995 resultados para Kloster Unser Lieben Frauen Magdeburg


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We present experimental investigation of a new reconstruction method for off-axis digital holographic microscopy (DHM). This method effectively suppresses the object auto-correlation, commonly called the zero-order term, from holographic measurements, thereby suppressing the artifacts generated by the intensities of the two beams employed for interference from complex wavefield reconstruction. The algorithm is based on non-linear filtering, and can be applied to standard DHM setups, with realistic recording conditions. We study the applicability of the technique under different experimental configurations, such as topographic images of microscopic specimens or speckle holograms.

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We present a new class of continuously defined parametric snakes using a special kind of exponential splines as basis functions. We have enforced our bases to have the shortestpossible support subject to some design constraints to maximize efficiency. While the resulting snakes are versatile enough to provide a good approximation of any closed curve in the plane, their most important feature is the fact that they admit ellipses within their span. Thus, they can perfectly generate circular and elliptical shapes. These features are appropriate to delineate cross sections of cylindrical-like conduits and to outline blob-like objects. We address the implementation details and illustrate the capabilities of our snake with synthetic and real data.

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We present a new class of continuously defined parametric snakes using a special kind of exponential splines as basis functions. We have enforced our bases to have the shortest possible support subject to some design constraints to maximize efficiency. While the resulting snakes are versatile enough to provide a good approximation of any closed curve in the plane, their most important feature is the fact that they admit ellipses within their span. Thus, they can perfectly generate circular and elliptical shapes. These features are appropriate to delineate cross sections of cylindrical-like conduits and to outline bloblike objects. We address the implementation details and illustrate the capabilities of our snake with synthetic and real data.

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We propose a Riesz transform approach to the demodulation of digital holograms. The Riesz transform is a higher-dimensional extension of the Hilbert transform and is steerable to a desired orientation. Accurate demodulation of the hologram requires a reliable methodology by which quadrature-phase functions (or simply, quadratures) can be constructed. The Riesz transform, by itself, does not yield quadratures. However, one can start with the Riesz transform and construct the so-called vortex operator by employing the notion of quasi-eigenfunctions, and this approach results in accurate quadratures. The key advantage of using the vortex operator is that it effectively handles nonplanar fringes (interference patterns) and has the ability to compensate for the local orientation. Therefore, this method results in aberration-free holographic imaging even in the case when the wavefronts are not planar. We calibrate the method by estimating the orientation from a reference hologram, measured with an empty field of view. Demodulation results on synthesized planar as well as nonplanar fringe patterns show that the accuracy of demodulation is high. We also perform validation on real experimental measurements of Caenorhabditis elegans acquired with a digital holographic microscope. (c) 2012 Optical Society of America

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El artículo se propone desarrollar la continuidad y proyección de la estética de Hildegarda de Bingen en el siglo XIII a través del estudio del imaginario de la luz en la obra La luz fluyente de la divinidad de Matilde de Magdeburgo. El paso de una estética espacial de lo ígneo hacia una estética temporal de lo líquido se corresponde con la transformación del paradigma sacral feudal en el de la mística cortés, a cuyos tópicos responde la obra de esta última. La figura de Matilde, que se vuelve una con su obra, describe una curva que va desde la cosmología simbólica, por la mística cortés del Amor, hacia la mística del abismo y del desierto que brota del grito inarticulado de la cruz y que proyecta su influencia hacia el siglo XIV. En el dinamismo de la simbólica del agua y de las imágenes nupciales que acompañan a esta luz fluyente del amor, Matilde ha dejado trazadas sendas para pensar, en lenguaje estético, la experiencia de Dios en nuestro siglo XXI.

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Los Siete grados de Amor de la poetisa y mística flamenca Beatriz de Nazareth conforma, junto con la obra de sus dos contemporáneas Hadewijch de Amberes y Matilde de Magdeburgo, un coro de voces femeninas que destacan dentro de la teología monástica del siglo XIII, por haber sido escritas en lengua vernácula y haber adoptado de modo creativo las formas poéticas del amor cortés para expresar su experiencia de Dios. En continuidad con la tradición patrística despliega Beatriz la via amoris, centrando su discurso en el deseo de Dios. El objetivo de este trabajo es demostrar la actualidad de esta obra medieval premoderna en el horizonte de una posmodernidad en la que deseo y alteridad se cruzan. La original concepción caleidoscópica del amor que presenta este texto abre horizontes desde los cuales plantear hoy la pregunta por lo absoluto a partir de la experiencia y el lenguaje de los místicos.

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Resumen: El Requiem Alemán de Brahms ha sido objeto de numerosos análisis teológicomusicológicos, debido principalmente a dos características peculiares: 1. es una obra del género requiem que no utiliza el texto de la Missa pro defunctis, sino que emplea una selección de textos bíblicos elegidos por su autor, y 2. su contenido motívico deriva de manipulaciones sobre la melodía del coral Wer nur den lieben Gott lässt walten, que aparecen a lo largo de los 7 números de la obra. Este trabajo pone de relieve la existencia de un motivo autónomo, independiente del contenido del coral, que aparece en cinco de los siete números y al que el autor asigna la representación simbólica de la Redención.

