An Australian twin study of the genetic basis of preeclampsia and eclampsia

OBJECTIVE: We investigated maternal versus fetal genetic causes of preeclampsia and eclampsia by assessing concordance between monozygotic and dizygotic female co-twins, between female partners of male monozygotic and dizygotic twin pairs, and between female twins and partners of their male co-twins in dizygotic opposite-sex pairs. STUDY DESIGN: Two large birth cohorts of volunteer Australian female twin pairs (N = 1504 pairs and N = 858 pairs) were screened and interviewed, and available medical and hospital records were obtained and reviewed where indicated, with diagnoses assigned according to predetermined criteria. RESULTS: With strict diagnostic criteria used for preeclampsia and eclampsia, no concordant female twin pairs were found. Collapsing diagnoses of definite, probable, or possible preeclampsia or eclampsia resulted in very low genetic recurrence risk estimates. CONCLUSION: Results from these two cohorts of female twin pairs do not support clear, solely maternal genetic influences on preeclampsia and eclampsia. Numbers of parous female partners of male twins were too low for conclusions to be drawn regarding paternal transmission.

Sacred Music, Sacred Journeys : What Makes an Event Postcolonial?

Fanon, Senghor, and Ela took a radical stance in criticising the structures and mechanisms of power in hegemonic situations and relations between colonial subjects and colonial masters. They aimed to liberate African societies by decolonising the mind, culture and religion of colonial subjects. In this respect, we are concerned with the continuities and ruptures of the colonial encounter and its unequal relationships. Switzerland does not have an official colonial history and yet, Swiss companies and migrants were and are part of the world's colonies. In our contribution, we question what makes an event postcolonial : in other words, how are postcolonial relations negotiated in Switzerland? We discuss this question by analysing two annual sacred journeys in Switzerland that have been invented for and by African Christians (clerics and laity) together with the leaders of the Swiss Catholic church : one to the relics of African saints in St. Maurice, canton Valais and the other to the Black Madonna, the Virgin Mary of Einsiedeln, in the canton Schwyz. These events are empowered by the performance of African choirs - their music, dance, and costumes - but to which end and in which way?

Synchrotron-based X-ray tomographic microscopy for rock physics investigations

Synchrotron radiation X-ray tomographic microscopy is a nondestructive method providing ultra-high-resolution 3D digital images of rock microstructures. We describe this method and, to demonstrate its wide applicability, we present 3D images of very different rock types: Berea sandstone, Fontainebleau sandstone, dolomite, calcitic dolomite, and three-phase magmatic glasses. For some samples, full and partial saturation scenarios are considered using oil, water, and air. The rock images precisely reveal the 3D rock microstructure, the pore space morphology, and the interfaces between fluids saturating the same pore. We provide the raw image data sets as online supplementary material, along with laboratory data describing the rock properties. By making these data sets available to other research groups, we aim to stimulate work based on digital rock images of high quality and high resolution. We also discuss and suggest possible applications and research directions that can be pursued on the basis of our data.

Effect of age toxicokinetics among human volunteers exposed to propylene glycol monomethyl ether (PGME)

Rationale: Aging adults represent the fastest growing population segment in many countries. Physiological and metabolic changes in the aging process may alter how aging adults respond to exposures compared to younger workers. Current preventive workplace exposure measures may therefore not be sufficiently protective for the aging workforce. In a controlled human toxicokinetic study (exposure chamber; 12m3), the volunteers (n=11) were men and women over the age of 58 years and exposed to a commonly used, low neurotoxic glycol ether; PGME (CAS no. 107-98- 2) (50 ppm, 6 hours). Oxidative metabolism (Michaelis-Menten) is the major pathway and conjugation the minor in humans. Metabolites, conjugated and free PGME are eliminated through the kidneys, and the elimination kinetics is dose-dependent (0 order). Scope: (1) compare the toxicokinetic profile of PGME obtained in the aging volunteers (58- 62 years) to young volunteers (20-25 years) from a previous study; (2) Test the predictive power of an existing PGME toxicokinetic compartment model for aging persons against urinary PGME concentrations found in volunteers from our experimental study. Experimental procedure: Urine samples were collected before, every 2-hour during exposures for six hours, and ad-lib for additional 20 hours. Urinary analysis of free and total PGME was performed using capillary GC/FID. The toxicokinetic model (Berkley Madonna software) was ageadjusted. Results. Urinary free and total PGME concentration rose rapidly, and did not reach an apparent plateau level during exposure. Less conjugation was observed in the older group. The predictive model developed for the young group predicted well total PGME in the aging group but not free PGME. The age adjusted toxicokinetic model's Vmax1 had to be changed for the aging group, implying slower enzymatic pathway. Conclusion: The toxicokinetic model did not predict well if only the physiological parameters were adjusted for aging adults (existing model); a substance specific metabolic rate parameter was also needed.

