Editoração eletrônica: novos comportamentos editoriais e estéticos

This dissertation shows a new tool in the process of producing specialized printed media: desktop publishing. Because it is an important tool to this communication media, the visualization of its evolutionary journey began in the pre-history of informative vehicle, advancing to the informatics society. And it was just in this last social stage that desktop publishing legitimized its function, resulting in impacts on the production of these media and conditioned new styles. At the presentation of this new post-industrial society, a change of work and leisure sphere was verified, whose fusion is present and in this interaction, desktop publishing arose at home, in the little bureaus. In this journey, desktop publishing became an object of reflection because of its conditioning aspects that fostered moments of observation in relation to a possible threat to creativity, thanks to its facilities and clichés. On the other hand, different positive aspects of desktop we also shown, at the same time, its conditioning aspects resulting into a restudy of its execution in different printed media, showing its effects and sharing points of view. So, new styles and a editorial way of production were seen too. Add to this aspect desktop publishing – in general meaning – the computerization of magazine articles – has been producing resignation of journalists, which is another important aspect in the presenting dissertation.

Informatização: impactos editoriais e estéticos

This dissertation shows a new tool in the process of producing specialized printed media: desktop publishing. Because it is an important tool to this communication media, the visualization of its evolutionary journey began in the pre-history of informative vehicle, advancing to the informatics society. And it was just in this last social stage that desktop publishing legitimated its function, resulting in impacts on the production of these media and conditioned new styles. At the presentation of this new post-industrial society, a change of work and leisure sphere was verified, whose fusion is present and in this iteration, desktop publishing arose at home, in the little bureau. In this journey, desktop publishing became an object of reflection because of its conditioning aspects that fostered moments of observation in relation to a possible threat to creativity, thanks to its facilities and clichés. On the other hand, different positive aspects of desktop were also shown, at the same time, its conditioning aspects resulting into a restudy of its execution in different printed medias, showing its effects and sharing points of view. So, new styles and an editorial way of production were seen as well. Add to this aspect, desktop publishing – in general meanings – the informatization of magazine offices – has been producing dismissing of journalists, which is another important aspect in the presenting dissertation.

O arqueossítio da Medroa, povoado ou espaço ritual?

A presente Tese incide sobre o arqueossítio da Medroa. Nela pretendemos determinar sobre que tipo de ocupação nos encontramos se povoado ou acampamento ou um espaço ritual. Para isso se analisa os diversos dados da escavação assim como de sua indústria e os diversos vestígios do enquadramento da área e de alguns vestígios do concelho. A análise final aponta para um espaço fortemente ritualizado.

Revista do Museu Paulista.

At head of title, v. 19-23: Universidade de São Paulo.

Las estatuas-menhir noroccidentales en contexto: conectividad y conexiones materiales durante el Bronce Tardío/Final

Este artículo analiza las estatuas-menhir noroccidentales que se distribuyen en el área comprendida entre los valles del río Duero y el río Miño, pero que descubrimientos recientes han extendido a regiones fuera de este área nuclear. Partiendo de tres aspectos claves para su interpretación (la cronología, su relación con el paisaje y su sentido iconográfico), se examinan las relaciones entre estas formas materiales y un paisaje socio-material de acción específico (las formas socio-materiales de interacción propias del Bronce final atlántico). Para ello, se tiene en cuenta diferentes conexiones materiales (presencia, encuentro, coexistencia, hibridación, etc.) que permiten contextualizar las estatuasmenhir dentro de un proceso histórico particular: la integración del noroeste de la península Ibérica en un contexto de relaciones mediterráneo-atlánticas, en la segunda mitad del II milenio a.C.

