O AGENDAMENTO DE TELEJORNAIS BRASILEIROS EM SITES NOTICIOSOS DE CONTEÚDO COLABORATIVO

The thesis investigates if with the free news production, people who post information on collaborative content sites, known as interacting, tend to reproduce information that was scheduled for Tv news. This study is a comparison of the collaborative content vehicles Vc reporter, Vc no G1 and Eu reporter with TV news SBT Brasil, Jornal Nacional, Jornal da Record and Jornal da Band. We sought to determine whether those newscasts guide the collaborative platforms. The hypothesis assumes that Brazilian TV news have been building over time a credible relationship with the viewer, so it is possible to think that the interacting use the same criteria for selecting the broadcasts and reproduce similar information in collaborative content sites. The method used was content analysis, based on the study of Laurence Bardin and the type of research used was quantitative. This research concluded that, within a small portion of the universe surveyed, there are schedules of television news across the collaborative content.

Riesgos medioambientales en los espacios informativos: análisis cualitativo de la televisión española

Dada la influencia fundamental de los medios de comunicación en la difusión de amenazas y riesgos, nuestro objetivo es analizar el discurso mediático en torno a un riesgo en particular: el medioambiental. A partir de una muestra de 84 programas informativos emitidos en las tres cadenas de televisión españolas con mayores índices de audiencia a nivel nacional, se ha localizado y analizado un total de 138 noticias, todas ellas relativas al medio ambiente y la naturaleza. La información recogida ha sido codificada y clasificada de acuerdo a cuatro temáticas: causas, consecuencias, soluciones y referencias a problemas medioambientales. En términos generales, las noticias tienden a centrarse en eventos concretos y a mostrar preferencia por contenidos emocionales, de entretenimiento o anecdóticos, frente a explicaciones en torno a soluciones, consecuencias y, sobre todo, causas de los problemas medioambientales.

Los inmigrantes como amenaza: procesos migratorios en la televisión española

La mayor parte de las investigaciones desarrolladas en torno a la imagen mediática de los procesos migratorios destacan la tendencia hacia su problematización, de forma que se asocia a la población inmigrante con amenazas sociales, económicas, culturales, con la desviación, delincuencia, ilegalidad, etc. Tomando como referencia el caso de España, en este artículo se analiza la manera en que los noticiarios televisivos construyen aquellas noticias relacionadas con la población inmigrante. Con este fin, se han recogido un total de 145 noticias emitidas en 105 programas informativos de cuatro cadenas de televisión (tres de ámbito nacional y una regional), a cuyos contenidos se han aplicado, fundamentalmente, técnicas cualitativas de análisis.

Redes sociales en el entorno radiofónico: el uso de Twitter como fuente periodística en la Cadena SER

La incorporación de Twitter al ámbito de la comunicación ha supuesto una serie de cambios en el entorno periodístico que afectan no sólo a la distribución de las noticias, sino también a la identificación de fuentes, tendencias y noticias de alcance. El objetivo de esta investigación es determinar la estrategia de utilización periodística de Twitter como fuente informativa por parte de la Cadena SER. La metodología empleada es el análisis de contenido del perfil de Twitter de los cuatro programas informativos más representativos de la emisora durante los meses de julio a diciembre de 2012. Los resultados apuntan la prevalencia de esta plataforma como mecanismo de interconexión con el sistema mediático, frente a su posible uso como espacio en el que identificar e incorporar a su audiencia como fuente potencial.

