Opera seria nördlich der Alpen – venezianische Einflüsse auf das Musikleben am Dresdner Hof um die Mitte des 18. Jahrhunderts

La cultura musicale delle corti dell'Europa centrale nel '700 viene contrassegnata dal successo dell' "Opera seria", un genere musicale e drammatico che nonostante le sue origini italiane si espande e si diffonde rapidamente ovunque in Europa adattandosi da caso a caso ad esigenze e condizioni locali. La relazione prende in esame l'attività della principessa elettrice della Sassonia Maria Antonia Walpurgis di Baviera (1724 – 1780) che a partire dal suo arrivo a Dresda nel 1747 prende una parte assai attiva nella vita musicale della corte che occupava uno dei primi posti in Europa. Grazie alla sua dotazione musicale Maria Antonia stringe rapporti di lavoro con alcuni dei più importanti musicisti d'epoca che erano i suoi maestri e insegnanti, soprattutto con Johann Adolf Hasse formatosi a Venezia che dal 1730 era capo musicista della corte sassone. Hasse che soltanto ora viene riscoperto come compositore assistette la principessa nell'elaborazione delle sue "Opere serie". Essenziali anche i rapporti con Pietro Metastasio che oltre ad essere il più famoso librettista dell'Opera seria di allora era anche legato all'ambiente degli Arcadi che acclamarono socia onoraria la principessa a causa delle sue opere serie "Talestri e Il Trionfo della fedeltà" che segnano l'apice della sua attività da compositrice musicale. Viene sottolineato il ruolo importante della ricerca per il "vero buon gusto“e la preferenza per la semplicità della musica antica intesa come musica italiana in contrasto con la musica di gusto francese. Dopo il 1766 le opere della principessa segnate dall'influenza che ebbe la tradizione veneziana sulla vita musicale alla corte di Dresda venne criticata in Germania per il suo gusto italiano.

Plattform Musikalische Bildung

Bei der Plattform Musikalische Bildung handelt es sich um ein Projekt der Hochschule für Musik Detmold. Die Plattform vereinigt in sich Ideen zum vernetzten Musiklernen, neu entwickelten Online-Musiklern-Tools sowie den Austausch und die Modifizierung dieser erstellten Kurse durch andere Dozenten und Lehrenden. Die Plattform steht allen Dozenten und Lehrern, Studierenden und Schülern an Hochschulen, aber auch Musikschulen und allgemein bildenden Schulen kostenlos zur Verfügung. Auf die Einblendung von Werbebannern wird verzichtet. Die Inbetriebnahme einer Betaversion ist im Oktober 2014 erfolgt. Weitere Ausbaustufen sind in Planung aber noch nicht gegenfinanziert.

Luft in der Stimme - die funktionelle Dysodie

Neben virtuoser technischer Beherrschung spielt künstlerische Ausgestaltung der Stimme bei Profis eine grosse Rolle. Ihre Betreuung erfordert deshalb eine enge interdisziplinäre Zusammenarbeit zwischen Phoniatrie, Logopädie, Gesangspädagogik und – nicht zuletzt – Psychologie.

Enseignement et recherche

Les questions de formation et de recherche concerneront désormais le département de l’économie avec la formation d’un Secrétariat d’Etat à la formation, à la recherche et à l’innovation (SEFRI). – De nombreuses mesures visant à promouvoir les formations MINT ont été prises. – L’arrêté fédéral sur la promotion musicale des jeunes a été approuvé par 77,2% des voix. – Le niveau de la maturité fédérale a été longuement débattu. – L’initiative sur les bourses d’étude a abouti. – La loi sur l’encouragement de la recherche et de l’innovation a été révisée, avec notamment comme objectif un Swiss Innovation Park.

Monte Carlo modeling of polarized light propagation: Stokes vs Jones - Part II

In this second part of our comparative study inspecting the (dis)similarities between “Stokes” and “Jones,” we present simulation results yielded by two independent Monte Carlo programs: (i) one developed in Bern with the Jones formalism and (ii) the other implemented in Ulm with the Stokes notation. The simulated polarimetric experiments involve suspensions of polystyrene spheres with varying size. Reflection and refraction at the sample/air interfaces are also considered. Both programs yield identical results when propagating pure polarization states, yet, with unpolarized illumination, second order statistical differences appear, thereby highlighting the pre-averaged nature of the Stokes parameters. This study serves as a validation for both programs and clarifies the misleading belief according to which “Jones cannot treat depolarizing effects.”

How Do Software Architects Specify and Validate Quality Requirements?

Software architecture is the result of a design effort aimed at ensuring a certain set of quality attributes. As we show, quality requirements are commonly specified in practice but are rarely validated using automated techniques. In this paper we analyze and classify commonly specified quality requirements after interviewing professionals and running a survey. We report on tools used to validate those requirements and comment on the obstacles encountered by practitioners when performing such activity (e.g., insufficient tool-support; poor understanding of users needs). Finally we discuss opportunities for increasing the adoption of automated tools based on the information we collected during our study (e.g., using a business-readable notation for expressing quality requirements; increasing awareness by monitoring non-functional aspects of a system).

Dicto: A Unified DSL for Testing Architectural Rules

Software architecture consists of a set of design choices that can be partially expressed in form of rules that the implementation must conform to. Architectural rules are intended to ensure properties that fulfill fundamental non-functional requirements. Verifying architectural rules is often a non- trivial activity: available tools are often not very usable and support only a narrow subset of the rules that are commonly specified by practitioners. In this paper we present a new highly-readable declarative language for specifying architectural rules. With our approach, users can specify a wide variety of rules using a single uniform notation. Rules can get tested by third-party tools by conforming to pre-defined specification templates. Practitioners can take advantage of the capabilities of a growing number of testing tools without dealing with them directly.

Dicto: Keeping Software Architecture Under Control

Dicto is a declarative language for specifying architectural rules using a single uniform notation. Once defined, rules can automatically be validated using adapted off-the-shelf tools.

Cantiques de Salomon Rossi : chants, psaumes et hymnes à 3, 4, 5, 6, 7 et 8 voix

Transcrits en notation moderne et publiés par S. Naumbourg

Choix de 22 madrigaux à cinq voix : avec accompagnement de chittarone, orgue, et basse continue ou à voix seules

Salomon Rossi. Transcrits en notation moderne d'après l'original imprimé à Venise (1600 - 1607) par Vincent d' Indy