduate provision right across the sciences, arts and humanities in our third level institutions. The development of a new national strategy for higher education is now underway. The strategy will aim to identify a vision and objectives for the development of the sector over the next twenty years. Leading higher education systems internationally are characterised by wide revenue sources that, in many cases, include a form of direct student contribution through a tuition fee or student loans system. If Ireland’s higher education system is to develop and meet future demands in an environment of increasingly tight public resources, then it is appropriate that the sector’s level of dependence on Exchequer funding should come under review.

Analisis bibliometrico de la bibliografia citada en estudios de filologia española

Se analizan las referencias bibliográficas incluidas en un conjunto de obras de referencia y actas de congresos sobre filología española. A partir de este análisis, se determina el peso de diferentes tipologías documentalesmonografías, publicaciones periódicas y actas de congresos como canal de comunicación en esta disciplina. Asimismo se establecen los rankings de editoriales y revistas más citadas. A continuación, se realiza un estudio exhaustivo de citas a revistas, a partir del análisis de las referencias presentes en el núcleo de revistas más citadas establecido en la etapa anterior. Los resultados obtenidos muestran un uso considerable de formas de comunicación alternativas a los artículos en revistas académicas, como los libros o la prensa. Los rankings de títulos más citados obtenidos en las dos fases del estudio son similares entre sí, coinciden con los identificados en otros estudios previos e incluyen la mayoría de títulos vaciados en el Arts and Humanities Citation Index, lo que demuestra su validez.

Analisis bibliometrico de la bibliografia citada en estudios de filologia española

Se analizan las referencias bibliográficas incluidas en un conjunto de obras de referencia y actas de congresos sobre filología española. A partir de este análisis, se determina el peso de diferentes tipologías documentales-monografías, publicaciones periódicas y actas de congresos- como canal de comunicación en esta disciplina. Asimismo se establecen los rankings de editoriales y revistas más citadas. A continuación, se realiza un estudio exhaustivo de citas a revistas, a partir del análisis de las referencias presentes en el núcleo de revistas más citadas establecido en la etapa anterior. Los resultados obtenidos muestran un uso considerable de formas de comunicación alternativas a los artículos en revistas académicas, como los libros o la prensa. Los rankings de títulos más citados obtenidos en las dos fases del estudio son similares entre sí, coinciden con los identificados en otros estudios previos e incluyen la mayoría de títulos vaciados en el Arts and Humanities Citation Index, lo que demuestra su validez.

Untitled (Abstraction of labour time eternal recurrence monad)

An AHRC funded project titled: Picturing ideas? Visualising and Synthesising Ideas as art (2009-10). Outputs including: 4 exhibitions; 4 publications; 3 papers; 2 largescale backlit digital prints; 1 commissioned print. (See Additional Information) ----ABSTRACT: Utilising the virtuality of digital imagery this practice-led project explored the possibility of the cross-articulation between text and image and the bridging or synthesising potential of the visual affect of ideas. A series of digital images were produced 'picturing' or 'visualising' philosophical ideas derived from the writings of the philosopher Giles Deleuze, as remodellings of pre-existing philosophical ideas; developed through dialogues and consultation with specialists in the fields from which the ideas were drawn (philosophy, psychology, film) as well as artists and theorists concerned with ideas of 'mental imagery' and visualisation. Final images were produced as a synthesis (or combination) of these visualisations and presented in the format of large scale, backlit digital prints at a series of prestigious international exhibitions (see details above). Evaluation took the form of a four page illustrated text in Frieze magazine (August 2009) and three papers delivered at University of Ulster, Goldsmiths College of Art and Loughborough University. The project also included the publication of a catalogue essay (EAST 09) and an illustrated poem (in the Dark Monarch publication). A print version of the image was commissioned by Invisible Exports Gallery, New York and subsequently exhibited in The Devos Art Museum, School of Art & Design at Northern Michigan University and in a publication edited by Cedar Lewisohn for Tate Publishing. The project was funded by an AHRC practice-led grant (17K) and Arts Council of England award (1.5K). The outputs, including high profile, publicly accessible exhibitions, prestigious publications and conference papers ensured the dissemination of the research to a wide range of audiences, including scholars/researchers across the arts and humanities engaged in practice-based and interdisciplinary theoretical work (in particular in the fields of contemporary art and art theory and those working on the integration of art and theory/philosophy/psychology) but also the wider audience for contemporary art.