El índice de afinidad como medida de la calidad en los informativos de televisión. Estudio empírico de Antena 3 y Telecinco

En la sociedad actual se recibe tanta información que puede darse la paradoja de que el ciudadano no esté bien informado. En este trabajo, tras una breve revisión de la literatura más reciente sobre la calidad del producto informativo, se propone un indicador de calidad para los programas informativos de televisión, el índice de afinidad (IA). Este índice se define como la medida de la adecuación del programa informativo a los intereses del espectador, considerando como tales las preocupaciones de los ciudadanos que el Centro de Investigaciones Sociológicas (CIS) recoge en su barómetro mensual. En síntesis, se procederá a medir un aspecto de la calidad de los informativos, teniendo en cuenta la adecuación a los intereses del público. Para el estudio, se ha escogido una muestra de programas informativos emitidos en Antena 3 y Telecinco, en el momento de máxima audiencia - 21:00 horas- en el año 2011. Se han seleccionado estos dos canales por ser los de mayor audiencia dentro de las compañías privadas en España. Se obtiene como resultado que el IA de Antena 3 es normalmente superior al de Telecinco, aunque en ambas cadenas el valor del índice disminuye considerablemente en los programas del fin de semana.

Electronics world

Mode of access: Internet.

Challenges to values-based military intervention /

"First published February 1995"--T.p. verso.

GOD SAVE THE QUEEN O IMAGINÁRIO DA REALEZA BRITÂNICA NAS NARRATIVAS TELEJORNALÍSTICAS CONTEMPORÂNEAS

Esta pesquisa busca evidenciar e analisar a construção das representações simbólicas, imaginárias e midiáticas da monarquia britânica contemporânea nas narrativas do telejornalismo brasileiro, presentes na exibição de seus eventos rituais e cerimoniais, tornando-os acontecimentos midiáticos relevantes na programação das emissoras de maior audiência do país e tema recorrente na pauta dos meios de comunicação pesquisados. Analisa a dimensão mítica e simbólica da construção de suas representações, as quais, ao serem reproduzidas e exibidas pela televisão, ganham maior alcance comunicacional e midiático junto às diferentes culturas locais, no amplo espectro global. Para tanto, combina uma pesquisa bibliográfica e histórica com uma pesquisa empírica voltada à análise de narrativas telejornalísticas, presentes nas emissoras Globo e Record entre 2010 e 2013. Definiu-se nas imagens e narrativas telejornalísticas o corpus dessa pesquisa, por seu alcance e distribuição, além de referência, audiência e preferência popular entre os diversos veículos de comunicação no Brasil e no mundo.

The migration crisis: representation of a border conflict in Hungarian, German and Pan-European television new coverage

In this article we review the methods used by television news channels in their reporting of the clashes between the Hungarian police and refugees at the Serbian-Hungarian border on 16th of September 2015. With the help of content analysis we examine the techniques used by each editorial board to portray events differently,resulting in dissimilar effects on recipients. During the analysis we examine news coverage for one specific day as presented by Hungarian, German and pan-European broadcasters. German news programs were chosen for comparison with Hungarian ones due to the fact that most of the refugees were heading towards Germany. We conclude that there are significant differences between the information that was broadcast according to television channels; owner expectations presumably play an important role in this.

A reportagem nas rádios comerciais de Natal-RN

This thesis aims to investigate the space of radio reporting and production conditions in radio newscasts in commercial stations operating in modulated frequency (FM) in the city of Natal, Rio Grande do Norte. Through preliminary empirical observation, it was observed that this journalistic style (radio reportage) is hardly present in the schedule of local commercial radio stations, with a lack of in-depth news coverage. The research is based on the content broadcast in four daily radio news programs transmitted by commercial stations. It raises the hypothesis that the crisis that cuts across journalistic companies could be justified by the lack of financial funding in in-depth news reporting. The starting point for the case study (Yin, 2005) was a bibliographical research, for building a theoretical model of reference for the studied style, based on Prado (1989), Bespalhok (2006), Meditsch (2007), Lopes (2013) and Ferraretto (2014). The methodology also included listening to content broadcast during a week in the four analyzed news programs, participant observation and interviews with professionals who produce these programs. There were eight events with similar characteristics to radio reporting, all broadcast in just one of the analyzed programs. According to the interviewees, the format is rarely used because it would generate high businesses costs, which are prohibitively high for the stations. The research also inferred that besides the lack of entrepreneurial vision, there is accommodation of the professionals who could produce news stories even with little structure available. Finally, this work points out the need to invest more on local radio journalism to improve the quality of the information provided on commercial broadcasters in Natal and the training of journalism students to use radio's potential to maximum use.

