La villa Montalto et l'idéal rustique de Sixte Quint

Constructed, beginning in 1576 by the architect Domenico Fontana, the Villa Montalto, named after the Cardinal Felice Peretti Montalto, was for a long rime described as having surpassed the splendor of all the villas in Rome. Located to the north of the city in an arid and practically deserted zone, between vineyards, Antique ruins and early Christian churches, the villa occupies a privileged place within the history of urban landscape. Elected pope in 1585, under the name of Sixtus V, Felice made his villa the largest that had ever existed inside of the walls, establishing the upper city of the Monti, the Città Felice, as a new economic and religious center, crystallizing his ambitions for a major territorial reform. By simultaneously focusing on the gardens, the painted decorations, the literature, and the architecture of the villa, but also on its economic and social role, this article proposes an original interpretation of the Villa Montalto, demonstrating the fundamental importance of the imagined landscape in the Rome of Sixtus V. Through the ideal space of his villa, the Pope sought to propose a new model of economic and social development necessary to the reform of the then poor and insalubrious Rome. The ultimate goal was none other than the reestablishment of a Christian Eden on Earth. Sixtus V thus placed himself within the lineage which, since Adam, had attempted through the virtue of agricultural labor, to atone for the original sin.

Revisiting the compositional data. Some fundamental questions and new prospects in Archaeometry and Archaeology

In this paper we examine the problem of compositional data from a different starting point. Chemical compositional data, as used in provenance studies on archaeological materials, will be approached from the measurement theory. The results will show, in a very intuitive way that chemical data can only be treated by using the approach developed for compositional data. It will be shown that compositional data analysis is a particular case in projective geometry, when the projective coordinates are in the positive orthant, and they have the properties of logarithmic interval metrics. Moreover, it will be shown that this approach can be extended to a very large number of applications, including shape analysis. This will be exemplified with a case study in architecture of Early Christian churches dated back to the 5th-7th centuries AD

Iconografia paleocristiana en ceràmiques estampades gàl·liques (d.s.p.) trobades al Nord-Est de Catalunya

Aquest article presenta un estudi detallat de peces ceràmiques que pertanyen al tipus ceràmic conegut com derivada de la sigil·lata paleocristiana (D.S.P.), obrada al migdia de la Gàl·lia des de molt a final del segle IV fins ben entrat el VI i exportada per tota la costa de la Mediterrània occidental

El sarcòfag de Sant Feliu: una aproximació historicoarqueològica

Sobre el conjunt escultòric funerari romà i paleocristià de l' Església de Sant Feliu de Girona. Es descriu el conegut com 'el sarcòfag de Sant Feliu' que durant molts segles s'ha venerat com la tomba que originàriament hauria conservat les despulles de Feliu, màrtir gironí del segle IV

Os manuscritos do Mar Morto e a gênese do cristianismo

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Mozarabic Chant anechoic recordings for auralization purposes

The Hispanic Rite is the liturgy celebrated by Christians of the Iberian Peninsula before the imposition of the Roman Rite in the mid-eleventh century. As in other early Christian liturgies, music was the core of the Hispanic Rite. This music, known as Mozarabic Chant is one of the richest musical repertoires of the Middle Ages. Currently, a research project is underway involving the restoration of the Hispanic Rite sound, using techniques of acoustic virtual reality. The project aims to perform the auralization of the sound of Mozarabic Chant in his primitive environment, that is, taking into account the acoustic characteristics of the pre-Romanesque churches in their original state. For this purpose, anechoic recordings were made for a number of musical pieces representative of the Mozarabic Chant repertoire. In total eight (8) musical pieces have been recorded and interpreted, each of one, by six (6) different singers. The recordings were made using a spherical array composed by 32 microphones. This paper describes the more relevant aspects related to the recorded musical material, the technical specifications and installation details of the recording equipment, the data processing, and a summary of the results.

II. Academic notebook, [ca. 1745]

This paper notebook contains undated and unattributed handwritten summaries and notes from published texts on world history, religion, and natural history, and was presumably kept by William Sever. The first page notes the death of poet Alexander Pope in 1744, constituting the latest date referenced in the notebook. The entries are typically short and offer condensed information on subjects including the histories of England, Japan and Siam; early Christian history; and natural religion.

The column and the arch; essays on architectural history,

The lotus column.-- Græco-Roman architecture.-- The age of Constantine.-- Early Christian architecture.-- Santa Maria Maggiore.-- Romanesque architecture.-- The renaissance.-- Saint Peter's.

The Ante-Nicene fathers. Translations of the writings of the fathers down to A.D. 325.

First published under title: Ante-Nicene Christian library.

Histoire ecclésiastique.

Includes bibliographical references and indexes.

Omelie mistagogiche e catechetice /

Text of the homilies in Latin; commentary in Italian. Appendix contains Italian translation of the homilies.

Hymnes pascales /

Includes bibliographical references and indexes.

Œuvres théologiques /

Includes bibliographical references and index.