The works of William Makepeace Thackeray /

Each volume has special t.-p.

Critical miscellanies,

Vol. 4 reprinted from the Times and Nineteenth century and has imprint: New York, The Macmillan company, 1908.

The history of materialism and criticism of its present importance /

v. 1. Materialism in antiquity.--The period of transition.--The seventeenth century.--v. 2. The eighteenth century.--Modern philosophy.--The natural sciences.--v. 3. The natural sciences (continued).--Man and the soul.--Morality and religion.

The development of modern Europe : an introduction to the study of current history /

"References" at end of chapters.

Neglected English classics,

Horace Walpole's correspondence.-Favourite plays with eighteenth century playgoers.-Introductory remarks: Otway's Venice preserved. Farquhar's Beaux' stratagem. Addison's Cato. Gay's Beggar's opera.-Richardson's longest novels: Clarissa. Sir Charles Grandison.

A History of the English church.

Mode of access: Internet.

A history of classical scholarship

"Select bibliography": v. 2, p. [xv]-xxiii.

Rituale romanum /

Signatures: á⁴ (-á4 (blank?), A-2I⁸ 2K⁴.

Literary Coteries and the Making of Modern Print Culture, 1740-1790 /

Literary Coteries and the Making of Modern Print Culture, 1740-1790 offers the first study of manuscript-producing coteries as an integral element of eighteenth-century Britain’s literary culture. As a corrective to literary histories assuming that the dominance of print meant the demise of a vital scribal culture, the book profiles four interrelated and influential coteries, focusing on each group’s deployment of traditional scribal practices, on key individuals who served as bridges between networks, and on the aesthetic and cultural work performed by the group. Literary Coteries also explores points of intersection between coteries and the print trade, whether in the form of individuals who straddled the two cultures; publishing events in which the two media regimes collaborated or came into conflict; literary conventions adapted from manuscript practice to serve the ends of print; or simply poetry hand-copied from magazines. Together, these instances demonstrate how scribal modes shaped modern literary production.

Critical miscellanies,

I. Robespierre. Carlyle. Byron. Macaulay. Emerson. --II. Vauvenargues. Turgot. Condorcet. Joseph de Maistre. --III. On popular culture. The death of Mr. Mill. Mr. Mill's Autobiography. The life of George Eliot. On Pattison's Memoirs. Harriet Martineau. W.R. Greg; a sketch. France in the eighteenth century. The expansion of England. Auguste Comte.

Surveys of Scottish history,

Introduction.--Methods of writing history.--The moulding of the Scottish nation.--The Scottish nobility and their part in the national history.--The régime of the later Stewarts in Scotland.--The union of the parliaments of England and Scotland, 1707.--Four representative documents of Scottish history.--Scotland in the eighteenth century.--Intellectual influences of Scotland on the continent.--A forgotten scholar of the sixteenth century [Florence Volusene]--Literature and history.--John Napier of Merchiston.

Critical miscellanies,

Vol. 4, reprinted from the Times and Nineteenth century, has imprint: New York, The Macmillan company, 1908.

“Behind a Best Seller: Kabbalah, Science, and Loving One’s Neighbor in Pinhas Hurwitz’s Sefer ha-Brit”

This manuscript is a literary history of The Book of Covenant, an encyclopedic work of science, philosophy, and ethics written in the late-eighteenth century by Jewish philosopher and polymath Pinhas Hurwitz. Ruderman explores the reasons for the book's huge popularity--it has been republished in forty editions in the last century--as well as its lasting influence on Jewish and kabbalistic thought, and its important place in Jewish society's confrontation with modernity.

“Behind a Best Seller: Kabbalah, Science, and Loving One’s Neighbor in Pinhas Hurwitz’s Sefer ha-Brit”

This manuscript is a literary history of The Book of Covenant, an encyclopedic work of science, philosophy, and ethics written in the late-eighteenth century by Jewish philosopher and polymath Pinhas Hurwitz. Ruderman explores the reasons for the book's huge popularity--it has been republished in forty editions in the last century--as well as its lasting influence on Jewish and kabbalistic thought, and its important place in Jewish society's confrontation with modernity.

The Role of Geometry in Wordsworth's "Science of Feelings"

Thesis (Ph.D.)--University of Washington, 2016-06