An Independent Art Movement: The Independent Artist, Community Television, and the Age of Information

The history of community television shows that it has been a home to activist and non-profit organizations that have created programs focused on freedom of speech. This project proposes that community television is also a place where artists can have freedom of artistic expression. The reflective paper reviews the creation of my film designed to inform and attract artists to community television. In it I critically reflect on the artistic, technical, artistic/technical, and production changes made throughout my journey from being a visual artist to becoming a video-artist. The reflective paper, along with the film, act as a wake-up call to artists who are unaware of community television and the advantages it has to offer them.

Slim Styles and the Brothers of the Light

Slim Styles and the Brothers of the Light consists of a short novella, intended to be part of a series, introduced by a narrative essay. The work is about the search for identity, the pursuit of happiness, and the struggle to maintain self assurance while finding a place in the world. The story follows the main character as he slowly learns the truth about an organization he joined looking for a sense of value and worth. With his back against the wall he has to return to the home he was taught to be ashamed of, face the friends he left behind, and apologize to the lover he took for granted. The manuscript is a work in progress.

The Lie That Tells the Truth: Creating Truth in Fiction and the Novel Delivering Hope

What makes fiction believable is the truth behind the words. This Capstone Project explores the ways in which authors put the truth on the page while simultaneously fabricating stories. The Reflective Paper examines writing techniques used to make the reader trust the story and the storyteller. The Creative Capstone is the result of applying these craft skills to Delivering Hope, a novel in progress about a critically ill baby bringing a dysfunctional family back together. The author relies on her personal experience of high- risk pregnancy and preterm birth to help create truth in her fiction.

Samothrace; a guide to the excavations and the Museum.

At head of title: Institute of Fine Arts, New York University.

The mathematical basis of the arts.

Science and esthetics.--Theory of regularity and coordination.--Technology of art production.

The central composition of the national capital and the public buildings program /

Mode of access: Internet.

Two medieval satires on the University of Paris: La bataille des vii ars of Henri d'Andeli, and the Morale scolarium of John of Garland.

Series note varies: At head of title of v. 1 and on verso of t.-p of v. 2, Memoirs of the University of California. v. 4, no. 1, 2. History, v. 1, no. 1, 2.

The arts in rural America.

Cover title.

The Arts on television, 1976-1990 : fifteen years of cultural programming /

Includes indexes.

Supporting the arts : an international comparative study, Canada, Federal Republic of Germany, France, Italy, Great Britain, Netherlands, Sweden, United States /

Item 831-B-2

Benkei and the Moon at Daimotsunoura, from One Hundred Aspects of the Moon

Tsukioka Yoshitoshi; woodcut (Oban)

Wedding Diptych of the Nicmachi and the Symmachi, a Pagan Priestess Priestess at an Altar

Ivory, Early Christian, 4C; 11-3/4 x 4-3/4 in; ivory

Bahram Gur and the Indian Princess in the Dark Palace on Saturday", Folio 23v from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizam

Manuscript, Islamic, Timurid; 8 1/2 in.x 4 39/64 in. (image); ink, opaque watercolor and gold on paper

Saint John on Patmos, The Virgin and Child Enthroned, and the Death of the Virgin, left wing of a diptych

Pacino di Bonaguida; 2 ft. 3/8 in. x 1 ft. 3 63/64 in.; tempera and gold leaf on panel

Folio from a Shahnama (Book of kings) by Firdawsi, recto: Iskandar (Alexander) and the talking tree

1 ft. 4 1/16 in.x 11 27/32 in.; ink, opaque watercolor, gold and silver on paper