Campagne du Mexique : Mexico, souvenir d'un zouave /

Vol. II : Puebla (224 p. )

Der Traum, ein Leben : dramatisches Märchen in vier Aufzügen /

Text in German, introd. and notes in English.

Les nouvelles lumières politiques pour le gouvernement de l'Eglise, ou, L'évangile nouveau du Cardinal Palavicin revelé par luy dans son Histoire du Concile de Trente.

Printer's device on t.p.: Sphere.

Oeuvres de Voltaire,

Romans. v. 1. Le monde comme il va. Le crocheteur borgne. Cosi-sancta. Zadig. Bababec. Micromegas. Les deux consoles. Histoire des voyages de Scarmentado.Songe de Platon. Histoire d'un bon Bramin.- v. 2. Candide.Le blanc et le noir. Jeannot et Colin. L'Ingenu. L'Homme aux quarante ecus.- v. 3. La princesse de Babylone.Les lettres d'Amabed. Aventure de la memoire. Le taureau blanc. Eloge de la raison. Histoire de Jenni. Les oreilles du comte de Chesterfield.

uvres comple tes de Alfred de Vigny.

[v. 1] Poe sies.--[v. 2-3] Cinq-Mars, ou Une conjuration sous Louis XIII.--[v. 4] Servitude et Grandeur militaires.--[v. 5] Les consultations du docteur Noir (premie re consultation) Stello.--[v. 6] Journal d'un poe te recueilli et publie sur les notes intimes d'Alfred de Vigny par Louis Ratisbonne.--[v. 7-8] The a tre: I. Shylock. Le more de Venise. II. La mare chale d'Ancre. Quitte pour la peur. Chatterton.

The bolshevist publications and French policy (Black book and yellow book)

Translation of Livre noir et livre jaune.

Collection intégrale et universelle des orateurs sacrés du premier et du second ordre ... et collection intégrale, ou choisie de la plupart des orateurs du troisième ordre ... Publiée, selon l'ordre chronologique /

Vol. 68-99 called 2. série, with duplicate volume numbering from 1-32.

Functional and perceived benefits of wearing coloured filters by patients with age-related macular degeneration

Background: The aim was to investigate the visual effect of coloured filters compared to transmission-matched neutral density filters, in patients with dry age-related macular degeneration. Methods: Visual acuity (VA, logMAR), contrast sensitivity (Pelli-Robson) and colour vision (D15) were recorded for 39 patients (average age 79.1 ± 7.2 years) with age-related macular degeneration, both in the presence and absence of glare from a fluorescent source. Patients then chose their preferred coloured and matched neutral density transmission filters (NoIR). Visual function tests were repeated with the chosen filters, both in the presence and absence of glare from the fluorescent source. Patients trialled the two filters for two weeks each, in random order. Following the trial of each filter, a telephone questionnaire was completed. Results: VA and contrast sensitivity were unaffected by the coloured filters but reduced through the neutral density filters (p < 0.01). VA and contrast sensitivity were reduced by similar amounts, following the introduction of the glare source, both in the presence and absence of filters (p < 0.001). Colour vision error scores were increased following the introduction of a neutral density filter (from 177.6 ± 60.2 to 251.9 ± 115.2) and still further through coloured filters (275.1 ± 50.8; p < 0.001). In the absence of any filter, colour vision error scores increased by 29.1 ± 55.60 units in the presence of glare (F2,107 = 3.9, p = 0.02); however, there was little change in colour vision error scores, in the presence of glare, with either the neutral density or coloured filters. Questionnaires indicated that patients tended to gain more benefit from the coloured filters. Conclusions: Coloured filters had minimal impact on VA and contrast sensitivity in patients with age-related macular degeneration; however, they caused a small reduction in objective colour vision, although this was not registered subjectively by patients. Patients indicated that they received more benefit from the coloured filters compared with neutral density filters. © 2013 The Authors © 2013 Optometrists Association Australia.

