Nietzsche y la educación.

Se presentan algunas de las ideas polémicas de Friedrich Nietzsche, pensador que desenmascara todas las formas convencionales de moralidad y crítico respecto a la ciencia. Nietzsche está próximo al existencialismo, fusiona la filosofía con la psicología, escribe sobre la muerte de Dios y examina el nihilismo y las actitudes alternativas frente a un mundo absurdo. Crítico literario, moviliza los resortes de la literatura para comunicar su filosofía. Se examina la columna vertebral de su filosofía: la voluntad de poder. Se trata la visión nietzscheana de la educación, donde se muestra muy crítico con aquellos que aceptan las creencias y los valores establecidos. Se desarrollan las críticas de Nietzsche contra el tecnicismo, la educación liberal y la moralidad.

Las composiciones musicales de Nietzsche.

A través de las composiciones musicales de Nietzsche se revelan realmente sus diferentes facetas particulares. Su preocupación por la música toca directamente las determinaciones de su naturaleza. Se sirvió de su lenguaje para dominar y transmitir contenidos espirituales y anímicos; fue para él un medio de comunicación en el que consiguió piezas muy expresivas. Las deficiencias de técnica compositiva no son sino los restos de un estudio autodidacta y asistemático. Se describe su práctica como compositor y su posición frente a la música de Wagner.

Nietzsche : en torno al pensamiento nietzcheano : Seminario de Actualización Filosófica.

El documento recoge algunas de las ponencias presentadas en el Seminario de Actualización Filosófica del curso 1994-1995, celebrado en la Universidad de Alcalá de Henares con el apoyo del Centro de Profesores de la localidad. Los seis textos tratan sobre el pensamiento y las teorías filosóficas de Nietzsche: Los ingredientes intempestivos del pensamiento de Nietzsche, el poder de lo ilusorio; La idea de Dios en Nietzsche; Nietzsche y la moral; Nietzsche y Heidegger ante la tradición filosófica; El lenguaje del silencio, análisis del lenguaje de y en Nietzsche; Hablar es como bailar en cadenas, el uso irónico del lenguaje en Nietzsche.

Nietzsche e o ressentimento : um estudo em psicologia social

A importância para a Psicologia Social no século XXI do estudo empreendido por Nietzsche sobre o ressentimento é teórica e metodológica. É teórica porque ele apresenta claramente o ressentimento como um sintoma social que se desenvolve bastante a partir do século XIX como produto de uma ‘moral cristã’ que surge por volta do ano um d.C. É metodológica porque o estudo do ressentimento traz a idéia de uma Psicologia voltada a uma crítica da verdade via análise dos valores dos valores. Levando em conta que a partir do século XIX os valores morais transformam-se na grande ferramenta de poder internalizada no homem com o intuito de criar e vigiar vidas possíveis, o olhar de uma certa psicologia do ressentimento coloca a moral como uma produção humana e cria a possibilidade de uma análise do homem a partir daquilo que para ele se caracteriza como ‘bem’ ou ‘mau’.

Heráclito na filosofia do jovem Nietzsche

In the early 1870s, the German Philosopher Friedrich Nietzsche, professor of philology in Basel, researches the ancient Greek philosophers. These studies result in texts as The Preplatonic Philosophers, also known as Lessons on Pre-platonic Philosophers, and Philosophy in Greek tragic age. Using both texts as sources, this dissertation aims elucidating the Nietzsche's interpretation about Heraclitus, in other words, comprehend how Nietzsche recognizes in Heraclitus a philosopher with an aesthetic vision of the world, a contemplative and cheerful view of the world, the becoming, defined by the incessant change, as a child's play that builds and destroy sand castles on the shore. This spectacle, as Nietzsche believed, would be unveiled first by Heraclitus and must be contemplated eternally

Nietzsche e a modernidade: da crítica à metafísica à crítica à democracia

This dissertation presents an interpretation concerning the critical considerations of the German philosopher Friedrich Nietzsche on Modernity, especially Nietzsche s criticism of Modernity, of Christian mores and democracy produced by him in Beyond Good and Evil. Nietzsche attentively analyses details of Modernity, produces a diagnosis of modern man and discovers the sign of decay. We consider that Nietzsche s criticism of modernity is directly linked to the criticism of classic metaphysics. We emphasize questions like: what in us aspires to truth? Christian mores: why and what for? What characterizes modernity? Could it be the appeal to the democratic taste? Is it possible to reinvent Modernity? We stress the relation between the notion of truth, democracy and Christian mores, showing that these mores were also inherited from the Socratic culture. We also intend to clarify Nietzsche s proposal of a new way of doing philosophy, that would be able to surpass the decay which rules in European modern culture. The end of this research points out to the ―philosophers of the future‖ who are able, according to Nietzsche, to claim life beyond the metaphysics opposition, beyond the good and the evil

Nietzsche e Rosset: alegria, impulso à criação

Understood in a project of transvaluation of values, the joy is one of the central themes of the thought of Friedrich Nietzsche and Clément Rosset. Opposed to the dogmatic philosophy that moralize and robs your strength to think of it as "happiness", evaluated, in short, a target linked to virtue and rationality these thinkers propose a perspective that makes the joy of point to an instance extraterrestrial and back to the earth, to the body. In this vein, beyond the oppositions of values constitutive of metaphysics dogmatic, the joy and suffering are conceived as elements that are not mutually exclusive, they are complementary as foundations of a gaia(ta) science, based in laughter and friendship. Contents of a tragic wisdom that leads to an unconditional fidelity to the real (expressed in formulas of amor fati Nietzsche and unrestricted approval of existence Rosset), the joy is then interview as vital impulse, the force majeure, the strength plastic encourages artistic creation: the joy of children playing

Entre júbilo e ruína: a perspectiva trágica de Nietzsche

It is investigating why reason Nietzsche affirms, in 1888, when revises his work (Ecce Homo), that to be exactly with The Birth of Tragedy it will be necessary to forget some things , and, in spite of, insist, in the same writing, in naming himself the first tragic philosopher - that is, the opposite and antipode of a pessimistic philosopher . Nietzsche elaborates in The Birth of Tragedy a theory about tragic starting from the opposition and complementarity among Apollo and Dionysian, rationalism and instinct, and in the refusal of the pessimistic perspective. The objective of the dissertation is to discuss how the theory of tragedy modifies due to the rupture with the inspiring of the first moment of the nietzschian philosophy, Schopenhauer and Wagner - maybe the such things to be forgotten about The Birth of Tragedy - and the implications of this rupture, that transforms the philosophy of Nietzsche in dissident of the metaphysical tradition. Like this, it is noticed that there is more continuity than estrangement in what concerns to the definition of tragic, just announced in 1871. By the sentence of the eternal return to the concept of will of power Nietzsche elaborates a tragic perspective, marked by the Dionysian celebration of the life, also acted through the pessimism dionisiac , defined in Gaya Science's § 370 (1881-2), and of the sentence of the love fate, enunciated in the §276 of the same work; all those concepts, discussed in this research, concentrate, decisively, the acceptance idea and statement of life, or more precisely, the decline of the tragic hero, between joy and ruin