Mozart" (verso

Verso of the photograph depicting portrait of Mozart by Kevorkian (acrylic, 1994). Painting has been stolen. Photograph was taken by Kevorkian's sister Margo Janus. Caption by Ava Janus.

The days of Haydn, Mozart and Beethoven; fifty compositions by English, French, German, Bohemian and Italian masters of the period from 1725-1790.

Includes notes on the composers.

Wolfgang von Salm, Bischof von Passau, 1540-1555. Ein Beitrag zur Geschichte des 16. Jahrhunderts.

Mode of access: Internet.

Studien zur kirchenlichen Politik des Pfalzgrafen Wolfgang Wilhelm von Neuburg.

Thesis (doctoral)--Universitat Marburg.

Intellectual alienation in a fragmented society and universe, as illustrated in the work of Wolfgang Koeppen (1906- )

This text is concerned with the intellectual and social alienation experienced by a twentieth century German writer (1906 - ).·the alienation begins in the context of German society, but this context is later globalised. The thesis first discusses the social and· intellectual origins and the salient features of this alienated stance, before proceeding to a detailed analysis of its recurring symptoms and later intensification in each of the author's main works, chronologically surveyed, supported by reference to minor writings. From the novels of the thirties' showing the burgher-artist conflict, and its symbolic dichotomies, the renunciation of traditional German values, and the ambiguous confrontation with new disruptive socio-political forces, we move to the post-war trilogy (1951-54), with its roots in the German social and political experience of the thirties' onwards. The latter, however, is merely a background for the presentation of a much more comprehensive view of the human condition:- a pessimistic vision of the repetitiveness and incorrigibility of this condition, the possibility of the apocalypse, the bankruptcy and ineffectiveness of European religion and culture, the 'absurd' meaninglessness of history, the intellectual artist's position and role(s) in mass-culture and an abstract, technologised mass-society, the central theme of fragmentation - of the structure of reality, society and personality, the artist's relation to this fragmentation, intensified in the twentieth,century. Style and language are consonant with this world-picture. Many of these features recur in the travel-books (1958-61); diachronic as well as synchronic approaches characterise the presentation of various modes of contemporary society in America, Russia, France and other European countries. Important features of intellectual alienation are:- the changelessness of historical motifs (e.g. tyranny, aggression), the conventions of burgher society, both old and new forms, the qualitative depreciation and standardisation of living, industrialisation and technology in complex, vulnerable and concemtrated urban societies, ambiguities of fragmented pluralism. Reference is made .to other travel-writers.

Daniela Böhringer / Ute Karl / Hermann Müller / Wolfgang Schröer / Stephan Wolff: Den Fall bearbeitbar halten, Gespräche in Jobcentern mit jungen Menschen. Opladen & Farmington Hills: Verlag Barbara Budrich 2012 [Rezension]

Rezension von: Daniela Böhringer / Ute Karl / Hermann Müller / Wolfgang Schröer / Stephan Wolff: Den Fall bearbeitbar halten, Gespräche in Jobcentern mit jungen Menschen, Opladen & Farmington Hills: Verlag Barbara Budrich 2012 (265 S.; ISBN 978-3-86649-451-0)

Wolfgang Einsiedler (Hrsg.): Unterrichtsentwicklung und Didaktische Entwicklungsforschung. Bad Heilbrunn: Klinkhardt 2011 [Rezension]

Rezension von: Wolfgang Einsiedler (Hrsg.): Unterrichtsentwicklung und Didaktische Entwicklungsforschung, Bad Heilbrunn: Klinkhardt 2011 (184 S.; ISBN 978-3-7815-1794-3)

W.A. Mozart's Die Zauberflöte An Arrangement and Performance Edition for Wind Instruments and Vocal Soloists

