"What is contemporary art? A review of two books by Terry Smith'

What is contemporary art and what are the key components of contemporary culture? This review demonstrates where Terry Smith provides important answers to this question. The books thus help to improve understanding of how art has changed in recent decades and how a global culture now shapes its parameters. This review does not however concur that Smith provides a convincing case for a complete cultural paradigm transformation.

Greek printing outside Greece, from the 15th century to e-books

An exhibition of rare Greek printed books, with printed items dating from 1488 to recent decades, and rarely seen in one setting. This exhibition focuses on the typographic continuity of Greek literary culture.

Bibliotheca Americana : a catalogue of books relating to North and South America in the library of the late John Carter Brown of Providence, R.I. /

Under the provisions of the will of John Nicholas Brown, the collection was transferred in 1901 to Brown university.

Supplementary catalogue of Chinese books and manuscripts in the British Museum /

Mode of access: Internet.

Catalogue of Hebrew books in the British Museum acquired during the years 1868-1892 /

Reprint. Originally published: London: Trustees of the British Museum, 1867.

Three hundred notable books added to the Library of the British Museum under the keepership of Richard Garnett 1890-1899.

Includes index.

Catalogue of the pamphlets, books, newspapers, and manuscripts relating to the civil war, the commonwealth, and restoration,

Mode of access: Internet.

Catalogue of printed music published between 1487 and 1800 now in the British museum,

Accompanied by "Second supplement, by William C. Smith." (2 p. l., 85 p. 25 cm.) Published: London, Printed by order of the Trustees, 1940.

A check-list of the books in the Library Company of Philadelphia, in and supplementary to Wing's Short-title catalogue, 1641-1700 /

Includes index.

The library, with a chapter on modern English illustrated books,

Issued also in large paper edition.

List of books forming the reference library in the reading room of the British museum.

Preface to 1st ed. (historical sketch) by J. Winter Jones, reprinted in v. 1, p. [viii]-xxvii.

Catalogue of botanical books in the collection of Rachel McMasters Miller Hunt.

Title on spine: The Hunt botanical catalogue.

Ignác Goldziher's report on the books brought from the orient for the Hungarian Academy of Sciences

© The author. Published by Oxford University Press on behalf of the University of Manchester. All rights reserved.This paper contains the English translation of Ignác Goldziher's Hungarian essay Report on the Books Brought from the Orient for the Hungarian Academy of Sciences with Regard to the Conditions of the Printing Press in the Orient (1874). The introduction provides the historical and scholarly context of the article. The Arabic printed books Goldziher bought in Egypt reflect his understanding of a specialized Arabic Studies library in the 1870s. The general argument is that Goldziher connected the Arab nation and Arabic texts based on the Hungarian and German concepts of liberal nationalism. This connection instrumentalized religious texts for a non-religious goal.

On medium specificity and discipline crossovers in modern art : An interview with Jacques Ranciére on Medium-Specificity and Discipline Crossovers in Modern Art

Jacques Ranciere's work on aesthetics has received a great deal of attention recently. Given his work has enormous range – taking in art and literature, political theory, historiography, pedagogy and worker's history – Andrew McNamara and Toni Ross (UNSW) seek to explore his wider project in this interview, while showing how it leads to his alternative insights into aesthetics. Rancière sets aside the core suppositions linking the medium to aesthetic judgment, which has informed many definitions of modernism. Rancière is emphatic in freeing aesthetic judgment from issues of medium-specificity. He argues that the idea of autonomy associated with medium-specificity – or 'truth to the medium' – was 'a very late one' in modernism, and that post-medium trends were already evident in early modernism. While not stressing a simple continuity between early modernism and contemporary art, Ranciere nonetheless emphasizes the ethical and political ramifications of maintaining an a-disciplinary stance.

An interview with Jacques Rancière : on medium-specificity and discipline crossovers in modern art

Jacques Rancière's work on aesthetics has received a great deal of attention in recent years. Given his work has enormous range – covering art and literature, political theory, historiography, pedagogy and worker's history – Andrew McNamara and Toni Ross (UNSW) explore his wider critical ambitions in this interview, while showing how it leads to alternative insights into aesthetics. Rancière sets aside the core suppositions linking the medium to aesthetic judgment, which has informed many definitions of modernism. Rancière is emphatic in freeing aesthetic judgment from issues of medium-specificity. He argues that the idea of autonomy associated with medium-specificity – or 'truth to the medium' – was 'a very late one' in modernism, and that post-medium trends were already evident in early modernism. While not stressing a simple continuity between early modernism and contemporary art, Ranciere nonetheless emphasizes the on-going ethical and political ramifications of maintaining an a-disciplinary stance.