986 resultados para Stehman, Fred


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Letter to S.D. Woodruff from Fred Holmes stating that he received Mr. Woodruff’s letter and a copy of the motion and resolution of the Municipal Council of Jan. 16, 1858, Jan. 28, 1858.

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Estimate sent to S.D. Woodruff from Fred Holmes. Mr. Cook says that he doesn’t want an estimate taken yet but Mr. Mains estimate for work done on marsh lands drainage up to Oct. 31, 1855 is enclosed, Oct. 31, 1855.

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Estimate which has been taken at Mr. Cook’s request and signed by Fred Holmes, Nov. 5, 1855.

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Estimate for Mr. A. Cook on main drain of marsh lands sent to S.D. Woodruff by Fred Holmes, Mar. 28, 1856.

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Estimate for A. Mains and Co. for work on marsh lands main drain sent to S.D. Woodruff by Fred Holmes. This item is slightly burned. This does not affect the text, Nov. 29, 1856.

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Estimate for Fred Holmes and William Baird for time on the Port Robinson and Thorold Macadamized Road during the months of September, October and November, 1856. This was sent to S.D. Woodruff by Fred Holmes, Nov.29, 1856.

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Estimate for Cook and Lauder on the excavation or marsh lands main drain signed by Fred Holmes, Jan. 27, 1857.

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Time on marsh lands for the months of January, February, March and April for Fred Holmes, Joseph Simpson, Duncan Davidson, Rose Osborne, Henry Wilson and William Baird. This is signed by Fred Holmes, April 28, 1857.

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Time on the marsh lands for the months of May, June, July and August, 1857 for Fred Holmes, Joseph Simpson and William Baird. This was sent to S.D. Woodruff by Fred Holmes, Aug. 28, 1857.

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A torn scrap of paper which gives estimates of times worked for Fred Holmes, Joe Simpson, John Simpson, William Baird and William Case. Much of the text is missing. This is signed by Fred Holmes, Dec. 1857.

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Engineer services in marsh lands drainage for the months of April, May and June, 1856 to Fred Holmes, Joseph Simpson and Thomas Baird. Signed by S.D. Woodruff, June 30, 1856.

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Engineer services in marsh lands drainage for the months of July, August and September, 1856 to Fred Holmes, Joseph Simpson, Thomas Baird and Rose Osborne. This is signed by S.D. Woodruff, Oct. 1, 1856.

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Engineering services in marsh lands drainage for the months of January, February, March and April for Fred Holmes, Joseph Simpson, D. Davidson, Rose Osborne, Henry Wilson and William Baird. This is signed by S.D. Woodruff, May 1, 1857.

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Engineering services in marsh lands drainage for the months of May, June, July and August 1857 for Fred Holmes, Joseph Simpson and William Baird. This is signed by S.D. Woodruff, Aug. 31, 1857.

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Dans ce mémoire, les contes de trois conteurs contemporains du Québec – Jos Gallant d’André Lemelin, Ti Pinge de Joujou Turenne et L’entrain à vapeur, de Fred Pellerin – font avant tout l’objet d’une lecture pragmatique afin de mieux comprendre comment le conteur, qui emploie le canevas en spectacle, transmet une fiction à un auditoire ou à un lectorat. L’étude présente d’abord une analyse comparative de chacune des prestations avec la version publiée d’un même récit et met ainsi en relief leurs points de convergence et de divergence. Selon l’hypothèse avancée, l’analyse de la prestation des conteurs qui suivent un canevas révèlerait comment s’y manifestent les dimensions performatives et les articulations du discours fictionnel. Corrélativement, l’examen des rapports entre le conteur et son public permet ensuite de s’interroger sur le statut du narrateur et de voir en quoi et comment, durant la performance, la fiction est partagée avec l’auditoire. L’analyse des énoncés performatifs, inspirés des travaux de Kerbrat-Orechionni et la dynamique de vectorisation proposée par Pavis pour l’étude de la gestuelle, des mimiques et de la voix, sont mises à contribution et visent également à dégager les outils pouvant servir à l’analyse des spectacles de contes. Au terme de cette recherche, l’auteure démontre les avantages liés au canevas, notamment en ce qui concerne les interactions qu’il favorise avec le public et dans la liberté qu’il procure, en permettant de modifier ou d’adapter le discours et les ressources expressives du conteur à chacune de ses représentations.