Necessidades de tratamento odontológico entre nativos brasileiros da reserva indígena Umutina, Estado do Mato Grosso

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Análise de polimorfismos INDELs na identificação humana

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Território, Criminalidade e tráfico de drogas ilícitas em Montes Claros/MG

Urban violence, manifestly public and free, has changed the standard of sociability of townspeople. The city is an increasingly private space of hopes of reducing the risk of victimization, due to the fear of violence that separates and distances the classes in expectation of concealing this behavior. However, violence has many facets and, in one way or another, will always be present as a product of social friction. It is in the urban context and using drug trafficking as a backdrop that this work raises questions about the territorial violence in Montes Claros - MG. The objective was to analyze the dynamics of illicit drug trafficking from the concepts of territory, observing to what extent the appropriation of space contributes to the use of violence, especially in interpersonal disputes. Methodologically, it seeks from quantitative and qualitative techniques make the spatial distribution of criminal indicators, defining and creating hierarchy territories of violence in urban areas. From the qualitative approach seeks to organize and analyze data together to the Civil and Military Police, Brazilian Institute of Geography and Statistics -IBGE, João Pinheiro Foundation and the System of the Ministry of Health Mortality Information - SIM. The opportunity of miscegenation between the knowledge of the survey respondents and the official data has introduced qualitative part. The city of Montes Claros has been taken as an object of observation due to a set of conditions, which stood its medium size, your importance in the regional context and their socioeconomic disparities. The results point to the existence of multiple territoriality of violence involving the trafficking of illicit drugs in urban space. Territorial disputes by the traffickers have victimized people with socioeconomic characteristics and urban spatial origin similar. The dynamism of the established boundaries from the cohesion and / or rupture of the interests of those involved creates and destroys territories in the power struggle.

A Cultura Organizacional Frente ao Comportamento Homoafetivo

Tratar de cultura é fazer parte da evolução humana, pois esta é a realidade que direciona os caminhos para entender a mentalidade das pessoas numa trilogia que envolve, religião, ciência, sociedade e organização. Percebe-se quando o individuo torna-se mais culto diminui a intensidade em sua crença, mesmo assim jamais o homem poderá caminhar sem esses dois mundo, cientifico e religioso. Nisto a percepção sensitiva da existência humana, acontece mediante a razão universal pois o importante é a integração do ser para uma vida mais humanizada, desde a forma de pensar e agir podendo enfrentar desafios para adaptar-se ao meio em busca de seu momento prazeroso. Vivenciar a cultura é obter um resultado que envolva, diversidade, sedução, controle de dominação e encantos, incorporado a historia de um povo Nesta performance a racionalização e a superação dos preconceitos é percebido como fenômeno da capacidade criadora e inovadora, exercendo sua liberdade, fundamentada na manifestação do espírito, onde cultura e símbolos representam sentimento e auto definição. No Brasil a cultura é vista como estruturação da teoria racista, optada por prazeres fáceis, vícios, adultério, poligamia, machismo, autoritarismo e conformismo ocasionado por uma miscigenação que consolida os costumes do relativismo cultural, vinculado a uma cidadania grupal que preserva uma postura ética permeando desigualdades, ocasionando a aparecimento de novos sujeitos sociais. Negros, mulheres e homossexuais, fazendo parte dos fatores, psicológico, biológico, sociológico e culturais. / To deal with culture is to be part of the evolution human being, therefore this is the reality that directs the ways to understand the mentality of the people in a trilogy that involves, religion, science, society and organization. It is perceived when the individual becomes more cultured diminishes the intensity in its belief, exactly thus never the man will be able to walk without these two world, scientific and religious. In this the sensitive perception of the existence human being, happens by means of the universal reason therefore the important one is the integration of the being for a humanizada life more, since the form to think and to act being able to face challenges to adapt it the way in search of its pleasant moment. To live deeply the culture is to get a result that involves, diversity, seduction, control of domination and enchantments, incorporated the history of a people In this performance the rationalization and the overcoming of the preconceptions is perceived as phenomenon of the creative and innovative capacity, exerting its freedom, based on the manifestation of the spirit, where culture and symbols represent feeling and auto definition. In Brazil the culture is seen as estruturação of the racist theory, opted to easy pleasures, vices, adultery, polygamy, machismo, authoritarianism and conformism caused for a miscegenation that consolidates the customs of the cultural relativism, tied with a group citizenship that preserves an ethical position promoting inaqualities, causing the appearance of new social citizens. Blacks, women and homosexuals, being part of the factors, psychological, biological, sociological and cultural.