[Illustrations de Flammette, complainte des tristes amours de Flammette à son amy Pamphile] / [Non identifié] ; Boccaccio, aut. du texte

Comprend : [Fig. à la page de titre : dame Flammette.] Flammette. [Cote : Res Y2 2248/Microfilm R 20213] ; [Fig. folio iii :] Flammette. La nourrice. [Cote : Res Y2 2248/Microfilm R 20213] ; [Fig. en reg. folio xxvii :] Flammette. [Cote : Res Y2 2248/Microfilm R 20213] ; [Fig. folio xxxi :] Flammette. [Cote : Res Y2 2248/Microfilm R 20213] ; [Fig. folio xxxiv :] Flammette. [Cote : Res Y2 2248/Microfilm R 20213] ; [Fig. folio xliii :] Flammette. [Cote : Res Y2 2248/Microfilm R 20213] ; [Fig. folio li :] Flammette. [Cote : Res Y2 2248/Microfilm R 20213] ; [Fig. folio en reg. lv :] Flammette. Le mary. [Cote : Res Y2 2248/Microfilm R 20213] ; [Fig. folio lxxiii :] Flammette. [Cote : Res Y2 2248/Microfilm R 20213]

Revisiting girlhood : defining a postmodern/popular feminist culture /

It has bee1l said that feminism is dead, but in fact feminism is alive in popular cultural fonlls that offer pleasure, style, fUll and advice, as well as political messages that are internalized alld continuously enacted in the lives of North American female youth. This thesis discusses popular feminism with respect to mainstream girls' cultural discourses in music alld magazine reading. Specifically this thesis examines the importance of Madonna, Gwen Stefani, and the Spice Girls, in addition to the numerous girl magazines available on the market today, such as Seventeen and YM. Focusing on the issue of the feminine versus feminist polarity and its importance to girls' culture, this thesis attempts to demonstrate how popular feminism can be used as a mode of empowerment and illustrates the mode of consumption of popular feminist texts that frames female selfimage, attitude, behaviour and speech. Through the employment of popular feminist theories and a discourse alld semiotic analysis of musical lyrics, performance and style, in addition to magazine reading and advertisements, this thesis highlights the use of active media reading and being by girls to gaill an understanding with regards to social positioning and postmodern political identity. More fundamentally, this thesis questions how popular feminism disables, questions and critiques popular ideologies ill a patriarchal society.

Étude de la fonction symbolique du paysage dans les tableaux dévotionnels de Giovanni Bellini

« Pour respecter les droits d'auteur, la version électronique de ce mémoire a été dépouillée de ses documents visuels et audio-visuels. La version intégrale du mémoire a été déposée au Service de la gestion des documents et des archives de l'Université de Montréal ».

