A produção social da solidariedade operária : o caso de estudo da Península de Setúbal (1890-1930)

Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Doutor em História Contemporânea

O trabalho autobiográfico de Louise Bourgeois e o discurso autobiográfico filosófico

O trabalho denominado como autobiográfico é diverso na sua forma, podendo ser uma manifestação de cariz artístico, literário ou filosófico. A presente dissertação procura investigar as particularidades da forma autobiográfica, os objectivos do autor perante a sua obra e a sua recepção no campo público. Para tal, traz-se para análise: a obra escultórica de Louise Bourgeois para chegar a um entendimento sobre a forma artística da autobiografia; os Cadernos do Subterrâneo de Fiódor Dostoiévski que é exemplo controverso de uma obra autobiográfica literária; e as Confissões de Jean- Jacques Rousseau e Santo Agostinho que nos permitem experienciar uma obra autobiográfica com preocupações características de uma investigação filosófica. Pretende-se compreender a autobiografia na sua generalidade, tanto do ponto de vista do autor como do seu receptor.

Todos têm direito à cultura. A Dinâmica cultural da cidade de Santarém (1930-1959)

O dirigente associativo Manuel Ginestal Machado defendeu numa entrevista publicada no Jornal de Santarém, a 20 de Março de 1958, que “todos têm direito à cultura”. Esta afirmação decorria num projecto mais vasto, dinamizado entre as décadas de 30 e 50, na cidade de Santarém, por membros de um grupo social privilegiado que se empenharam na difusão cultural junto dos mais desfavorecidos da cidade, ao mesmo tempo que pretenderam contribuir para a construção da identidade da região do Ribatejo. Maioritariamente ligados ao associativismo, estes homens definiram um amplo projecto de coordenação cultural que constitui o objecto central do estudo de caso que esta tese realiza e na qual igualmente se abordou a história da importância das associações culturais e recreativas na dinâmica da cidade. Como unidades de observação estudaram-se casos significativos, como a organização do Grupo de Coordenação Cultural no pós Segunda Guerra Mundial, a fundação do Círculo Cultural Scalabitano e a tentativa de construir o “Palácio da Música”. Também se estudou o papel desenvolvido pelas mulheres, especialmente nas colectividades, numa sociedade controlada e controladora. Os interesses da vasta e heterogénea classe operária da cidade também mereceram um estudo específico a partir da análise do trabalho desenvolvido pela Sociedade Recreativa Operária. As cadeias de relacionamento cultural estabelecidas pela cidade com a região ribatejana, Lisboa e além fronteiras através da programação estabelecida com a delegação de Santarém da Alliance Française, também foram alvo de estudo. A tese pretende ser um contributo para alargar o conhecimento da história da cultura numa cidade de província, durante as décadas de 30 a 50.

Serological evidence for Saint Louis encephalitis virus in free-ranging New World monkeys and horses within the upper Paraná River basin region, Southern Brazil

Introduction Saint Louis encephalitis virus (SLEV) primarily occurs in the Americas and produces disease predominantly in humans. This study investigated the serological presence of SLEV in nonhuman primates and horses from southern Brazil. Methods From June 2004 to December 2005, sera from 133 monkeys (Alouatta caraya, n=43; Sapajus nigritus, n=64; Sapajus cay, n=26) trap-captured at the Paraná River basin region and 23 blood samples from farm horses were obtained and used for the serological detection of a panel of 19 arboviruses. All samples were analyzed in a hemagglutination inhibition (HI) assay; positive monkey samples were confirmed in a mouse neutralization test (MNT). Additionally, all blood samples were inoculated into C6/36 cell culture for viral isolation. Results Positive seroreactivity was only observed for SLEV. A prevalence of SLEV antibodies in sera was detected in Alouatta caraya (11.6%; 5/43), Sapajus nigritus (12.5%; 8/64), and S. cay (30.8%; 8/26) monkeys with the HI assay. Of the monkeys, 2.3% (1/42) of A. caraya, 6.3% 94/64) of S. nigritus, and 15.4% (4/26) of S. cay were positive for SLEV in the MNT. Additionally, SLEV antibodies were detected by HI in 39.1% (9/23) of the horses evaluated in this study. Arboviruses were not isolated from any blood sample. Conclusions These results confirmed the presence of SLEV in nonhuman primates and horses from southern Brazil. These findings most likely represent the first detection of this virus in nonhuman primates beyond the Amazon region. The detection of SLEV in animals within a geographical region distant from the Amazon basin suggests that there may be widespread and undiagnosed dissemination of this disease in Brazil.

