La apariencia industrial. Las townhouses en Lafayette Park de Mies van der Rohe = The industrial appearance. Townhouses in Lafayette Park by Mies van der Rohe

La apariencia industrial. Las townhouses en Lafayette Park de Mies van der Rohe = The industrial appearance. Townhouses in Lafayette Park by Mies van der Rohe

Gordon Matta-Clark a través de Rem Koolhaas : adición a través de eliminación

Gordon Matta-Clark es el origen de la presente investigación. Su obra, de total actualidad, ha ido ganando interés entre la comunidad de arquitectos, si bien su dimensión teórica se ha visto a menudo eclipsada por el poderoso atractivo de sus aberturas, cortes y extracciones. Son muchos los investigadores que detectan una carencia en el estudio de su corpus de pensamiento desde el campo de la crítica arquitectónica a la que está inevitablemente vinculado, a pesar de haber puesto en marcha una potente maquinaria de criticismo. Se constata a su vez la problemática existente al construir dialécticas entre la obra de Gordon Matta-Clark y el ámbito de la práctica arquitectónica. Surgen áreas forzadas de reflexión al elevar ambas esferas al mismo plano, achacado a un desconocimiento de las motivaciones críticas e históricas del proyecto del arquitecto. Aparece de modo recurrente un intento por establecer una dialéctica que, sin embargo, es relegada constantemente a una colección de notas al pie de página: Rem Koolhaas es sesgadamente mencionado por la crítica como el digno continuador accidental de las teorías de Gordon Matta-Clark. Se inicia así la construcción de una dialéctica que permanece aún sin resolver. Rem Koolhaas, en una entrevista en la que vierte su opinión sobre Gordon Matta-Clark, lo considera el precursor accidental de su ‘estrategia de vacío’, reconociendo en su trabajo procesos de adición a través de eliminación como método de creación de espacio arquitectónico. Una visión incisiva que desdeña su faceta de artista destructor destacando su habilidad para inocular el vacío mediante el empleo de herramientas de adición a través de eliminación. Estas premisas dan lugar de forma automática a la hipótesis de partida: la formalización de una investigación que llene ese vacío estableciendo un fuego cruzado entre ambos arquitectos, los cuales comparten de manera fortuita época y escenarios. El discurso de Rem Koolhaas iluminará el pensamiento de Gordon Matta-Clark vinculando sus respectivas plataformas de producción teórica, construyendo un espacio metafórico común en torno a la palabra y la imagen, herramientas que ambos manejan con habilidad y fluidez. Las propuestas del grupo Anarchitecture y las Art Cards o recortes anárquicos de soliloquios mattaclarkianos encuentran su réplica en el diccionario de términos e imágenes “Small, Medium, Large, Extra-Large”, descrito por Rem Koolhaas como una acumulación de palabras e imágenes que ilumina la condición de la arquitectura actual. La investigación establece una profusa asociación de ideas, imágenes y parlamentos que navegan en el universo referencial de Rem Koolhaas aportando una nueva visión sobre la dimensión crítica de Gordon Matta-Clark. Una visión poliédrica alrededor de cinco conceptos clave y un glosario de estrategias de proyecto que abren nuevos umbrales en los que la adición a través de la eliminación se repite hasta la saciedad transformado en mantra arquitectónico. ABSTRACT The present research finds its origins in Gordon Matta-Clark. His work, still relevant today, has been gaining interest within the community of architects, although its theoretical dimension has often been overshadowed by the powerful attraction of his openings, cuts and extractions. Many researchers detect a lack in the study of his body of thought from the field of architectural criticism to which he is inevitably associated, despite having launched a powerful machinery of criticism. It is noted at the same time the problem appeared when different dialectics between the work of Gordon Matta-Clark and the field of architectural practice are established. Forced areas of thought emerge when both fields are observed from the same point of view, derived from a lack of knowledge of the critical and historical motivations of the architect project. An attempt to establish a dialectical relationship with another architect appears recurrently in different books and writings. However it is steadily consigned to a collection of insignificant footnotes: the critics mention Rem Koolhaas as the worthy accidental successor of the theories of Gordon Matta-Clark. The construction of a dialectic that remains unresolved begins at this point. Gordon Matta-Clark is considered by Rem Koolhaas the accidental predecessor of his ‘strategy of emptiness’ -in an interview in which he pours his opinion on him- recognizing processes of addition through elimination in the work of Matta-Clark as a method of building architectural space. Rem Koolhaas rejects his role as destructor artist highlighting his ability to inoculate the emptiness by using addition tools through elimination. These premises lead us automatically to the hypothesis of the research: the formalization of research that will fill the emptiness by setting a crossfire between both architects, who share by chance the same scenarios and time. The discourse given by Rem Koolhaas illuminates Gordon Matta-Clark´s thought by linking their respective theoretical work platforms, building a common metaphorical space around word and image as tools managed by both of them with expertise and fluency. The Anarchitecture proposals and the Art Cards -anarchic cuts of Matta-Clark´s thought- find its counterpart in the dictionary of terms and images included in “Small, Medium, Large, Extra- Large”, described by Rem Koolhaas as an accumulation of words and images that illuminates the condition of architecture today. The research provides a wide range of associations of ideas, images and discussions around the universe of references of Rem Koolhaas, offering a new insight into the critical dimension of the work of Gordon Matta-Clark. A multifaceted vision around five key concepts and a glossary of project strategies that opens up new thresholds in which addition through elimination is repeated endlessly becoming an architectural mantra.

