770 resultados para Boyle, Judy
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Chronological list of publications on the Phalaris controversy, by Alexander Dyce: p. xii-xviii.
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Shipping list no.: 2003-0174-P (volumes 1-2), 2003-0176-P (volumes 3-4), 2003-0184-P (volume 5), 2004-0047-P (index).
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Subtitle varies : v. 1-46, Cases argued and determined in the Circuit and District courts of the United States. Mar. 1880-Sept. 1892 ; v. 47-187, Cases argued and determined in the Circuit courts of appeals and Circuit and District courts of the United States. Sept. 1891-Aug. 1911 ; v. 188-198, Cases argued and determined in the Circuit courts of appeals, Circuit and District courts, and Commerce court of the United States. Aug. 1911-Nov. 1912 ; v. 199-109, Cases argued and determined in the Circuit courts of appeals, District courts, and Commerce court of the United States. Nov. 1912-Feb. 1914 ; v. 210-257, Cases argued and determined in the Circuit courts of appeals and District courts of the United States. Mar. 1914-Sept. 1919 ; v. 258-300, Cases argued and determined in the Circuit courts of appeals and District courts of the United States and the Court of appeals of the District of Columbia. Sept. 1919-Nov. 1924
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"The notes here appended to the text are selected (and in some cases abridged) from those of Scott and Lord Corke, the omissions chiefly concerning the latter."--Pref.
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Bibliography: p. 73.
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Includes bibliographical references (p. [208]-211) and indexes.
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Mode of access: Internet.
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Mode of access: Internet.
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Mode of access: Internet.
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Mode of access: Internet.
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Richard Strauss’ opera “Salome” is a musical discourse of the uneven power dynamics between male and female with the idea of the gaze as its central narrative. Under the patriarchal premise of the male gaze, the men emerge as the gazers, while the women are relegated to the role of submissive objectification. This paper examines the way Salome manipulates this patriarchal notion of the gaze for her own gain, voluntarily offering herself as the object of the male gaze. I further postulated that Salome strategically oscillates between the stereotypical image of femme fatale and femme fragile, intentionally succumbing to the masculine-constructed demonization and idealization of female power. Consequently, this paper traces how Strauss’ music realizes those gender portrayals and Salome’s resistance against the male order, reflecting the use of musical analyses as a tool in understanding gender roles and power in operas.
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Thesis (Master's)--University of Washington, 2016-06
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Central nervous system performance is disrupted by pain and by the threat of pain. It is not known whether disruption caused by the threat of pain is dependent on the likelihood of pain occurring. We hypothesised that when a painful stimulus is possible but unpredictable central nervous system performance is reduced, but when the pain is predictable and unavoidable it is not. Sixteen healthy subjects performed a reaction time task during predictable and unpredictable conditions (100% and 50% probability of pain, respectively). Group data showed increased reaction time with the threat of pain by 50 ms (95% Cl 16 to 83 ms) for the predictable condition and 46 ms (95% CI 12 to 80 ms) for the unpredictable condition (p < 0.01 for both), but there was no difference between predictable and unpredictable conditions (p = 0.41). However, individual data showed that there was a differential effect in 75% of subjects (p < 0.05 for all) and that there was a greater effect of predictable pain for some subjects and a greater effect of unpredictable pain for others. Reaction time was related to reported anxiety (r = 0.49, p = 0.02 for both conditions). The predictability of a painful stimulus may have a differential effect on central nervous system performance within individuals, but anxiety about the impending pain appears to be important in determining this effect.