The purpose of this dissertation is to produce a new Harmonie arrangement of Mozart’s Die Zauberflöte suitable for modern performance, bringing Joseph Heidenreich’s 1782 arrangement—one of the great treasures of the wind repertoire—to life for future performers and audiences. I took advantage of the capabilities of modern wind instruments and performance techniques, and employed other instruments normally found in the modern wind ensemble to create a work in the tradition of Heidenreich’s that restored as much of Mozart’s original thinking as possible. I expanded the Harmonie band to include flute and string bass. Other instruments provide special effects, a traditional role for wind instruments in the Classical opera orchestra. This arrangement is conceived to be performed with the original vocal soloists, making it a viable option for concert performance or for smaller staged productions. It is also intended to allow the wind players to be onstage with the singers, becoming part of the dramatic action while simultaneously serving as the “opera orchestra.” This allows creative staging possibilities, and offers the wind players an opportunity to explore new aspects of performing. My arrangement also restores Mozart’s music to its original keys and retains much of his original wind scoring. This arrangement expands the possibilities for collaboration between opera studios, voice departments or community opera companies and wind ensembles. A suite for winds without voices (currently in production) will allow conductors to program this major work from the Classical era without dedicating a concert program to the complete opera. Excerpted arias and duets from this arrangement provide vocalists the option of using chamber wind accompaniment on recitals. The door is now open to arrangements of other operas by composers such as Mozart, Rossini and Weber, adding new repertoire for chamber winds and bringing great music to life in a new way.

Wolfgang Einsiedler / Maria Fölling-Albers / Helga Kelle / Katrin Lohrmann (Hrsg.): Standards und Forschungsstrategien in der empirischen Grundschulforschung. Eine Handreichung. Münster u.a.: Waxmann 2013 (164 S.) [Rezension]

Rezension von: Wolfgang Einsiedler / Maria Fölling-Albers / Helga Kelle / Katrin Lohrmann (Hrsg.): Standards und Forschungsstrategien in der empirischen Grundschulforschung. Eine Handreichung. Münster u.a.: Waxmann 2013 (164 S.; ISBN 978-3-8309-2833-1)

Acuerdo de Cooperación e Intercambio entre Universidad de Osnabrück, representada por su Presidente Prof. Dr. Wolfgang Lucke, Neuer Graben 29, 49074 Osnabrück, Alemania y la Universidad de Cuenca, representada por su Rector Ing. Fabián Carrasco, Av. 12 de Abril y Agustín Cueva, Cuenca, Ecuador

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Forms of the Postmodern Historical Novel : Christoph Ransmayr, Daniel Kehlmann, Wolfgang Hildesheimer

L’émergence du postmodernisme aux Etats-unis, mouvement esthétique rejetant les dogmes modernistes, date des années 1960. En s’imposant, durant les dernières décennies du 20ème siècle, comme le paradigme esthétique de l’architecture, des arts et de la littérature, le postmodernisme a également créé les conditions propres à une renaissance du roman historique. Cependant, la fiction historique postmoderne constitue maintenant une nouvelle forme du genre basée sur la parodie, l’ironie et le scepticisme envers les discours dominants. Cette nouvelle forme ne se limite plus à la présentation des récits dans un cadre historique réaliste. Elle remet plutôt en question la validité et par conséquent la nature même du discours historique, problématisant et mettant ainsi à l’avant le processus d’interprétation et de reconstruction du passé. Dans cette optique, la fiction historique contemporaine reflète les débats actuels sur les formes de l’historiographie, débats lancés par Hayden White. Dans les années 1980, la fiction historique a de nouveau fleuri dans l'espace culturel allemand tout comme ailleurs. Le présent mémoire analyse des formes postmodernes de la fiction historique en se basant sur trois romans historiques de langue allemande parus entre 1981 et 2005: Die Schrecken des Eises und der Finsternis de Christoph Ransmayr, Die Vermessung der Welt de Daniel Kehlmann et Marbot : Eine Biographie de Wolfgang Hildesheimer. L’analyse s'appuie sur divers modèles de la fiction postmoderne, en particulier sur le schéma de catégorisation du roman historique élaboré par Ansgar Nünning. Le mémoire montre dans quelle mesure ces romans appliquent des moyens stylistiques typiques pour le postmodernisme et portent un regard critique ou comique sur l’histoire et la culture allemande et autrichienne.