1000 resultados para Maubreuil, Marie-Armand de Guerry de
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Sallé's ballets en action are evaluated in terms of Enlightenment dramaturgical principles, and her role in shaping this aesthetic is mooted.
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Paradigmatic analysis reveals that these two composers developed distinct responses to creating narrative in dance music
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Considers Handel's musical response to a dancer-choreographer in line with then-current styles of dance
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A letter from dancer Marie Salle to her patroness dated 1731 reveals her ambitions to dance at the English opera.
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This dictionary entry, which highlights the choreographer's significance to the historical study of music, is placed in a very high profile and reputable online resource.
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Handel’s London career afforded opportunities for responding to dancers working in distinct styles of movement—most notably the Italian troupe resident at the King’s Theatre in 1726-27, and Marie Sallé at Covent Garden in 1734-35. By studying the dances from Admeto (1727) and Ariodante (1735), this paper will explore Handel's response to the serious and grotesque styles, as well as to the character and narrative modes.
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1888/04 (T3,N7)-1888/06 (T3,N9).
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1887/10 (T1,N1)-1887/12 (T1,N3).
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Périodicité : Mensuel
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1888/01 (T2,N4)-1888/03 (T2,N6).
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1875/05/20 (A11,N9)- (A11,N10).
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1875/02/20 (A11,N3)- (A11,N4).
