150 resultados para Statues.
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Mode of access: Internet.
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Includes index.
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Goldsmiths'-Kress no. 07249.
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Signatures: [A]⁴(-[A]1) B-P⁴ Q⁴(-Q4).
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Mode of access: Internet.
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2 scans sharing same hs #, suffix 1of2 for full page, 2of2 for image only
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Bibliographical footnotes.
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Vol. 16 has title: Les loges du Vatican, sujets peints a ̀fresque, par Raphael.
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Mode of access: Internet.
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"Édition illustrée de vingt-une planches obtenues par le procédé de photoglyptie."
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Clerk of the Council is G.L. Gomme.
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Public statues that commemorate the lives and achievements of athletes are pervasive and influential forms of social memory in Western societies. Despite this important nexus between cultural practice and history making, there is a relative void of critical studies of statuary dedicated to athletes. This article will attempt to contribute to a broader understanding in this area by considering a bronze statue of Duke Paoa Kahanamoku, the Hawaiian Olympian, swimmer and surfer, at Waikīkī, Hawaii. This prominent monument demonstrates the processes of remembering and forgetting that are integral to acts of social memory. In this case, Kahanamoku's identity as a surfer is foregrounded over his legacy as a swimmer. The distillation and use of Kahanamoku's memory in this representation is enmeshed in deeper cultural forces about Hawaii's identity. Competing meanings of the statue's symbolism indicate its role as a 'hollow icon', and illustrate the way that apparently static objects representing the sporting past are in fact objects of the present.