988 resultados para Presbyterian church in Virginia.


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"A sermon, delivered Sep. 6th, 1832, at the dedication of the new brick church, by Rev. Barnabas King, pastor": p. [11]-22.

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"The founders and pioneers of Methodism" (with portraits)--P. [493]-496.

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Consists of "Why I am a Cumberland" (xxix p.) and "The old log house, a history and defense of the Cumberland Presbyterian Church, by T. C. Blake, D.D." (293 p.) The latter has separate t.p. with imprint: Nashville, Tenn., Cumberland Presbyterian Publishing House, 1897, and was published first in 1879.

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Mode of access: Internet.

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Mode of access: Internet.

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Mode of access: Internet.

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The university never owned McMillan Hall but it did serve the campus community. "For many years the Y.M.C.A. had rented Sackett & McMillan Halls on State Street three blocks north of the campus, from the Presbyterian Church, ...[source: Encyclopedic Survey, pl 1669]. The Y.M.C.A. moved into Lane Hall upon its opening in 1917.

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Appendix: I. The minutes of the Nottingham classis, 1656-60. II. Minutes of the Cornwall classis, 1655-8. III. Minutes of the Cambridge classis, Jany 20, 1656/7 to July 13, 1658. IV. An account of the ministers mentioned in the Bury minutes.

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Mode of access: Internet.

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This thesis examines different facets of feminine artistry in Virginia Woolf's novels with the purpose of defining her conception of women artists and the role sacrifice plays in it. The project follows characters in "Mrs. Dalloway," "To the Lighthouse," and "Between the Acts" as they attempt to create art despite society's restrictions; it studies the suffering these women experience under regimented institutions and arbitrary gender roles. From Woolf’s earlier texts to her last, she embraces the uncertainty of identity, even as she portrays the artist’s sacrifice in the early-to-mid twentieth century, specifically as the creative female identity fights to adapt to male-dominated spaces. Through a close-reading approach coupled with biographical and historical research, this thesis concludes that although the narratives of Woolf's novels demand the woman artist sacrifice for the sake of pursuing creation, Woolf praises the attempt and considers it a crueler fate to live with unfulfilled potential.

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Vilar de Frades church is integrated in the Vilar de Frades Monastery, located in the North part of Portugal (Barcelos). The monastery, founded in 566, suffered several architectural modifications and restoration works, the most relevant was in the XVI century. The church, in granite, has one nave and six bays,holding ten chapels with vaults of crossed ribbings. Nowadays, the chapels present a severe biological colonization characterised by an intense green biofilm, which becoming apparent in other locations inside the church. In the course of a general survey concerning the conservation state of the church, an accurate campaign was planned in order to assess the main biodeterioration agents, map biological colonization and determine the environmental conditions. Laboratory analyses were accomplished with optical microscopy and spectrofluorometry. This study presents the results of this campaign. Details on conservation or preservation works that need to be implemented are also presented.

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This paper reports on a structural safety assessment and performance evaluation of the upper choir of the Santa Maria de Belém Church in the Jerónimos monastery, Lisbon, one of the most important cultural heritage buildings in Portugal. The possibility of adding a new 20 t organ to the upper choir and its effects on the church structure's response are presented. A refined and a simplified finite-element model is developed to investigate the structure's performance under self-weight and seismic actions. A sensitivity analysis is performed to investigate the effect of masonry mechanical properties and rib cross-sections on the structural response, given the difficulty in accurately obtaining this information. The results show that the safety level of the structure is acceptable, even in the case of adding a heavy new organ.

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The material outlines the history of the early Baptist church in Beamsville, from its inception in 1807 until approximately 1859. This may have been the basis of a manuscript on the history of the church.