3.8 Guy B. Park, 38th Governor, Missouri, 1933-37

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Recent landscape evolution at the "Barranco del Río Dulce Natural Park" (Spain). Landscape units and mapping

Landscape units based on the visual features of the relief have been distinguished in the “Barranco del Río Dulce Natural Park” (Spain). These units are geomorphic entities composed of several elementary landforms and characterized by a visual internal homogeneity, and contrast with other landscape units in their location, height, profile and gradients, reflecting their different evolution and genesis. Landscape units bear some subjectivity in their definition and in their boundary location due to the overlapping of geomorphic processes along time. Visual, compositional and conventional boundaries have been used for mapping. Neogene landscape evolution mainly occurred through thrust faulting at the Iberian Ranges-Tagus Basin boundary, driving tectonic uplift and erosion of the Ranges and correlative sedimentation in the Basin. Erosion of the Ranges occurred with the development of planation surfaces, leaving minor isolated reliefs in the upland plains landscape. The lowering of the base level, caused by the endorheic–exorheic transition of the Tagus Basin in the Pliocene, originates fluvial entrenchment and water table lowering with development of the first fluvial valleys and the capture of karstic depressions. Two subsequent phases of renewed fluvial incision (Pleistocene) lead to abandonment of some Pliocene valleys, fluvial captures, and development and reincision of tributaries

The Foundations of the Artists’ Community of Estes Park

"Estes Park lies in a beautiful location amongst the Rocky Mountains, sixty-five miles from Denver. Settlers came to the region in the second half of the nineteenth century. Among them in 1898 was artist R.H. Tallant who became a prominent landscape painter of the Rocky Mountains. Settling shortly after him was well-known painter Charles Partridge Adams. While Tallant and Adams founded the artists’ community, renowned artist Birger Sandzén and soon to be popular Dave Stirling were the mainstays pushing the artists’ community to new heights through the 1920s and 1930s. The establishment of a thriving artists’ community by Tallant, Adams, Sandzén and Stirling made Estes Park a recognizable place for attracting numerous artists throughout its history"

An Analysis of National Park Service Policy Regarding Management of White-Tailed Deer at Mammoth Cave National Park, Kentucky

The population of white-tailed deer (Odocoileus virginianus) occupying Mammoth Cave National Park, Kentucky is unknown. The population is uncontrolled, unmanaged, and suspected to be high. When uncontrolled, white-tailed deer tend to overpopulate and inflict negative impacts to vegetation through increased herbivory. The goal of this project is to demonstrate that the status of white-tailed deer at Mammoth Cave merits a policy formulation, and to provide suggestions as to what such a policy should contain. Three similar national parks have previously developed policies to manage white-tailed deer. These policies are analyzed, and common elements are identified that can transpose into a comparable policy at Mammoth Cave. Recommendations for a white-tailed deer management policy at Mammoth Cave National Park are given.

Improving urban park design: A comparative and analytical study addressing resources available and components necessary to improve the environmental and economic sustainability of urban parks

Urban parks have long been valued for the environmental, social, and economic benefits they provide. Increasingly, parks are also being recognized as features important for sustainable city design. This Capstone Project will identify, compare, analyze, and discuss means for designing sustainable urban parks. Recommendations for designing sustainable urban parks, based on project results, include: 1) ensure park features will support high levels of human activity; 2) use gravel to construct park trails; 3) purchase playground structures made of recycled materials; 4) plant a high number of perennials in flowerbeds and other vegetated areas; 5) plant climate-appropriate plants in vegetated areas; 6) ensure parks have high levels of plant diversity; and 7) develop future studies further exploring sustainable park design.

Integration of Sustainable Development Principles into a Community Park

Characteristics of six operating hot spring recreational facilities were reviewed to identify opportunities for integrating a range of sustainable design and operation approaches into a community park. Potential operating cost savings were evaluated for a conceptual landscape project, bathhouse project, and swimming pool project that reduced the use of electricity, natural gas, water, the discharge of water, and solid waste generation. The projects showed a combined cost savings of approximately $40,000 per year by adopting passive solar design, energy efficient lighting, native vegetation, water efficient fixtures, and a natural swimming pool. The greatest potential operating cost reductions were observed for cutbacks in the use of swimming pool water and reductions in natural gas needed for building and swimming pool heating.

Construction of a Sustainable City Park in Ruddle, WV: A Model for Sustainable Park Design in Humid Climates

Three sustainable projects were studied under a sustainable park model for humid climates to determine where their costs lie in terms of installation, maintenance or both. These projects included the use of solar lighting to replace every configuration of conventional lighting, inclusion of a water garden/bog filter and Riparian Buffer System for the purposes of filtering sediments and nutrients out of runoff to prevent contaminated runoff from reaching the river that was adjacent to the park model location and construction of a LEED-inspired building to serve as the concession stand/restrooms building. The aggregate cost savings of instituting all three projects over ten years was $74,120 and the entire project paid itself off in approximately four years.

Surface and Groundwater Environmental Policy Compliance at the Adams County Regional Park and Fairgrounds

The Adams County Regional Park and Fairgrounds must comply with environmental policies related to surface water and groundwater protection. This paper assesses various methods which have proven to be effective in the reduction of nutrients and other contaminants found in surface and groundwater at comparable livestock-based venues. Data was gathered from other facilities in order to identify specific compliance alternatives and evaluate management options. Empirical research, coupled with GIS mapping technology yielded explicit water quality management recommendations for the Adams County Regional Park and Fairgrounds. The outcome of this research and mapping exercise include twelve management recommendations and two site-specific locations for structural BMPs designed to better control water pollution at the Adams County Regional Park and Fairgrounds.