A Saint Louis encephalitis and Rocio virus serosurvey in Brazilian horses

Introduction Arboviruses are an important public health problem in Brazil, in especially flaviviruses, including the Saint Louis encephalitis virus (SLEV) and the Rocio virus (ROCV), are especially problematic. These viruses are transmitted to humans or other vertebrates through arthropod bites and may cause diseases with clinical manifestations that range from asymptomatic infection, viral hemorrhagic fever to encephalitis. Methods A serological survey of horses from various regions of Brazil using an enzyme-linked immunosorbent assay (ELISA) with recombinant SLEV domain III peptides and ROCV E protein as antigens. Results Overall, 415 (55.1%) of the 753 horses that were screened were seropositive for flavivirus and, among them, monotypic reactions were observed to SLEV in 93 (12.3%) and to ROCV in 46 (6.1%). These results suggested that these viruses, or other closely related viruses, are infecting horses in Brazil. However, none of the studied horses presented central nervous system infection symptoms. Conclusions Our results suggest that SLEV and ROCV previously circulated among horses in northeast, west-central and southeast Brazil.

Owner portraits and heraldry in the "Lamoignon Hours"

Because of the distance in time and the lack of testifying documents, one should be extremely careful when labelling portraits in medieval books of hours as donor portraits or owner portraits. There are, however, manuscripts that reveal their first owner within their decorative programme, and the Lamoignon Hours (Lisbon, Gulbenkian, ms LA 237) is one of these. This article aims to discuss the iconography of the three portraits found on f.165v, f.202v and f.286v, as well as the relevance of portraiture and heraldic insignia in books of hours and the significance of such content to the original owner and to those who possessed the book afterwards.

Recensão: Perrin, Michel Jean‑Louis – "L’iconographie de la gloire à la sainte croix de raban maur"

Recensão de: Michel Jean‑Louis Perrin – "L’Iconographie de la Gloire à la Sainte Croix de Raban Maur". (Répertoire Iconographique de la Littérature du Moyen âge 1.) Turnhout: Brepols, 2009.

The London journal of botany : containing figures and descriptions of such plants as recommend themselves by their novelty, rarity, history, or uses : together with botanical notices and information and and occasional portraits and memoirs of eminent botanists.

v.2 (1843)

The London journal of botany : containing figures and descriptions of such plants as recommend themselves by their novelty, rarity, history, or uses : together with botanical notices and information and and occasional portraits and memoirs of eminent botanists.

v.3 (1844)

The London journal of botany : containing figures and descriptions of such plants as recommend themselves by their novelty, rarity, history, or uses : together with botanical notices and information and and occasional portraits and memoirs of eminent botanists.

v.4 (1845)

The London journal of botany : containing figures and descriptions of such plants as recommend themselves by their novelty, rarity, history, or uses : together with botanical notices and information and and occasional portraits and memoirs of eminent botanists.

v.5 (1846)

The London journal of botany : containing figures and descriptions of such plants as recommend themselves by their novelty, rarity, history, or uses : together with botanical notices and information and and occasional portraits and memoirs of eminent botanists.

v.6 (1847)

The London journal of botany : containing figures and descriptions of such plants as recommend themselves by their novelty, rarity, history, or uses : together with botanical notices and information and and occasional portraits and memoirs of eminent botanists.

v.7 (1848)