Da poética das lágrimas a uma poética do riso: de Aristóteles ao One-man show

Since the 1970s, the world observes the fragmentation, hybridity, plurality and miscegenation that are taking over the scenic arts. The contemporary poetry feels free of the classical rules; theater no longer obeys the requirements of the poetic "manuals"; the rigid boundaries between genres disappears; artists cease to represent to the public to talk with him. In the last decades of twentieth century and in the twenty-first century, emerges the laughable phenomenon of One-man Show in the brazilian scene, object of this research, as a result of this evolution of the performing arts. It is a form of theater that emerged in the brazilian context, snatching public attention in alternative spaces, theaters and, as it should be, also on the Internet, often confused with the Stand-up Comedy. It is necessary a research that delimitate and pursue to identify the essential characteristics of the brazilian One- Man Show, not only by the absence of theoretical references concerning this, but also to understand some aspects of the brazilian scene and the situation of laughter and comedy in it. In the first chapter, a discussion about comedy and laughter in classical antiquity is presented, using the writings of Plato and Aristotle as a starting point; in the second, some of the main classical theories of laughter are reviewed, attempting to identify the general characteristics that enable to understand the construction of the comedy; the third chapter generally dicusses about the moment of the brazilian theatrical scene in which emerges the One-man Show; and in the fourth chapter, there is an explanation about this phenomenon and a description of the practical exercise titled Experimento One-person Show: Damas

A forma como elemento estruturante do espaço social

Dissertação para obtenção do grau de Mestre em Arquitectura, apresentada na Universidade de Lisboa - Faculdade de Arquitetura

Da poética das lágrimas a uma poética do riso: de Aristóteles ao One-man show

Since the 1970s, the world observes the fragmentation, hybridity, plurality and miscegenation that are taking over the scenic arts. The contemporary poetry feels free of the classical rules; theater no longer obeys the requirements of the poetic "manuals"; the rigid boundaries between genres disappears; artists cease to represent to the public to talk with him. In the last decades of twentieth century and in the twenty-first century, emerges the laughable phenomenon of One-man Show in the brazilian scene, object of this research, as a result of this evolution of the performing arts. It is a form of theater that emerged in the brazilian context, snatching public attention in alternative spaces, theaters and, as it should be, also on the Internet, often confused with the Stand-up Comedy. It is necessary a research that delimitate and pursue to identify the essential characteristics of the brazilian One- Man Show, not only by the absence of theoretical references concerning this, but also to understand some aspects of the brazilian scene and the situation of laughter and comedy in it. In the first chapter, a discussion about comedy and laughter in classical antiquity is presented, using the writings of Plato and Aristotle as a starting point; in the second, some of the main classical theories of laughter are reviewed, attempting to identify the general characteristics that enable to understand the construction of the comedy; the third chapter generally dicusses about the moment of the brazilian theatrical scene in which emerges the One-man Show; and in the fourth chapter, there is an explanation about this phenomenon and a description of the practical exercise titled Experimento One-person Show: Damas

Atendimento odontológico do paciente com doença falciforme: proposta de intervenção para a UAPS Eustáquio de Queiroz do município de Pirapora/MG

A doença falciforme é a enfermidade genética mais frequente do homem e mais difundida no mundo. A condição é mais comum em indivíduos da raça negra, com tendência a atingir uma parcela cada vez mais significativa da população, podendo ser observada também em pessoas da raça branca ou parda devido ao alto grau de miscigenação. Causada por uma mutação de ponto do gene da globina beta, é caracterizada por um tipo de hemoglobina anormal que, em determinadas situações, provoca distorção dos eritrócitos fazendo-os tomar uma forma de foice. Dentre os tipos de doenças falciformes possíveis a anemia falciforme é a forma mais comum e grave. O presente trabalho teve como objetivo elaborar uma proposta de intervenção para o atendimento odontológico dos cadastrados portadores de doença falciforme na UAPS Eustáquio de Queiroz do município de Pirapora-MG. Foi realizada uma busca de publicações existentes no acervo de bibliotecas de Faculdades, Universidades e bancos de dados da Internet como Literatura Internacional em Ciências da Saúde (MEDLINE), Biblioteca Virtual Scientific Electronic Library Online (SciELO) e Centro Latino-Americano e do Caribe de Informação em Ciências da Saúde (LILACS) através do portal da Biblioteca Virtual em Saúde (BSV). A anemia falciforme é uma doença crônica incurável, embora tratável, e que geralmente provoca alto grau de sofrimento aos seus portadores, que merecem atenção especial do ponto e vista médico, odontológico, genético e psicossocial. Para que o atendimento odontológico dos pacientes seja bem-sucedido, sem qualquer prejuízo à sua saúde e à segurança do profissional, algumas regras devem ser seguidas, ressaltando-se anamnese criteriosa, ênfase em procedimentos preventivos e interação com equipe médica.