La Trinidad Heterodoxa en América Latina (Dossier: Historia del Arte)

El artículo explora los orígenes de la representación de la Trinidad y su declive en Europa, durante el siglo XVI, luego de la Contrarreforma. Prohibida en Europa por considerársele herética y confusa para los fines pedagógicos de la iconográfía católica, el tema trinitario floreció en América durante la segunda mitad del siglo XVII en variadas formas y adaptaciones. La prohibición se derivaba del hecho de que esta iconografía podía generar significados idolátricos al relacionar la representación del Espíritu Santo con manifestaciones religiosas animistas. El análisis se basa en un amplio corpus de imágenes recopiladas en varios contextos latinoamericanos y, finalmente, identifica la persistencia de esta representación en el arte moderno mexicano.

La plebe de Quito a mediados del siglo XVIII: una mirada de la periferia de la sociedad barroca (Debates)

Este artículo analiza el comportamiento de los actores sociales ubicados en la periferia de la sociedad colonial, con el objetivo de desvelar el funcionamiento de las redes de socialización de estos grupos en relación con la estructura jerárquica estamental, cuyo orden giraba en torno a la figura del Rey, marcada por representaciones sociales, políticas y religiosas de la Contrarreforma. El estudio analiza varios juicios relacionados con el comportamiento de los personajes plebeyos de la sociedad colonial quiteña.

De-agrarianization, re-agrarianization and local economic development: re-orientating livelihoods in African artisanal mining communities

This article contributes to the debate on livelihood diversification in rural sub-Saharan Africa, focusing specifically on the growing economic importance of artisanal and small-scale mining (ASM) in the region. The precipitous decline in the value of many export crops and the removal of subsidies on crucial inputs such as fertilizers have made smallholder production unviable, forcing many farmers to ‘branch out’ into non-farm activities to supplement their incomes. One of the more popular destinations for poor farmers is the low-tech ASM sector which, because of its low barriers to entry, has absorbed millions of rural Africans over the past two decades, the majority of whom are engaged in the extraction of near-surface mineral deposits located on concessions that have been demarcated to multinational corporations. The efforts made hitherto to control this illegal mining activity, both through force and regulation, however, have had little effect, forcing many of the region’s governments and private sector partners to ‘re-think’ their approaches. One strategy that has gained considerable attention throughout the region is intensified support for agrarian-orientated activities, many of which, despite the problems plaguing smallholder agricultural sector and challenges with making it more economically sustainable, are being lauded as appropriate ‘alternative’ sources of employment to artisanal mining. After examining where artisanal mining fits into the de-agrarianization ‘puzzle’ in sub-Saharan Africa, the article critiques the efficacy of ‘re-agrarianization’ as a strategy for addressing the region’s illegal mining problem. A case study of Ghana is used to shed further light on these issues.

Politics and the Paul's Cross sermons, 1558-1642

A study of England's most important pulpit of the Reformation period with a detailed discussion of the rhetorical and interpretative strategies used by preachers on politically sensitive subjects and occasions.

Barbara Torelli Benedetti, Partenia, a pastoral play. A bilingual edition edited with notes and translation

This edition presents for the first time in print what is probably the earliest known secular, 'regular' play by a woman in Italy. As suggested in the introduction to the work, Torelli's play offers a fascinating example of female dramaturgy and creative adaptation of the pastoral genre in the context of late sixteenth-century Parma. Critical textual study is combined with new biographical material on the author and her literary milieu. The edition provides the first detailed palaeographical study of the complex Cremona manuscript of the play, which unusually includes emendations thought to be in the hand of the author herself (besides others). The transcription also describes for the first time in detail a newly discovered second manuscript of the play in Rome. The play-text is presented in the original Italian with a new facing English translation. Also included is the first transcription of the paratextual verse from the Cremona manuscript and the first transcribed collection of the author’s extant verse (both with translation).