680 resultados para Tourisme urbain
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Mode of access: Internet.
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Photocopy.
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Letter published in 1848 under title: Aquitaine et Languedoc; ou, Histoire pittoresque de la Gaule mridionale.
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Editors: 1844-1855. G.U. Guillaumin, Joseph Garnier.
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Includes index.
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Later published under title: Vie du gnral Charette.
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Vol. VII has imprint : Paris, Hachette.
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Vol. 9-14 published under the direction of Urbain Jean Joseph Le Verrier; vol. 15-20, of [E.] Mouchez; vol. 21-25, of F. Tisserand.
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Mode of access: Internet.
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Plates accompanied by guard sheets with descriptive letterpress.
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The incursion into the historical area from Fortalezas downtown presents reminiscences of a heritage collection that can be recognized as city built heritage, in architectural and urban aspects. The neighborhood has in its urban tracing a synthesis of the various phases from the Brazilian architecture materialized in its tracing and built goods. This composition mainly covers the eclectic production, passing the time of art dco, including the period of modern production. This paper aims to identify the existing heritage collection. This study aims to identify the existing net assets, the temporality and spatiality that allow to recreate the neighborhoods form urbain history. Based on the theoretical and methodological support of the urban morphology urban of authors such as Aldo Rossi (1966), Gordon Cullen (1971), Jos Lamas (1990), Kevin Lynch (1960), and Philippe Panerai (1999) was allowed on a predefined route, to build part of urban memory of Fortaleza. The historical and morphological study runs through a sequenced analysis developed on the articulated subsets, formed by the network neighborhood squares: Praa Jos de Alencar, Praa Capistrano de Abreu (Lagoinha), Praa Clvis Bevilquia, Praa do Carmo, Praa Murilo Borges (BNB), Praa Corao de Jesus, Parque das Crianas, Praa do Riacho Paje, Praa dos Voluntrios (Polcia), Praa do Ferreira, Praa Waldemar Falco (Correios), Praa General Tibrcio (Lees), Praa Figueira de Melo, Bosque Dom Delgado (Paje), Praa Cristo Redentor, Praa Caio Prado (S), Praa dos Mrtires (Passeio Pblico), e Praa Castro Carreira (Estao). Separated the neighborhood based on this square system because it is perceived that there is in these public spaces a path which includes a portion of the urban history of Fortaleza. In addition to this there is a higher concentration of goods in its area in relation to others sectors of the neighborhood, where the loss of the characterization is an imperative of the urban set. In order to find this network of public spaces contained in the study area were proposed two routes based on the city limits of 1875 established by Adolfo Herbster (Fortalezas city plan).The path starts by known boulevards (Imperador, Duque de Caxias and Dom Manuel avenues) and the seafront. The study is grounded in the literature review, document and empirical theme, consisting of an overlay of maps, drawings and photographic collection that ratify this net assets as both architectural urban nowadays. Among the results, it was observed that before a current context of loss of locus of the concept of historical-cultural agglomerated, the squares express the strongholds of equity ambience that perhaps stand in urban morphology of the capital from Cear.
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Ce travail a recherch sur le processus de prparation corporel\vocal\nergique de lacteur pour la rue. Notre qute principale cest comprendre les processus qui l'acteur se dplace afin de dvelopper une nergie la scne dans la rue. C'est cette nergie qui est mis en place et se rapporte le passant\spectateur? Qui attire l'attention de passant\spectateur? Serai l'histoire? Le code vestimentaire ou tre une expressivit dynamise? Serai une nergie prsente dans le corps de l'acteur qui se relacione avec les passants? Comme l'acteur se rapporte l'espace urbain? Pour tenter de rpondre ces questions, nous allons utilis certains principes de la physique moderne, tels comme: la Thorie Quantique et le Principe d'Incertitude, autan la Thorie du Chaos. Le thtre joue dans les rues, surtout par le biais de longs prolongements de construction scnique, cependant, lorsque prsente au public, est prise par les autres causalits, car tant situ sur la rue, l'acteur devient assujettie cet espace et ne peut pas nier la possibilit des faits qui peuvent se produire. Selon la physique quantique l'nergie se propage dans un espace vide, la quantit d'nergie physique tant chang dans la rue, ce qui entrane le moment magique o les corps des acteurs, des changes constants avec les spectateurs, en permettant le saut quantique: le spectacle thtral de la rue.
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Thse numrise par la Direction des bibliothques de l'Universit de Montral.
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Mmoire numris par la Direction des bibliothques de l'Universit de Montral.
