The Last Page: Love Story

“Love Story” a poem by Lucy Dotson ’13J

A paradise of English poetry /

Includes indexes.

The works of Thomas Love Peacock, including his novels, poems, fugitive pieces, criticisms, etc.,

v. 1. Preface. Biographical notice. Headlong hall. Melincourt. Nightmare abby.--v. 2. Maid Marian. Misfortunes of Elphin. Crotchet castle. Gryll grange--v. 3. Poetry. Miscellanies. Four ages of poetry. Horæ dramaticæ, no. 1-3 . Shelley. Shelley letters.

The works of Thomas Love Peacock.

With reproductions of original title-pages.

Children of love.

Poems.

The Altar of love : consisting of poems, and other miscellanies / by the most eminent hands ; now first collected into a volume.

Volumes issued by Curll under the above title vary considerbly in their contents.

The Helicon of love. : A selection from the poets of the sixteenth and seventeenth centuries.

Publisher's advertisements on p. [1] and [3-6] at end.

Select translations from Old English poetry,

--Index of media.--Index of titles.

Essays on Robert Browning's poetry by John T. Nettleship.

Published also in his: Robert Browning: essays and thoughts.

Political, religious, and love poems.

Notes on "The stacycons of Rome", by W.M. Rossetti. -- Political poems, etc. -- Love poems, etc. -- Religious poems from ms. Harl. 7322. An A B C poem on the passion of Christ. The Fifty-first psalm. -- Additions: Verse prolog and epilog to a book on medicine, A.B. 1440. A prentise unto woe, by Henry Baradoun, A.B. 1483. Hymn to the Virgin, by William Huchen, A.B. 1460. 'Peare of Provence and the fair Maguelone', a fragment. The Knight Amoryus and the Lady Cleopes ... by John Metham.

American poetry; a miscellany

Not issued in 1924.

Okay Cool No Smoking Love Pony

This poetry collection moves from the narrator’s childhood in the marshes of Canada to her coming of age in a new, southern swamp in South Florida. Many of the poems use free verse as well as fairly recent poetic forms like the Golden Shovel and the Pecha Kucha. Others rely on wordplay and nonce forms. Influenced by Hector Veil Temperly, Matthew Zapruder, Dorothea Lasky, Laura Kasischke and Anne Carson, the poems often employ simple language in stream of consciousness, and oscillate between lyric and narrative. These poems are feverish creations inspired by the oracular tradition and induced by the psychic crush of modern life: depression of the body and mind, cultural paranoia, and the decline of nature. The reader is privy not only to the personal biography of the narrator, but also to the inner workings of the narrator’s mind as it encounters and interprets the world.

Love at first sight : Sanja Pahoki

I am a landscape architect, a non-photographer, and in reviewing this exhibition, it seems that in a critical discourse on photography the nature of the view and its relation to the observer (presumably the camera) is inevitably a key focus of creative inquiry, in an epistemological sense. In conducting such a review, of 'self-portraits' by 'female photographers' in relation to 'the landscape', one cannot help but ask what priority this critique should allocate to each of these conceptual agendas, quite apart from the simple formal quality of the individual pieces themselves. Analytically, each could form the axes of a matrix that might allow for a number of quite different permutations and therefore differently conclusive commentaries on the others: the view vs landscape; the view vs sexuality; the self-portrait vs the landscape picture. All of these would be productive in their own right and each is alluded to in the works themselves and in the narrative of the catalogue. Considering this range of possible permutations, this show is certainly rich and this richness sits well with the relative formal saturation of the images themselves.