Glauberus concentratus, oder Kern der glauberischen Schrifften : worinnen alles unnöthige Streit-Wesen weggelassen, was nutzbar ist, in die Enge gezogen, und was undeutlich oder verstecket, so viel möglich klar gemacht, und in Form eines leicht begreiflichen Processes gebracht worden /

Mode of access: Internet.

Glauberus concentratus; oder, Kern der. Glauberischen Schrifften worinnen alles unnöthige Streit-Wesen weggelassen was nutzbar ist in die Enge gezogen und was undeutlich oder verstecket so viel möglich klar gemacht und in Form cinca leicht begreifflichen Processes gebracht worden, Auffgesetat von einem Liebhaber philosophischer Geheimnisse.

Photocopy.

Oeuvres complètes de Bernard Palissy.

Includes index.

Roger Bacon essays,

--Roger Bacon in English literature, by Sir John Edwin Sandys.--Roger Bacon's works, with reference to the mss. and printed editions, by A. G. Little (p. [375]-425, [1])

Entstehung und Ausbreitung der Alchemie.

Vol. 3 edited by Richard von Lippman.

Tractatus de natura salium ... : cum demonstratione ... quad sal post Deum [et] solem unicum sit principium ... item tractatulus paruns & compendiosum de Salium, metallorum & planetarum signaturâ ... /

Contiene con portada y paginacion propias: "Tractatus de signatura salium, metallorum et planetarum..., 44 p."

Drey curieuse chymische tractätlein, das erste, betitult: Güldene rose, [das ist, einfältige beschreibung des allergrössesten, von dem allmächtigsten schopffer himmels und der erden Jehovah in die natur gelegten, und dessen freunden unhd auserwählten zugetheilten geheimnisses, als speigels der göttlichen und natürlichen weissheit.] Das andere Brunn der weisheit und erkänntnis der natur, von einem unvergleichlichen philosopho gegraben. Das dritte Blut der natur, [oder: Entdeckung des allergeheimsten schatzes derer weisen, seyende nichts anders, als der rothe lebens-safft davon alle geschöpfe nach dem willen des Allmächtigen herstammen, erhalten und fortgepflanzet werden.]

[Each tract has special t.-p.: Güldene rose ... ans licht gebracht durch J.R.V.M.D.--Brunnen der weissheit ... geöffnet durch Anonymum von Schwartzfuss.--Das blut der natur ... hervorgegeben von Anonymus von Schwarzfuss.]

Hermetischer Rosenkrantz : das ist, Vier schöne, ausserlesene Chymische Tractätlein, nemlich ... /

I. Artephii, dess uhralten Philosophi von der geheimen Kunst, und Stein der Weisen, Geheimes Buch -- II. Johannis Garladii (sic), seu Hortulani Angli, Compendium Alchimiæ, oder Erklärung der Smaragdischen Tafel Hermetis Trismegisti -- III. Arnoldi de Villanova, Erklärung über den commentarium Hortulani -- IV. Bernhardi Comitis Trevis, Absonderlicher Tractat vom Stein der Weisen.

R. Abrahami Eleazaris Uraltes Chymisches Werk, welches ehedessen von dem Autore theils in Lateinischer und Arabischer, theils auch in Chaldäischer und Syrischer Sprache geschrieben, nachmals von einem Anonymo in unsere deutsche Muttersprache übersetzet, nun aber nebst zugehörigen Kupfern, Figuren ... ingleichen einigen philosophischen Regeln von dem Steine der Weisen zu Nutz und Gebrauch aller Liebhaber der edlen Hermetischen Philosophie, in II. Theilen zum öffentlichen Druck befördert worden durch Iulium Gervasium Schwartzburgicum, P. M. & I. P. E.

Ferguson I, 3.

Magistri Ioannis Isaaci Hollandi, viri in philosophia, potissimùm veró in chymia celeberrimi, Opera mineralia, siue de lapide philosophico, omnia, duobus libris comprehensa /

Title vignette; head and tail-pieces, initials.