O AGENDAMENTO DE TELEJORNAIS BRASILEIROS EM SITES NOTICIOSOS DE CONTEÚDO COLABORATIVO

A tese investiga se, mesmo com a livre produção de notícias, indivíduos que postam informações em websites de conteúdos colaborativos, denominados como interagentes, tendem a reproduzir informações que foram agendadas por telejornais. Para verificar essa análise, este estudo faz uma comparação entre os veículos de conteúdos colaborativos Vc repórter, Vc no G1 e Eu repórter com os telejornais SBT Brasil, Jornal Nacional, Jornal da Record e Jornal da Band, buscando averiguar se os referidos telejornais pautam as plataformas colaborativas. A hipótese norteadora parte da premissa que os telejornais brasileiros vêm construindo ao longo do tempo um vínculo de credibilidade com o telespectador. Portanto, é possível projetar que o interagente utilize os mesmos critérios de escolha dos broadcasts e reproduza informações semelhantes em sites de conteúdo colaborativo. O método utilizado foi a análise de conteúdo e tem como base os estudos de Laurence Bardin. O tipo de pesquisa adotado foi o quantitativo e para isso foi construído um sistema computacional denominado New Crawler App para coletar o material utilizado nesta pesquisa. Concluiu-se que, dentro da amostra do universo pesquisado, há agendamentos dos telejornais frente ao conteúdo colaborativo.

The uses of satire : unorthodox news, cultural chaos and the interrogation of power

This article focuses on the satirical Australian show The Chaser’s War on Everything, and uses it to critically assess the potential political and social ramifications of what McNair (2006) has called ‘cultural chaos’. Drawing upon and analysing several examples from this particular program, alongside interviews with its production team and qualitative audience research, this article argues that this TV show’s engagement with politicians and political issues, in a way that departs from the conventions of traditional journalism, offers a significant opportunity for the interrogation of power. The program’s use of often bizarre and unexpected comedic confrontation allows it to present a perhaps more authentic image of political agents than is often cultivated in mainstream journalism. This suggests therefore that the shift from homogeneity to heterogeneity in the news media – which McNair (2006) sees as a key feature of cultural chaos – presents a significant challenge to those who wish to retain control over what the public sees and understands about the political world, and is a development which should be viewed in positive terms.

Fuzzy Clustering Based Ad Recommendation for TV Programs

Advertisements(Ads) are the main revenue earner for Television (TV) broadcasters. As TV reaches a large audience, it acts as the best media for advertisements of products and services. With the emergence of digital TV, it is important for the broadcasters to provide an intelligent service according to the various dimensions like program features, ad features, viewers’ interest and sponsors’ preference. We present an automatic ad recommendation algorithm that selects a set of ads by considering these dimensions and semantically match them with programs. Features of the ad video are captured interms of annotations and they are grouped into number of predefined semantic categories by using a categorization technique. Fuzzy categorical data clustering technique is applied on categorized data for selecting better suited ads for a particular program. Since the same ad can be recommended for more than one program depending upon multiple parameters, fuzzy clustering acts as the best suited method for ad recommendation. The relative fuzzy score called “degree of membership” calculated for each ad indicates the membership of a particular ad to different program clusters. Subjective evaluation of the algorithm is done by 10 different people and rated with a high success score.

A study of the effectiveness of music appreciation TV programs for young children in Hong Kong

This paper provides a preliminary report of a small-scale research examining the effectiveness of a series of Music Appreciation segments of “Pre-school: Learn to Fly”—a locally designed and produced early childhood TV program in Hong Kong. Four aspects of young children’s musical development were studied: 1) musical exposure; 2) attention span; 3) response to music; and 4) musical memory. The findings enrich local understanding of early childhood music education and media, and provide more information for the production of the next series from late 2004.