The Philadelphia Transportation Company case re: income interest on bonds.

"The two volumes ... consist of a brief factual résumé of the court case with no editorial comment, followed by the record of the case in the lower court as submitted to the Supreme Court of Pennsylvania on appeal, the principal briefs, and the order of the Supreme Court."

Trust companies of the United States ... statements of condition ...

1904 edition incudes Hawaii; 19 -14 include Canada, Hawaii and Cuba; 1915- include Alaska and Hawaii.

Final opinion on rehearing, filed on April 20, 1927 by the Supreme Court of Illinois in the O'Gara Coal Company vs. Louis L. Emerson, secretary of state.

Published by the Corporation Trust Company, Chicago.

American trust review of the Pacific

Mode of access: Internet.

Aligning in and through interaction : children getting in and out of spontaneous activity

Spontaneous play, important for forming the basis of friendships and peer relations, is a complex activity involving the management and production of talk-in-interaction. This paper focuses on the intricacies of social interaction, emphasising the link between alignment and affiliation, and the range and importance of verbal and nonverbal interactive devices available to children. Analysis of the way in which two girls, one of whom has been diagnosed with Asperger’s Syndrome, engage in spontaneous activities demonstrates the potential for interactional difficulty due to the unscripted nature of the interaction. The paper argues for further research into how improvised, unscripted interactions are initiated within moment-by-moment talk, how they unfold, and how they are brought to a close in everyday contexts in order to understand how children create their social worlds.

Professing translation: the acts-in-between

Drawing on scholarship in translation ethics (Berman 1992; Cronin 2003) and performance studies (Conquergood 2002; Jackson 2004), this article approaches translation in the theatre from the double perspective of theory and practice. Professing translation as a model for the resolution of entrenched binaries (scholar/artist; theoretician/practitioner), the author sees the practice of translating for performance not just as a method of discovery or a hermeneutic tool but also as a mode of reflection that brings together both “readerly” and “writerly” approaches to text (Barthes 1974). By drawing on the experience of writing translations of García Lorca for the Belgrade Theatre, Calderón for the Royal Shakespeare Company, and Lope de Vega for the Watermill Theatre and the Washington Shakespeare Theatre, the article attempts to characterise such translation as an act of physical imagination, of a holistic understanding of both language and performance, into which textuality is incorporated and by which it is superseded. © John Benjamins Publishing Company

Barnes Wines, Limited, Shares Certificate, 1934

A shares certificate issued to The National Trust Company for two hundred shares.

Cogswell, Maria, includes: Application for loan on Real Estate, Insurance Policy, Mortgage Loan Envelope

Cogswell, Maria, includes: Application for loan on Real Estate, Feb. 20, 1882; Insurance Policy no. 2199780 from the Royal Insurance Company of Liverpool, March 17, 1887 and Mortgage Loan Envelope for mortgage no. 1535 from March 1, 1882 – March 1, 1887.

Letter addressed to “dear sir” signed by Roland R. Conklin

Letter (1 page, typed) addressed to “dear sir” with a request to please forward your coupons for collection about 30 days before they become due. This is signed by Roland R. Conklin, secretary of Jarvis-Conklin Mortgage Trust Company, June 1, 1889.

Letter - S.L. Conklin to "F.B. Woodruff, Esq."

Letter (1 page, typed) to S.D. Woodruff asking if he would like to extend the Wank loan for 5 years. Signed by S.L. Conklin, assistant secretary of Jarvis-Conklin Mortgage Trust Company, Feb. 14, 1890.

Article sent to S.D. Woodruff from John Foley

Article (2 double sided, printed pages) from John Foley of the State of New York Banking Department regarding the Jarvis-Conklin Mortgage Trust Company in which he states “Every statement ever published by this company as the findings of the New York Banking Department was garbled, misleading and made without the sanction or knowledge of the Department.” This article was sent to S.D. Woodruff from John Foley, Expert Accountant, Kansas City. The accompanying envelope is postmarked Kansas 1891 and St. Catharines Apr. 20, 1891

El discurso sobre la victimización de la mujer afgana como estrategia y justificación para la permanencia de las tropas estadounidenses en Afganistán (2001-2013)

La presente investigación pretende demostrar que la principal estrategia estadounidense para justificar su intervención y permanencia en territorio afgano ha sido el discurso. Donde se pueden identificar dos etapas a lo largo de esta última década. Inicialmente para explicar su incursión en Afganistán se utilizó el discurso de la seguridad y la guerra contra el terrorismo, años después frente al agotamiento y la critica tanto interna como internacional, el tema de la situación de la mujer en Afganistán cobra mayor importancia y con ello a través de los diferentes pronunciamientos y la exposición de casos específicos los diferentes gobiernos intentan cohesionar la opinión internacional y nacional frente a la necesidad de permanecer con sus tropas en el territorio.

Edward Bond & the celebrity of exile

A shibboleth has grown up around the work of Edward Bond. The tag ‘controversial dramatist’ has continued to dog both the man and his work. This article will hope to explore some of the contradictory, and sometimes frustrating manifestations that such ‘celebrity’ has produced. Since the reception of The War Plays [1985] by the Royal Shakespeare Company at the National Theatre Bond has largely withdrawn his work from mainstream British theatre. Since the late 1990s he has looked to a new home – La Colline Theatre – in France, to premiere new work and run retrospective seasons of older plays. Here, Bond's celebrity is of a different kind, and has allowed him to enhance and develop his work as a playwright, director and writer about theatre. While this article draws on secondary sources it also uses material based on personal correspondence with Edward Bond.

The dictionary

The Portia Geach Memorial Award is a celebration of female Australian artists. It’s Australia’s most prestigious portrait prize for female artists and has greatly contributed to the development of female artists in this country. It was established by Florence Kate Geach in 1961 in memory of her sister, Portia Geach and is awarded each year to the best portrait painted from life of some man or woman distinguished in Art, Letters or the Sciences. Our judges this year are Jane Watters, Director S.H. Ervin Gallery, Dr Lindy Lee, Senior Lecturer, Sydney College of the Arts and Ben Quilty, Artist. A media release with the full list of finalists will be distributed tomorrow morning with further details available at www.thetrustcompany.com.au/portiageach. The artwork The Dictionary will be hung in the S.H. Ervin Gallery from 3 October until 16 November, with the exhibition open from 4 October, 1st Prize money $30,000