Maison et Musée Grétry (1741-1813)

Signatur des Originals: S 36/F04240

Maison et Musée Grétry (1741-1813)

Signatur des Originals: S 36/F04241

Maison et Musée Grétry (1741-1813)

Signatur des Originals: S 36/F04242

La maison Grétry à Liège

Signatur des Originals: S 36/F04243

Liège. La maison Grétry, Une salle du Musée

Signatur des Originals: S 36/F04244

Liège, Maison Grétry

Signatur des Originals: S 36/F04245

Liège, La maison Grétry

Signatur des Originals: S 36/F04246

Place des Vosges, la Maison de Victor Hugo, Paris

Signatur des Originals: S 36/F08030

Maison de Lully

Signatur des Originals: S 36/G03867

La nouvelle Maison de comédie à Berlin - Das neue Schauspielhaus zu Berlin

Signatur des Originals: S 36/G04531

La Rédaction. Musée de la Maison d'École à Montceau-les-Mines, Groupe de recherche pédagogique, Cahier numéro 1, 2009, 62 páginas

Fil: Peláez, Agustina. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación; Argentina.

La Rédaction. Musée de la Maison d'École à Montceau-les-Mines, Groupe de recherche pédagogique, Cahier numéro 1, 2009, 62 páginas

Fil: Peláez, Agustina. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación; Argentina.

E.1027. Maison en bord de mer: Theoretical Restoration

E.1027, Maison en bord de mer is a small villa in Roquebrune Cap-Martin, built by architects Eileen Gray and Jean Badovici between 1926 and 1929. It was hailed as a landmark of modern architecture, and then forgotten. Over the years many transformations have been carried out, and these changes have altered the spatial qualities of the original project. Time and neglect have taken their toll, and until 2008 the villa was abandoned, a shadow of its former self. In order to state an appropriate restoration, a description of the house and its historic evolution has been made, comparing plans of its different transformations. After compiling the most common pathologies and restoration procedures in buildings of the Modern Movement in general, the particular pathologies of E.1027 are presented, concluding with a restoration proposal for E.1027 that considers aesthetical as well as technical aspects. This study involves an attempt to establish guidelines for the theoretical and technical aspects for restoration of architecture of the Modern Movement, using the Maison en bord de mer as an example.