918 resultados para Visual education.


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O presente relatório elaborado no âmbito da disciplina da Prática de Ensino Supervisionada, do Mestrado em Ensino de Artes Visuais no 3° Ciclo do Ensino Básico e Secundário, é referente à Prática de Ensino Supervisionada no primeiro e segundos semestres do ano lectivo 2009/201O. Prática que se desenvolveu na Escola Básica Integrada André de Resende com a orientadora cooperante Professora Maria João Machado, e na Escola Secundária Gabriel Pereira com a orientadora cooperante professora Luísa Gancho. Ambas as acções foram supervisionadas sob a orientação do Professor Doutor Leonardo Charréu. Para além dos Professores Orientadores, o presente núcleo n°2 constituiu-se pelos mestrandos, Eliezer Correia e Cátia Casquinha. O relatório da disciplina da Prática de Ensino Supervisionada divide-se em duas secções. A primeira secção que resulta da reflexão do que foi executado no primeiro semestre na Escola Básica Integrada André de Resende, e a segunda secção que corresponde ao segundo semestre na Escola Secundária Gabriel Pereira, ambas localizadas na cidade de Évora. ABSTRACT: The present report was realized to cover the activities developed in the curricular unit Supervised Teaching Practice ("Prática de Ensino Supervisionada"), of the Master in Visual Arts Teaching, in the 3rd Cycle of Basic and Secondary Education. lt is relative to the “Prática de Ensino Supervisionada” developed in the two semesters of the academic year 2009/201O held at the "Escola Básica Integrada André de Resende", cooperating with the advisor local teacher Maria João Machado, and at the "Escola Secundária Gabriel Pereira", with the advisor local teacher Luísa Gancho. 8oth actions were supervised under the guidance and scientific supervision of Professor Leonardo Charréu. Beyond these advisor teachers, the group N°2 was formed by the master students, Eliezer Correia and Cátia Casquinha. The report of the discipline of "Prática de Ensino Supervisionada" is divided into two sections. The first section that results from the reflection of the activity executed in the first semester at the "Escola Básica Integrada André de Resende", and the second section correspond to the second semester at the "Escola Secundária Gabriel Pereira”, both located in the city of Évora.

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Este relatório foi elaborado no âmbito do mestrado em Ensino de Artes Visuais no 3.° Ciclo do Ensino Básico e no Secundário, na Universidade de Évora (UE). Reporta-se à unidade curricular Prática de Ensino Supervisionada (PES) realizada nas Escolas EBI André de Resende e na Escola Secundária Gabriel Pereira, em Évora, no ano lectivo 2009-201O. O Prof. Doutor Leonardo Charréu (UE), orientador científico, os professores orientadores cooperantes Paulo Matias e Carlos Guerra, constituíram o apoio ao núcleo de estágio das alunas Cristina Malta e Ana Sofia Henriques (autora deste relatório). O Prof. Doutor Leonardo Charréu assistiu a quatro aulas nas disciplinas de Educação Visual e Desenho A. O relatório da PES relata os objectivos de trabalho, planificações, metodologias e instrumentos de avaliação nas disciplinas de Educação Visual e Desenho A e nas actividades extracurriculares realizadas. Teve como intuito, também, elaborar uma análise reflexiva do trabalho desenvolvido na aprendizagem da PES. ABSTRACT: This report was developed during the Master in Visual Arts Teaching in the 3 rd Basic Cycle and Secondary Education at the Évora University. The Supervised Teaching Practice unit (referred under de Portuguese acronym PES) was completed at the EBI André de Resende School and at the Secondary School Gabriel Pereira, in Évora, in 2009-2010. The Professor Leonardo Charréu (UE), Scientific Supervisor and the teachers/local supervisors Paulo Matias and Carlos Guerra, supported the internship of the master students Cristina Malta and Ana Sofia Henriques. Professor Leonardo Charréu observed four lessons in Visual Education and Drawing A disciplines. The PES report describes the work objectives, planning, methodologies, and evaluation methods in the Visual Education and Drawing A subjects and the extra-curricular activities. The objective was also to develop a reflective analysis of the work made during the entire learning period of PES.

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Whilst a variety of studies has appeared over the last decade addressing the gap between the potential promised by computers and the reality experienced in the classroom by teachers and students, few have specifically addressed the situation as it pertains to the visual arts classroom. The aim of this study was to explore the reality of the classroom use of computers for three visual arts highschool teachers and determine how computer technology might enrich visual arts teaching and learning. An action research approach was employed to enable the researcher to understand the situation from the teachers' points of view while contributing to their professional practice. The wider social context surrounding this study is characterised by an increase in visual communications brought about by rapid advances in computer technology. The powerful combination of visual imagery and computer technology is illustrated by continuing developments in the print, film and television industries. In particular, the recent growth of interactive multimedia epitomises this combination and is significant to this study as it represents a new form of publishing of great interest to educators and artists alike. In this social context, visual arts education has a significant role to play. By cultivating a critical awareness of the implications of technology use and promoting a creative approach to the application of computer technology within the visual arts, visual arts education is in a position to provide an essential service to students who will leave high school to participate in a visual information age as both consumers and producers.

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In this paper we present the first data from the research conducted to determine the relationship between traditional visual arts and other forms of visual culture closer to the experiences of high school youth. The hypothesis of this research is that while students are nurtured and live primarily with the images provided by the media culture, their textbooks basically refer to the more traditional art images. The research has been limited to a review and analysis of the most common educational materials for teaching visual arts in high school. After the systematization and analysis of the images appeared in textbooks, we have detected three major types: the artistics, those who belong to media culture and others. The most relevant conclusions indicate that: there are hardly any connections between different types of images, they offer a very traditional view of art and they are far removed from the experiences of young book users.