Benefit of coloured lenses for age-related macular degeneration

Purpose: To evaluate and compare the functional and perceived benefits of wearing coloured lenses by patients with age-related macular degeneration (ARMD). Method: Ten subjects with early ARMD and five elderly controls wore a selection of NoIR wrap-around coloured lenses (yellow 29.7% light transmission, orange 22.9%, red 16.8% and grey 10.3%), each for a duration of 7 days. Contrast sensitivity, colour vision, visual acuity, the effect of glare and peripheral sensitivity were measured for each lens and compared with a control (no lens) condition. Subjective ratings of visual performance were also scored. Results: Compared with the no filter condition, red and grey lenses reduced contrast sensitivity whereas yellow and orange lenses increased contrast sensitivity. These objective changes were supported by subjective ratings in subjects with ARMD. Grey lenses reduced the loss of contrast sensitivity usually suffered in the presence of glare, whereas visual acuity and peripheral sensitivity decreased with red lenses. Colour vision became distorted with red lenses in control subjects, but was relatively unaffected by the use of coloured lenses in subjects with ARMD. Conclusions: The subjective benefit of coloured lenses appears to be due to a minor enhancement of contrast sensitivity. © 2002 The College of Optometrists.

Post-revolutionary post-modernism: Central American detective fiction by the turn of the 21st century

Contemporary Central American fiction has become a vital project of revision of the tragic events and the social conditions in the recent history of the countries from which they emerge. The literary projects of Sergio Ramirez (Nicaragua), Dante Liano (Guatemala), Horacio Castellanos Moya (El Salvador), and Ramon Fonseca Mora (Panama), are representative of the latest trends in Central American narrative. These trends conform to a new literary paradigm that consists of an amalgam of styles and discourses, which combine the testimonial, the historical, and the political with the mystery and suspense of noir thrillers. Contemporary Central American noir narrative depicts the persistent war against social injustice, violence, criminal activities, as well as the new technological advances and economic challenges of the post-war neo-liberal order that still prevails throughout the region. ^ Drawing on postmodernism theory proposed by Ihab Hassan, Linda Hutcheon and Brian MacHale, I argued that the new Central American literary paradigm exemplified by Sergio Ramirez's El cielo llora por mí, Dante Liano's El hombre de Montserrat, Horacio Castellanos Moya's El arma en el hombre and La diabla en el espejo , and Ramon Fonseca Mora's El desenterrador, are highly structured novels that display the characteristic marks of postmodern cultural expression through their ambivalence, which results from the coexistence of multiple styles and conflicting ideologies and narrative trends. The novels analyzed in this dissertation make use of a noir sensitivity in which corruption, decay and disillusionment are at their core to portray the events that shaped the modern history of the countries from which they emerge. The revolutionary armed struggle, the state of terror imposed by military regimes and the fight against drug trafficking and organized crime, are among the major themes of these contemporary works of fiction, which I have categorized as perfect examples of the post-revolutionary post-modernism Central American detective fiction at the turn of the 21st century.^

De la postcolonie d'Achille Mbembe : recension d'une hypothèse cardinale sur le devenir de l'Afrique

Cette recension s’intéresse à l’ouvrage d’Achille Mbembe De la postcolonie. Essai sur l’imagination politique dans l’Afrique contemporaine, Paris : Karthala, 2000 (2004). Elle propose une lecture en deux volets des cinq essais qui constituent l’ouvrage, correspondant grossièrement à deux champs de contributions (économie politique et philosophie politique) qu’ils entendent combler. Cette proposition de lecture est ponctuée d’une critique interne et formelle de cet ouvrage original dont la prémisse principale, novatrice, repose sur l’hypothèse de l’éviction de l’homme noir hors et contre l’univers de signifiants qui instituent l’identité occidentale.

"De la postcolonie" d'Achille Mbembe : recension d'une hypothèse cardinale sur le devenir de l'Afrique.

