La valse. [music] : poème chorégraphique pour orchestra /

Cover title.

Modern music and musicians. [music] : compositions for piano /

Vol. 5 does not have "compositions for piano" on the title page by includes it on the spine.

Album of solo pieces for the harp. [music] /

V. 1. Prelude / W. Loukine. The music-box / Franz Poenitz. Prayer ; Will-o'-the-wisp / A. Hasselmans. Slumber-song / Gabriel Fauré. Marguerite at the spinning-wheel. Polonaise / Margaret Hoberg -- v. 2. Minuet / L. van Beethoven. Serenade / Christian Sinding. Aeolian harp ; The brook / A. Hasselmans. Pattuglia Spagnuola / L.M. Tedeschi. Romance / A. Zabel. Harp solo from the opera Lucia di Lammermoor / Gaetano Donizetti ; arranged by Albert Zabel.

Groves of blarney. [music] : last rose of summer /

Distributor from stamp on cover.

Klavierwerke. [music] /

Bd. III contains the composer's arrangements for piano of his own works originally composed for orchestra and string orchestra.

The universal library of music : graded masterpieces in pianoforte compositions /

v. 1-6. Instrumental -- v.7. Vocal.

Hungarian dances for the piano. [music] /

Book 1 (v.1-2) Nos. 1-10 -- Book 2 (v.3-4) Nos. 11-21.

Collected piano works. [music] : for piano solo /

Mode of access: Internet.

Passacaglia. [music] /

At head of title: "The only authoritative American reprint of the original Bote & Bock edition".

Cantabile e Valzer [music] /

For violin and piano.

The art of music; a comprehensive library of information for music lovers and musicians.

Each volume also has special title-page.

Organ repertoire : a book of pipe organ music for church and concert /

(cont.): Cradle song : berceuse / Walter Spinney -- Andantino from Fantasia in C minor / W.A. Mozart -- Marche de fête / Edgar A. Barrell -- Minster march : from Lohengrin / R. Wagner -- Sunrise : op. 7, no. 1 / Sigfrid Karg-Elert -- Song without words = Chant sans paroles : op. 2, no. 3 / P. Tschaikowsky -- Prayer on motives from R. Wagner's Lohengrin : op. 54 / B. Sulze -- Festal march : op. 67, no. 8 / E.R. Kroeger -- Christmas march / G. Merkel -- Duke Street : postlude II / Geo. E. Whiting -- Canzonetta from the Raymond overture / A. Thomas -- Anniversary march : introducing Auld lang syne : op. 10 / J. Lawrence Ebb -- Two cradle songs = Zwei Wiegenliedchen / Herbert Botting -- Minuet from the overture to Berenice / G.F. Handel -- Funeral march = Marche funèbre : op. 35 / Franz Chopin -- March in B♭ / Wm. Faulkes -- The Son of God goes forth to war : postlude VI / Geo. E. Whiting -- Nocturne des anges : op. 18, no. 1 / George F. Vincent -- Hosanna! / Paul Wachs -- Roumanian bridal march / Herbert W. Wareing.

"Who Are You" by DeepBlue Orchestra - Production of Recordings

The development and recording of 10 songs for a CD to accompany DeepBlue's new live orchestra production "Who Are You" which began touring Australia and Asia in 2012.

La música orquestal peruana de 1945 a 2005 : Identidades en la diversidad

Peruvian orchestral music 1945–2005. Identities in diversity Peruvian music for orchestra has not been studied as a whole before, and is hardly known by Peruvian musicians and public. The aim of the thesis is to give a panoramic view of Peruvian orchestral music after 1945, study the particular historical context in which these works were created and how they reflect the search for a musical identity of its own, be it individual, local, national or Latin American. Identity is a construction that changes permanently, and individuals can share many identities at the same time. This is a central issue in multicultural societies as the Peruvian, and music is an important mean for constructing cultural identity. The hypothesis of this research is that orchestral work is a medium for Peruvian composers to express their relationship with traditional and popular musics of the country in different ways, from quotation of melodies to a more abstract appropiation of concepts or suggestive title references. Representative works by selected composers, of different techniques, styles or special reception are chosen and analyzed. Research methodology includes analysis of works with various methods according to their stylistic and technical features, in order to find the particular ways in which composers have approached or expressed diverse identities. The investigation shows that Peruvian orchestral music includes works in the main stylistic trends and using the main compositional techniques of the modernist and postmodern periods. It also shows that the construction and expression of particular identities through the study and use of other Peruvian musical traditions is a constant interest shared by composers of different age and esthetic. In a multicultural society as the Peruvian, characterized by its diversity, different forms of transcultural composition are an important mean of dealing with identity issues in music. This thesis also includes for the first time a list of all orchestral works composed in the country or by Peruvian composers in the period, their composers and genres. KEYWORDS: Peruvian music, contemporary music for orchestra, identity

Juedischer Kulturbund concert conducted by Leo Kopf with volunteer choir and orchestra : Oranienburg Strasse Synagogue, Berlin.

Verso: "Oranienburg Strasse Synagogue, Berlin, c 1934-1935 (Winter). Concert w/ volunteer chorus and orchestral: Kulturbund conductor Leo Kopf. 1st man, front row (soloist) to right of podium is Julis Peissachowisch (changed name) John Hardt (went to Great Neck reform temple as cantor - had been cantor at Prinz Regenteastrasse, Berlin) ; Woman next to man (soloist) to right of podium is alto Paula Lindberg."