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Young disabled people continue to be under-represented throughout further and higher education settings. Drawing on Pierre Bourdieu’s social theory of habitus, capital and field, this paper explores the practices of domination and oppression that have made it difficult for young people with visual impairments and hearing impairments to participate in third-level education on the same basis as non-disabled people. Twenty young people with hearing impairments and visual impairments were interviewed about their educational experiences. In addition, 31 interviews were conducted with third-level education providers, policy-makers and non-governmental organisations. This article has two aims: firstly, to critically examine the experiences of young people with hearing impairments and visual impairments in accessing and engaging with support provisions in further and higher education settings; and secondly, to identify and explore the diversity of ways in which these young people have managed and responded to the practices they have encountered. This article emphasises the journey from ability to dis-ability that young people with hearing and visual impairments experience in their quest for educational achievement. The ambiguities of “inclusion”, “widening participation” and “support” are highlighted and critiqued for their extensive failure to challenge taken-for-granted discourses.

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Direct experience of social work in another country is making an increasingly important contribution to internationalising the social work academic curriculum together with the cultural competency of students. However at present this opportunity is still restricted to a limited number of students. The aim of this paper is to describe and reflect on the production of an audio-visual presentation as representing the experience of three students who participated in an exchange with a social work programme in Pune, India. It describes and assesses the rationale, production and use of video to capture student learning from the Belfast/Pune exchange. We also describe the use of the video in a classroom setting with a year group of 53 students from a younger cohort. This exercise aimed to stimulate students’ curiosity about international dimensions of social work and add to their awareness of poverty, social justice, cultural competence and community social work as global issues. Written classroom feedback informs our discussion of the technical as well as the pedagogical benefits and challenges of this approach. We conclude that some benefit of audio-visual presentation in helping students connect with diverse cultural contexts, but that a complementary discussion challenging stereotyped viewpoints and unconscious professional imperialism is also crucial.

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Visual literacy is essential for 21st century learners. Across the higher education curriculum, students are being asked to use and produce images and visual media in their academic work, and they must be prepared to do so. The Association of College and Research Libraries has published the Visual Literacy Competency Standards for Higher Education, which for the first time, outline specific visual literacy learning outcomes. These Standards present new opportunities for libraries to expand their role in student learning through standards-based teaching and assessment, and to contribute to campus-wide collaborative efforts to develop students’ skills and critical thinking with regard to visual materials.

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Contiene informacion sobre el Proyecto III del programa de trabajo del CCCT: preparacion e intercambio de material audiovisual para la educacion sobre los beneficios, limitaciones y peligros del desarrollo en ciencia y tecnologia.

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Simbrain is a visually-oriented framework for building and analyzing neural networks. It emphasizes the analysis of networks which control agents embedded in virtual environments, and visualization of the structures which occur in the high dimensional state spaces of these networks. The program was originally intended to facilitate analysis of representational processes in embodied agents, however it is also well suited to teaching neural networks concepts to a broader audience than is traditional for neural networks courses. Simbrain was used to teach a course at a new university, UC Merced, in its inaugural year. Experiences from the course and sample lessons are provided.

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This work proposes to seek for the factors related to the choices that people with special educational needs make as the result of the visual impairment, during the transition stage from high school to advanced education. Therefore, we have taken into consideration that Vocational Guidance and the transition towards adulthood get specific characteristics in case of visually impaired young people, particularly in what's related to continue with advanced education. The focus of this work is to be able to clarify the existence of factors that make this transition stage easier or harder, through the observation of visually impaired and blind people who complete high school. This matter has aroused interest and concern about the strategies to follow to ensure the successful entrance and remaining in the selected advanced education. However, if we don?t know the factors involved in the described fact, it's difficult to design an appropriate intervention strategy. Then, in order to take acknowledge about the specific issues of visually impaired young people who complete high school, we chose a special school for this disability and some students who will join this project

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This work proposes to seek for the factors related to the choices that people with special educational needs make as the result of the visual impairment, during the transition stage from high school to advanced education. Therefore, we have taken into consideration that Vocational Guidance and the transition towards adulthood get specific characteristics in case of visually impaired young people, particularly in what's related to continue with advanced education. The focus of this work is to be able to clarify the existence of factors that make this transition stage easier or harder, through the observation of visually impaired and blind people who complete high school. This matter has aroused interest and concern about the strategies to follow to ensure the successful entrance and remaining in the selected advanced education. However, if we don?t know the factors involved in the described fact, it's difficult to design an appropriate intervention strategy. Then, in order to take acknowledge about the specific issues of visually impaired young people who complete high school, we chose a special school for this disability and some students who will join this project

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This work proposes to seek for the factors related to the choices that people with special educational needs make as the result of the visual impairment, during the transition stage from high school to advanced education. Therefore, we have taken into consideration that Vocational Guidance and the transition towards adulthood get specific characteristics in case of visually impaired young people, particularly in what's related to continue with advanced education. The focus of this work is to be able to clarify the existence of factors that make this transition stage easier or harder, through the observation of visually impaired and blind people who complete high school. This matter has aroused interest and concern about the strategies to follow to ensure the successful entrance and remaining in the selected advanced education. However, if we don?t know the factors involved in the described fact, it's difficult to design an appropriate intervention strategy. Then, in order to take acknowledge about the specific issues of visually impaired young people who complete high school, we chose a special school for this disability and some students who will join this project

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Description based on: No. 8 (spring 1978)

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Mode of access: Internet.