M??sica y m??sicas

Se trata de un texto dedicado al estudio del papel de la mujer en la M??sica. La referencia educativa que enmarca este estudio sobre la coeducaci??n musical, desarrollado en la introducci??n, se complementa con referencias ricas en matices eruditos sobre las claves conceptuales que diseccionan el modo en que algunas formas musicales explican y determinan la vigencia del c??digo patriarcal en la estructura musical. La autora se enfrenta con estos extremos en el apartado de la 'revisi??n historiogr??fica de la musicolog??a feminista' as?? como en la 'contextualizaci??n de la mujer en la M??sica', dando lugar al marco conceptual que sostiene la reflexi??n. Desde este enfoque, se sucede el estudio de mujeres tan relevantes en la historia de la M??sica, como frecuentemente ignoradas por su historiograf??a. As??, el estudio resalta el papel relevante de Hildegard von Bingen en la composici??n musical; de Clara Schumann en la interpretaci??n; de B??rbara de Braganza, la regente Mar??a Cristina y la reina Isabel II como mecenas musicales; de Nadia Boulanger en la ense??anza musical; y finalmente del papel de la mujer en las m??sicas populares y urbanas, en torno al estudio y an??lisis de Madonna. El texto se culmina con una recopilaci??n historiogr??fica, una base de datos y recursos digitales y un cuaderno de actividades para trabajar con el alumnado que exige una participaci??n activa en el aprendizaje y en su lectura.

Plan de negocios Muy Mirona

Evidenciamos las necesidades de la mujer bogotana, más exactamente la falta de diseño y exclusividad en el calzado de las mujeres. Por ello en julio de 2010 se crea la empresa Muy Mirona. Una empresa conformada por dos estudiantes de (21) años, siendo una socia estudiante de la Universidad del Rosario y la otra estudiante de la Salle College, quienes tienen el objetivo de posicionar la organización como una de las mejores empresas en innovación de calzado y así fomentar el empleo de personas mayores de 40 años para generar un impacto social positivo en la sociedad capitalina. Después de días y con miles de ideas surgió el nombre de nuestra empresa “Muy Mirona” como una forma divertida e interesante de captar a nuestras clientas que tienen como objetivo ser diferentes y únicas. Al día de hoy hemos tenido el gusto de lanzar tres colecciones la primer Nice Too Meet You, en donde se hizo énfasis en la comodidad, los zapatos que diseñamos para esta colección fueron planos, utilizamos materiales sintéticos que se caracterizaban por la variedad de sus colores. La segunda colección Nice Too Meet You Two, se diferencio de la primera debido a la incursión que tuvimos en materiales tales como el cuero, taches, gamuzas, e introdujimos una nueva línea de tacón pequeño es decir tacón 4/5 que fue todo un éxito. Finalmente en la tercera colección Madonna Bastarda decidimos ir mas allá, entrando en el tacón high es decir tacón de 12 centímetros con plataformas livianas para el manejo funcional de nuestras clientas, en esta colección variamos el portafolio no solo de los modelos sino también de los materiales y de los diseños, sin abandonar nuestra adorada línea de zapatos planos ya que también sacamos referencias de este tipo de zapato en la última colección. A lo largo de nuestra vida activa como empresa, hemos tenido la oportunidad de participar activamente en eventos como la feria de la universidad del rosario y la semana internacional de la moda de Bogotá, la feria de jóvenes empresarios ,en donde hemos contado con la acogida de gran cantidad de público, consolidándonos como una de las pocas empresas de diseño exclusivo de calzado para dama, ratificando nuestro compromiso con un trabajo de calidad y con una visión hacia el futuro. A lo largo de este tiempo hemos vivido experiencias invaluables que nos hacen ser lo que somos hoy en día, buscamos estar preparadas para los retos venideros reinventándonos en cada una de nuestras colecciones. Permitiendo que Muy Mirona sea reconocida a nivel nacional e internacional como una empresa que entiende los deseos y las necesidades de las mujeres y que logra convertir esto en comodidad y funcionalidad, deseamos dirigirnos a todas las mujeres modernas, amantes de la moda, dispuestas a portar unos hermosos zapatos de fina coquetería cargados de estilo, sin llegar a lo soso y a lo extravagante.

The english roses.

Cuatro niñas llamada Nicole, Amy, Charlotte y Grace, van a la misma escuela, viven en el mismo barrio, juegan los mismos juegos, pero hay un pequeño problema: todas están celosas de otra niña, la muy hermosa, muy amable, pero muy solitaria, Binah. Es sólo cuando las chicas investigan de cerca la vida de Binah, que se dan cuenta de cómo ella es infeliz y cuánto necesita su amistad.