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Am 15. September 2006 verstarb mit 75 Jahren Direktor und Professor Dr. Hansjürgen Bohl, der frühere stellvertretender Leiter des damaligen Instituts für Fangtechnik an der Bundesforschungsanstalt für Fischerei in Hamburg. Er hinterlässt seine Frau, zwei Söhne und eine Tochter sowie 4 Enkelkinder, denen unser herzliches Mitgefühl gilt.

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Am 25. März 2003 verstarb mit 61 Jahren nach längerer, schwerer Krankheit Prof. Dr. Volkert Dethlefsen,kurz nach seinem Ausscheiden aus dem Institut für Fischereiökologie der Bundesforschungsanstalt für Fischerei, wo er als Wissenschaftlicher Direktor tätig war. Er hinterlässt seine Frau und zwei Töchter, denen unser Mitgefühl gilt. Prof. Dethlefsen wurde am 27. Juni 1941 in Niebüll geboren. Von 1964 bis 1970 studierte er Fischereibiologie an der Universität Hamburg und beendete das Studium 1970 mit einer Diplomarbeit über die Biologie und Verbreitung des Muschelparasiten Mytilicola intestinalis an der deutschen Nordseeküste. 1975 promovierte er mit einer Arbeit über den Einfluss von Schadstoffen auf frühe Lebensstadien von Kabeljau, Flunder und Scholle. 1990 habilitierte er sich an der Universität Hamburg, wo er 1995 die Venia Legendi erhielt und 2002 zum Professor ernannt wurde.

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There is increasing adoption of computer-based tools to support the product development process. Tolls include computer-aided design, computer-aided manufacture, systems engineering and product data management systems. The fact that companies choose to invest in tools might be regarded as evidence that tools, in aggregate, are perceived to possess business value through their application to engineering activities. Yet the ways in which value accrues from tool technology are poorly understood.

This report records the proceedings of an international workshop during which some novel approaches to improving our understanding of this problem of tool valuation were presented and debated. The value of methods and processes were also discussed. The workshop brought together British, Dutch, German and Italian researchers. The presenters included speakers from industry and academia (the University of Cambridge, the University of Magdeburg and the Politechnico de Torino)

The work presented showed great variety. Research methods include case studies, questionnaires, statistical analysis, semi-structured interviews, deduction, inductive reasoning, the recording of anecdotes and analogies. The presentations drew on financial investment theory, the industrial experience of workshop participants, discussions with students developing tools, modern economic theories and speculation on the effects of company capabilities.

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This paper presents new methods for computing the step sizes of the subband-adaptive iterative shrinkage-thresholding algorithms proposed by Bayram & Selesnick and Vonesch & Unser. The method yields tighter wavelet-domain bounds of the system matrix, thus leading to improved convergence speeds. It is directly applicable to non-redundant wavelet bases, and we also adapt it for cases of redundant frames. It turns out that the simplest and most intuitive setting for the step sizes that ignores subband aliasing is often satisfactory in practice. We show that our methods can be used to advantage with reweighted least squares penalty functions as well as L1 penalties. We emphasize that the algorithms presented here are suitable for performing inverse filtering on very large datasets, including 3D data, since inversions are applied only to diagonal matrices and fast transforms are used to achieve all matrix-vector products.

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Das Augustinerchorherrenstift Bernried ist eine Gründung des 12. Jahrhunderts und beheimatete bis zur Säkularisation 1803 einen Augustinerchorherrenkonvent. Die Stiftung des Grafenpaares Otto und Adelheid von Valley gehörte zu den neuen geistlichen Niederlassungen, die im Zuge der Reformbewegung der Regularkanoniker fundiert wurden. Für die Region um Bernried am Starnberger See wirkte das Stift als gestalterische Kraft über sechs Jahrhunderte hinweg. Großen Aufschwung nahm das Stift erneut im 18. Jahrhundert, als herausragende Pröpste gerade die musikalische Entwicklung des Konventes förderten: einige Pröpste wirkten als Komponisten; von den Musikalien haben sich zahlreiche Handschriften und Instrumente erhalten. Nach dem bewährten Schema der Germania Sacra skizziert die Autorin Walburga Scherbaum kenntnisreich die Geschichte, die Verfassung, das geistige und religiöse Leben, die Besitzgeschichte und vor allem das Personal des Stiftes von seiner Gründung bis zur Aufhebung. Mit diesem Werk werden die Bemühungen der Germania Sacra um die geistlichen Institutionen im Alten Reich um eine weitere geistliche Niederlassung im bayerischen Raum neben Raitenhaslach (Germania Sacra N. F. 11), Dietramszell (Germania Sacra N. F. 24), Benediktbeuern (Germania Sacra N. F. 28) und Wessobrunn (Germania Sacra N. F. 39) bereichert.