The lives of the fathers, martyrs, and other principal saints; compiled from original monuments and other authentic records, illustrated with the remarks of judicious modern critics and historians. /

Mode of access: Internet.

Christ and his critics : studies in the person and problems of Jesus /

Includes bibliographical references.

Buckle and his critics; a study in sociology.

Mode of access: Internet.

The missioary and his critics,

Mode of access: Internet.

Georg Gemünder's progress in violin making, with interesting facts concerning the art and its critics in general.

Mode of access: Internet.

The vision of Sir Launfal, A fable for critics, and The commemoration ode,

Mode of access: Internet.

A manual of biblical bibliography comprising a catalogue, methodically arranged, of the principal editions and versions of the Holy Scriptures, together with notices of the principal philologers, critics, and interpreters of the Bible /

"This volume constitutes the bibliographical appendix to the second volume of the author's [8th ed., 1839] Introduction to the critical study and knowledge of the Holy Scriptures." The bibliographical appendix was omitted from the 10th and later London editions.

The Elizabethan dramatists as critics /

Includes bibliographical references and index.

Four Irish plays : Mixed marriage, The magnanimous lover, The critics, [and] The orangeman.

Mode of access: Internet.

The scowcroft critics.

Mode of access: Internet.

Influences and advice of theatrical consumption. A study about the effect of the theatre critics and other instances of evaluation in the habits of theatre attendance

This article analyses the influence that different criticism stages of proceedings exert in the habits of theatre attendance. The study is based on the survey carried out specifically for this research in which 210 people, who attended a theatrical representation, were interviewed in three different theatres in the city of Valencia. The study has revealed the mouth to mouth importance in the decision of attending the theatre and its stronger influence on the audiences who less frequently go to theatrical representations. The results obtained have also made clear the existence of a narrow relation between the advice effect of the theatre critics and the patterns of attendance to the theatre, just like its bigger influence between theatres with commercial orientation and those which are addressed to the broad audiences.

The body, the device, the sleepwalkers. On the spinozian uses of experience as a critics of the cartesian concept of freedom

In this paper I discuss one of the most significant strategies in Spinoza’s theoretical approach against those that entrave its understanding in a very powerful way. As well as Descartes, Spinoza uses the inmediate or unreflexive experience for developing his conception of free will or the distinction between body and soul, but he does so in order to prove that the experience is useful to demonstrate some purely anti-Cartesian thesis that express the core principles of Spinozism.

Liberating the Issue of Present Days. About the Foucaltian Critics of Inflationary Speeches on the Present as “Mass Society” and “Estatalized Space”

With this article we pretend to contribute, in a really modest way, to the liberation of a tenacious image of our society: which operates as an ideological basis of a group of current socio-political pseudocritics, with great success and diffusion. For this we will undertake the exposition and the analysis of the development group of Naissance de la biopolitique in which Foucault accomplishes the critic of all that number of inflationary speeches that represent our society like a “mass society” and a “estatalized space”. Facing these vague and disproportionate forms of consideration, the foucaltian critic, in its exquisite attention to what happens nowadays, it should reveal how our societies function as systems that optimize the difference –radically nominalists-, in which it is produced, beyond any phantasmatic of the oppressor and invasive estate, a regretion of the legal-estate structures that articulate the socio-politic groups, in benefit of the reconstitution and the social tissue as a communitarian network, suitable for the dynamics of market competence that characterise our enterprise societies. That will open to a new idea of the critic, and to a displacement of its object and objectives.