O tema no processo criativo da Asmarias Companhia de Teatro

Seted in the context of the educational actions of Casa Renascer, a non-governmental organization, located in Natal city, which had as its primary purpose the care with children and adolescent girls in vulnerable situations, this research is based on describing and analysis on the topic in the creative process developed by Asmarias Theatre Company from 1993 to 2003, a process that culminated in the assembly of the dramatic text, Mateus e Mateusa, of Qorpo-Santo. In this research is focused on the route of the Theatre Company has done so much theater in its early history (1993), with the practice of reading and dramatic writing in the preparation of didactic material called Primer of Inventions, as in the procedures with theater street and forum theater (1997 to 2000) to the reunion in 2001 of seven teenagers which articulated the last group formation next to the assembly's text Qorpo-Santo (2002- 2003). During the development on this learning, the evolution of the creative process based on institutional theme when asked if one can provide moments of educational experiences through the traditional form of theater, with reference to the issues inherent in the dramatic texts considered classics. The debate on the issue through research and analysis in its descriptions and finds in the interim between his past and present indications that lead to conclusive guises. The methodology, which is guided by research, is based in theatrical archeology (PAVIS, 2005), the evidential paradigm (GINZBURG, 1989) and the second approaches the experiences narrated by Benjamin (1985). We selected documents in formats of written texts, photographic and filmed, and identified in these files, marks and tracks which took us to understand the subject in the creative process of Asmarias Theatre Company during the tests with the dramatic text, Mateus and Mateusa, of Qorpo-Santo. In this theatrical practice, located in the field of the theater pedagogy, it appears that the actions across thematic theater in the Casa Renascer and allowed the formation of critical aesthetic perspective and personal social dimension of the subjects involved. The theme has gained a significant proportion in the theatrical activity as a guiding point of the creative process of Theatre Company, taking in the theatrical art form. In this sense, the creative process with the dramatic and classic texts won the educational dimension to address the issue in the movement of the drama as the focus of individual creation which added to the collective universe of the interactive game

O castro de Leceia

O trabalho agora apresentado, é complemento do estudo global da colecção do Escultor Álvaro de Brée, que constitui o mais rico conjunto de artefactos do povoado pré-histórico de Laceia (freguesia de Barcarena, concelho de Oeiras, distrito de Lisboa), a qual, mediante autorização concedida por M.me de Brée, a quem muito agradecemos, foi por nós estudada.

O Paleolítico da jazida de Linda a Pastora

Separata da obra: "Da Pré-história à história : homenagem a Octávio da Veiga Ferreira"

Sobre a presença do cobre na Mina da Cumiada : nota prévia

A denominada mina de Santo Estêvão integra vários locais, onde se identificaram, na segunda metade do século XIX, vestígios de mineração pré-históricos (Veiga, 1889,49; 1891, 79). Um desses locais, junto à povoação de Cumiada, foi objecto de trabalhos sumários de exploração, nos meados do século passado, os quais se limitaram a desentulhar as antigas explorações, não tendo tido seguimento (Azevedo, 1854,7). Segundo o geólogo J. B. SchiappadeAzevedo, "A NE da Cumiada, as boccas das escavações estão sobre uma possante massa de ferro magnetico, contendo também o cobre vermelho, cuja existência se denuncia logo à superfície pelas manchas azues e verdes do carbonato, resultante da dessulfatação da pyrite (. .. ): o cobre nativo apparece em quase todos os trabalhos, umas vezes nos calcareos, outras no seio de uma massa d'argila vermelha (. .. )".

A estação do neolítico antigo Cardial de Cabranosa (Vila do Bispo)

A introdução da economia neolítica (agricultura e domesticação) no território português ficar-se-ia a dever, segundo J. Zilhão, à presença directa de pequenos grupos implantados na região do maciço calcário da Estremadura os quais, depois de algumas centenas de anos, mediante processo de interacção finalmente desencadeado com os grupos mesolíticos sediados na parte mais interior do estuário do Tejo, estão na origem da subsequente expansão da economia de produção neolítica pelo interior do território hoje português. A teoria do "enclave neolítico" do maciço calcário estremenho, decorrente da aceitação do modelo da "colonização pioneira" preconizado por J. Zilhão foi, depois, alargada pelo mesmo autor à região do Baixo Alentejo e do Algarve, mas a mesma poderia aplicar-se à região da Figueira da Foz onde, nos inícios do século XX, António dos Santos Rocha escavou as estações de Várzea do Lírio e de Junqueira.

