Transylvania University; its origin, rise, decline, and fall.

Mode of access: Internet.

The war collection at Clark university library,

Cover-title.

Condensed cataloguing rules as followed in the University library, Aberdeen.

Mode of access: Internet.

Collection Analysis Project, the University of Michigan / prepared by Mona East and Patricia Yocum and the staff of the University Library.

Mode of access: Internet.

King Horn, with fragments of Floriz and Blauncheflur, and of the Assumption of Our Lady, from a ms. (G G.4.27.2.) in the Cambridge University Library. Also, from mss. in the British Museum, the Assumption of Our Lady (add. mss. 10036), and fragments of the Floyres and Blancheflur (Cotton Vitellius D. III)

This number was re-edited from the manuscript in 1901 by George H. McKnight.

The University library of Edinburgh, with a short notice of its rarer treasures;

Mode of access: Internet.

University Library [new]

Albert Kahn, architect. In 1918 the old library was demolished and a new front (north facade) was attached to the 1893 stacks and the stacks built in 1916-1917. This was referred to as the (New) General Library until the south stack addition was built in 1967-1970, when the entire library building was named the Harlan Hatcher Graduate Library.

Lancelot of the Laik; a Scottish metrical romance, (about 1490-1500 A.D.) re-edited from a manuscript in the Cambridge University Library,

"A loose paraphrase of not quite fourteen folios of the first three volumes of the French romance of Lancelot du Lac."--Pref.

The Rittenhouse orrery : Princeton's eighteenth-century planetarium, 1767-1954 : a commentary on an exhibition held in the Princeton University Library /

Includes bibliographical references (p. 76-81).

The university library and undergraduate instruction; an analysis of their relationship,

Mode of access: Internet.

The verset and fabordão genres in the context of music manuscript 242 from the Coimbra University Library

Este artigo é o resultado de uma pesquisa exaustiva que tenho desenvolvido em torno do Manuscrito 242 da Biblioteca da Universidade de Coimbra (P-Cug MM 242). Este valioso manuscrito do século XVI destaca-se pela importância crucial para o estudo da música instrumental em Portugal, no Renascimento tardio e nas primeiras décadas do século XVII. Neste manuscrito estão reproduzidos alguns dos primeiros exemplos de tento e fantasia, como o atestam as obras para tecla de António Carrreira (c.1530c. 1594). Para além de um grande número de cópias de motetes, andamentos de Missa, canções e madrigais escritos por diversos compositores europeus de meados do século XVI, identificados e inventariados por Owen Rees, este manuscrito inclui também diversas peças instrumentais de autoria desconhecida, que ainda não receberam a atenção que merecem. Deste conjunto, seleccionei dois grupos de obras que reúnem pequenas peças instrumentais, as quais irei aprofundar neste artigo. O primeiro grupo, que representa o objecto central deste estudo, é constituído por um conjunto de obras para tecla com melodias em cantochão que proponho incluir nos géneros verso e/ou fabordão para órgão. Pretendo discutir estas obras a partir das suas características formais, estilísticas e performativas, assim como a sua inclusão nas práticas de alternatim instrumental no Mosteiro de Santa Cruz de Coimbra durante esse período.

THE VERSET AND FABORDÃO GENRES IN THE CONTEXT OF MUSIC MANUSCRIPT 242 FROM THE COIMBRA UNIVERSITY LIBRARY.

Este artigo é o resultado de uma pesquisa exaustiva que tenho desenvolvido em torno do Manuscrito 242 da Biblioteca da Universidade de Coimbra (P-Cug MM 242). Este valioso manuscrito do século XVIdestaca-se pela importância crucial para o estudo da música instrumental em Portugal, no Renascimento tardio e nas primeiras décadas do século XVII. Neste manuscrito estão reproduzidos alguns dosprimeiros exemplos de tento e fantasia, como o atestam as obras para tecla de António Carrreira (c.1530c. 1594). Para além de um grande número de cópias de motetes, andamentos de Missa, canções emadrigais escritos por diversos compositores europeus de meados do século XVI, identificados einventariados por Owen Rees, este manuscrito inclui também diversas peças instrumentais de autoriadesconhecida, que ainda não receberam a atenção que merecem. Deste conjunto, seleccionei dois grupos de obras que reúnem pequenas peças instrumentais, as quais irei aprofundar neste artigo. O primeirogrupo, que representa o objecto central deste estudo, é constituído por um conjunto de obras para teclacom melodias em cantochão que proponho incluir nos géneros verso e/ou fabordão para órgão. Pretendodiscutir estas obras a partir das suas características formais, estilísticas e performativas, assim como a suainclusão nas práticas de alternatim instrumental no Mosteiro de Santa Cruz de Coimbra durante esse período.

When the library is located in prime real estate: a case study on the loss of space from the Duke University Medical Center Library and Archives.

The Duke University Medical Center Library and Archives is located in the heart of the Duke Medicine campus, surrounded by Duke Hospital, ambulatory clinics, and numerous research facilities. Its location is considered prime real estate, given its adjacency to patient care, research, and educational activities. In 2005, the Duke University Library Space Planning Committee had recommended creating a learning center in the library that would support a variety of educational activities. However, the health system needed to convert the library's top floor into office space to make way for expansion of the hospital and cancer center. The library had only five months to plan the storage and consolidation of its journal and book collections, while working with the facilities design office and architect on the replacement of key user spaces on the top floor. Library staff worked together to develop plans for storing, weeding, and consolidating the collections and provided input into renovation plans for users spaces on its mezzanine level. The library lost 15,238 square feet (29%) of its net assignable square footage and a total of 16,897 (30%) gross square feet. This included 50% of the total space allotted to collections and over 15% of user spaces. The top-floor space now houses offices for Duke Medicine oncology faculty and staff. By storing a large portion of its collection off-site, the library was able to remove more stacks on the remaining stack level and convert them to user spaces, a long-term goal for the library. Additional space on the mezzanine level had to be converted to replace lost study and conference room spaces. While this project did not match the recommended space plans for the library, it underscored the need for the library to think creatively about the future of its facility and to work toward a more cohesive master plan.