Crueldad, simulacion, absurdo y amenaza: Barbarie del drama moderno y tradicion hermetica en los esperpentos de Ramon del Valle-Inclan

The purpose of this dissertation is to demonstrate that the esperpentos by the Spanish playwright Ramón del Valle-Inclán (1866–1936), represent a culminating moment of theatrical precepts of modern European drama, while perpetuating the ancient esoteric traditions of the Iberian Peninsula. Focusing on four plays—Los cuernos de Don Friolera (1920), Luces de Bohemia (1921), Las galas del difunto (1926) y La hija del Capitán (1927)—the research elucidates how this interpretation furthers understanding of the process that embraces the anti-realistic clamours during the initial decades of the XX century, up to the subsequent climax of the aesthetics of Cruelty, Absurdity, Simulation, and Menace. ^ In search for an ideal scenic language capable of reflecting the grotesque character and mystical essence of the esperpentos, this project examines the most significant works of philosophers from the hermetic tradition such as Plato, Pithagoras, Aquinas, and Flamel. Other important authors are Éliphas Lévy and H. P. Blavatsky, two personalities of great preponderance in the spiritual effervescence and occultist apotheosis at the turn of the 20th century. Finally, the mystical ideas of Spanish philosopher Roso de Luna and the psychological works on alchemy and magic by Jung find their conceptual correspondence in Valle-Inclán's aesthetic manifesto, La lámpara maravillosa. ^ The ultimate objective of this dissertation is to provide a proposal for a mise en scène of the esperpentos, aesthetically based on the simultaneous scenarios of the New Stagecraft and conceptually inspired by the mystical principles of the hermetic tradition. The comparative approach of this study establishes a dialogue between modernity and the esoteric tradition that results in a new Koncept for their representation, providing a simultaneous scenario, far from realistic theatre, and more coherent to house the magical substance of the esperpentos. ^

Post tenebras spero lucem : Alquimia y ritos en el Quijote y otras obras cervantinas

This study focuses on two areas: alchemy (Part I) and rituals of initiation (Part II) in the works of Miguel de Cervantes, focusing on Don Quijote de la Mancha as my main case study. The first part analyses the function of alchemy and how it can be interpreted throughout the works and various literary genres of Cervantes. It will demonstrate that the texts of Cervantes contain both explicit and implicit allusions to, as well as different aspects of alchemy, such as operative and spiritual alchemy and how these are ultimately used by Cervantes as a means of expression. The author draws from this rich source and modifies these means of expression in order to achieve various results: sometimes with wit or in relation to fraud; at other times it focuses on inner alchemy relating to chivalry in what I have called spiritual chivalry, which has the aim of self-improvement and ultimately, gnosis. Regarding the chivalric rituals of initiation, according to this investigation chivalry serves as both satire and representation of the alchemical process in the case of Don Quijote, which finds its key moments during the rituals. In this sense alchemy and chivalry are studied as two sides of the same coin, in which the search for something higher, an object (the philosopher stone, the beloved), subjects the protagonist to continuous transmutations and puts him in contact with the transitory, that is, liminal states, people and spaces. From this perspective Don Quixote de la Mancha is built upon liminal poetics. My approach, which follows the tenets of analogical hermeneutics, is included within the framework of the Western Esotericism Studies. The 16th and 17th centuries were a fertile age for alchemy throughout Europe. In Spain, alchemy and other esoteric disciplines co-existed with the Spanish Inquisition and its body for the control of ideas and texts: censorship. By being ambiguous and putting into dialogue different ideas of alchemy, Cervantes not only allowed readers to reach their own conclusions, he also protected his work from censorship.

Empleo de la diplomacia preventiva por parte de la Organización de Naciones Unidas en el conflicto de Kosovo de 1998-1999

En el interés de alcanzar la estabilidad y promover el mantenimiento de la paz internacional, la diplomacia preventiva nace como un concepto generador de estrategias encaminadas a actuar antes, durante y después del conflicto. El siguiente documento busca analizar el funcionamiento de los instrumentos de diplomacia preventiva empleados por las Naciones Unidas en la crisis de Kosovo de 1998 y 1999. Esta crisis surgida a raíz del conflicto entre el gobierno serbio y un movimiento disidente, conocido como el Ejército de Liberación Albano-Kosovar, que pretendía darle un perfil más autónomo al territorio y a la población albano-kosovar, reveló una serie de debilidades estructurales que sigue enfrentando este mecanismo en la resolución de conflictos étnicos al interior de los Estados.