A imigração japonesa na Amazônia: sua contribuição ao desenvolvimento agrícola.

A imigração japonesa na Amazônia; A proto-história da imigração japonesa na Amazônia; O início da imigração japonesa; Fukuhara e Uyetsuka: a crença na Amazônia; Adaptação da juta às várzeas amazônicas; A II Guerra Mundial e a democratização da experiência japonesa; A civilização da juta na Amazônia: expansão e declínio;A pré-história do cultivo da juta no Brasil; As tentativas de plantar juta e malva em São Paulo; Expansão da juta nas várzeas amazônicas; Valorização da malva: extrativismo e domesticação; A questão da produção e distribuição de sementes de juta; A produção de sementes de malva no Estado do Pará; O declínio do sistema juta e malva na Amazônia; Evolução das propostas para solucionar a crise da produção de juta; A descorticação mecânica de juta e malva; Transformações institucionais no sistema juta e malva na Amazônia; A civilização da pimenta-do-reino na Amazônia; Tomé-Açu: marco inicial da imigração japonesa na Amazônia; Makinossuke Ussui: a reintrodução da pimenta-do-reino no Brasil; Pimenta-do-reino marca nova fase da agricultura na Amazônia; Sucesso da juta e da pimenta-do-reino como justificativa da imigração japonesa no pós-guerra; Inserção da pimenta-do-reino na vida política, econômica e social da Amazônia; A movimentação de recursos genéticos na Amazônia; A movimentação de recursos genéticos na Amazônia; A fragilidade da economia extrativa como convite para a biopirataria; Mudanças no ciclo de vida de recursos da biodiversidade; Tomé-Açu, uma experiência de desenvolvimento agrícola nos trópicos; Os ciclos econômicos da pimenta-do-reino; A dinâmica dos sistemas agroflorestais (SAFs).

O tema no processo criativo da Asmarias Companhia de Teatro

Seted in the context of the educational actions of Casa Renascer, a non-governmental organization, located in Natal city, which had as its primary purpose the care with children and adolescent girls in vulnerable situations, this research is based on describing and analysis on the topic in the creative process developed by Asmarias Theatre Company from 1993 to 2003, a process that culminated in the assembly of the dramatic text, Mateus e Mateusa, of Qorpo-Santo. In this research is focused on the route of the Theatre Company has done so much theater in its early history (1993), with the practice of reading and dramatic writing in the preparation of didactic material called Primer of Inventions, as in the procedures with theater street and forum theater (1997 to 2000) to the reunion in 2001 of seven teenagers which articulated the last group formation next to the assembly's text Qorpo-Santo (2002- 2003). During the development on this learning, the evolution of the creative process based on institutional theme when asked if one can provide moments of educational experiences through the traditional form of theater, with reference to the issues inherent in the dramatic texts considered classics. The debate on the issue through research and analysis in its descriptions and finds in the interim between his past and present indications that lead to conclusive guises. The methodology, which is guided by research, is based in theatrical archeology (PAVIS, 2005), the evidential paradigm (GINZBURG, 1989) and the second approaches the experiences narrated by Benjamin (1985). We selected documents in formats of written texts, photographic and filmed, and identified in these files, marks and tracks which took us to understand the subject in the creative process of Asmarias Theatre Company during the tests with the dramatic text, Mateus and Mateusa, of Qorpo-Santo. In this theatrical practice, located in the field of the theater pedagogy, it appears that the actions across thematic theater in the Casa Renascer and allowed the formation of critical aesthetic perspective and personal social dimension of the subjects involved. The theme has gained a significant proportion in the theatrical activity as a guiding point of the creative process of Theatre Company, taking in the theatrical art form. In this sense, the creative process with the dramatic and classic texts won the educational dimension to address the issue in the movement of the drama as the focus of individual creation which added to the collective universe of the interactive game

Das fronteiras do 6º milénio ao Tratado de Alcanices, entre o Tejo e a Serra de S.Mamede

estuda-se a evolução das fronteiras desde a Pré-história até ao Tratado de Alcanices entre o Tejo e a Serra de S. Mamede