Cette recension s’intéresse à l’ouvrage d’Achille Mbembe De la postcolonie. Essai sur l’imagination politique dans l’Afrique contemporaine, Paris : Karthala, 2000 (2004). Elle propose une lecture en deux volets des cinq essais qui constituent l’ouvrage, correspondant grossièrement à deux champs de contributions (économie politique et philosophie politique) qu’ils entendent combler. Cette proposition de lecture est ponctuée d’une critique interne et formelle de cet ouvrage original dont la prémisse principale, novatrice, repose sur l’hypothèse de l’éviction de l’homme noir hors et contre l’univers de signifiants qui instituent l’identité occidentale.

Simply Genre Films: Extracting “King Lear” from “House of Strangers” and “Broken Lance"

The purpose of this thesis is to evaluate and refute Yvonne Griggs’ claims that the films “House of Strangers” (1949) and “Broken Lance” (1954) are as Griggs deems “genre-based adaptations” of William Shakespeare’s “King Lear.” I argue that the films, although they have some essential elements of “King Lear,” lack intentionality and reception, pivotal components in determining viability as a Shakespearean film adaptation. Using Griggs’ book as my critical background, I will show that these films are better classified under their respective genre categories, Western and film noir, not as “King Lear” genre adaptations. I will also suggest criteria for determining the level of canonicity of a “King Lear” film adaptation. Popularity of films does not determine validity, and a film does not need purported Shakespearean provenance to validate its ratings. Some films, like these, merely reference or pay homage to Shakespeare through use of essential elements of “King Lear”; here, I deem such affinities to be more unintentional than intentional.

Radical Ambition: A Portrait of the Toronto New Left, 1958-1985

This thesis examines the rise and decline of the New Left in Toronto from 1958 to 1985. It argues that New Leftism — whose three leading ideals were self-management, national liberation, and community — arose as much from the Old Left as it did from the peace movement. In contrast to earlier readings that interpret the New Left narrowly — essentially, as the combined forces of the white student and peace movements evident mainly on university campuses — this thesis documents the extent to which New Leftism, interpreted as a political formation, provided a framework for a diversity of radical social movements, especially feminism, Black Power, gay liberation, resistance to the capitalist redevelopment of the city, and transnational solidarity. It also questions a declensionist narrative that adopts a “decadal” approach to the radicalism of the sixties, according to which 1970 spelled the end of “60s” radicalism. Quite the contrary, this thesis argues: in Toronto, it would be truer to say that 1970s were “the sixties,” in that only in this later decade did many New Left movements attain their full maturity. New Leftists successfully challenged a host of institutions, sometimes with permanent effects. The educational system was transformed. Cultural institutions and practices were revolutionized. Questions of race and gender, once peripheral to the left, were made central to it. Democratic community institutions became far more powerful. A token of the strength and durability of the New Left in Toronto was the extent to which it remained the bête noir of a series of other radical groups upholding the model of the vanguard communist party — which challenged the New Leftists’ prominence but many members of which often wound up agreeing with their positions. It was only in the early 1980s, with the ascent of a new right, that Toronto’s New Left unmistakably entered a period of decline. Yet, even then, many of its key themes were picked up by fast-growing anarchist and socialist feminist currents. Far from constituting a minor phenomenon, Toronto’s New Left, one of the largest movements for social justice in Canadian history, bequeathed to its progressive successors an imposing legacy of struggle and cultural achievements. It is the purpose of this thesis to evaluate, both critically and sympathetically, the extent to which the New Left attained its radical ambition.

Representing the Unrepresentable: The Photographs of Lee Miller at Buchenwald and Dachau

This article proposes a reflection on what the historian Saul Friedlander called “the limits of representation” of the massacres and genocides, in order to provide evidence to help settle the old debate about the Holocaust unrepresentability. To achieve this, we will carry out a textual analysis of five of the most painful images that the American photographer Lee Miller realized in the Nazi concentration camps of Buchenwald and Dachau, in April 1945. The war correspondent, who had been Man Ray’s assistant photographer, muse and lover, witnessed the horror, and if she knew how to represent it, that was, in a great extent, thanks to its surreal look.