994 resultados para Spanish poetry


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"Vorrede" signed: Gotthilf Heinrich Schubert.

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Spanish poetry with literature from other languages translated into Spanish.

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Mode of access: Internet.

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Includes El discurso de la expulsion de los gitanos by Sancho de Moncada, and Los romances de la Germania by Francisco de Quevedo.

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Each vol. has special title page.

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"Romances da historia de Portugal (tirados das colecções hespanholas)": v. 3, p. [233]-304.

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Mode of access: Internet.

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I-VII. La lírica erudita y artística de los tiempos medios.--VIII-IX. Romances viejos castellanos (Primavera y flor de romances) publicada con una introducción y notas por d. Fernando José Wolf y d. Conrado Hofmann. 2d ed., corr. y adicionada por d. Marcelino Menéndez y Pelayo. t.1-2.--X. Romances populares, recogidos de la tradición oral. Suplemento á la "Primavera y flor de romances" de Wolf. t.3. 1923.--XI-XII. Tratado de los romances viejos. t.1-2. 1914-16.--XIII. Juan Boscán.--XIV. Boscán y Garcilaso de la Vega, con un estudio crítico por d. José Rogerio Sánchez.

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Mode of access: Internet.

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Romanzen vom Cid.--Romanzen von Kaiser Karls paladinen.--Vermischte Romanzen.--Zur Erläuterung.

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Mode of access: Internet.

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The increase in the publication of anthologies of Spanish poetry that had begun during Franco´s dictatorship as a way of creating a literary canon reaches its high point during the democratic period, especially between 1995 and 2008. This essay examines the proliferation of anthologies of contemporary Spanish poetry from 1976 to present from the perspective of the different cultural policies deployed by individual governments and from the theoretical framework of cultural capital. Issues such as reading habits and the symbolic value of books and anthologies, the process of canonization of poets, and poetry prizes, among others, constitute the focus of this study.

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Dar a ver Sertão e Sevilha: matizes hispânicas na poética cabralina is a study on the lyric reading possibilities of Cabralian poetry, from the work of the poet from Pernambuco, that shows the intercultural dialogue and the Spanish poetical approach absorbed by João Cabral de Melo Neto during his Andalusian experience. Hispanic interfaces incorporated by the Cabralian poetry through literature or through the direct contact with the culture are registered on the 133 poems that have Spain as theme, in which we can see the matrix of Hispanic tradition, rich in its diversity, was the preponderant element for the poet João Cabral to discover the core of his lyric backwards. From Hispanic corpus, it will be explored the aesthetical assimilation of Spanish poetry in the work of João Cabral de Melo Neto, with the objective of demystifying the issues of lyrical dullness and anti musicality on Cabralian poetics in which, from the appropriation of Hispanic elements investigated as a signal of lyrics and musicality, originates a reading unattached from the constructivist signal, tessitura evidenced by the critic Antonio Candido since the origin of JCMN poetry with the poem Pedra do sono (1942). The mentioned aesthetics was adopted later on by the literary critics that named it as “brain poetry” for its hermetical configuration, tessitura of rigor, concreteness of language and stiff metrics. The results obtained from this study aim to induce a reading that favors the lyrical acoustic of the Cabralian poetry in the effort to ease the aspects of the arid construction.