Por dentro da arte: um estudo comparado de Amigos secretos (1996), de Ana Maria Machado, e A casa da luz (2002), de Xabier P. Docampo

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Ruth Rocha, página a página: bibliografia de e sobre a autora

Pós-graduação em Letras - FCLAS

A periodização literária: uma análise dos materiais didáticos em dois momentos do século XX

Pós-graduação em Letras - FCLAS

Fazendo retratos e experimentos: a performance da linguagem em Lygia Bojunga

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Assunto brasileiro: crítica acadêmica e nacionalismo literário. 1960-1990

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Cosmopoesia e mitopoesia no recado de Rosa

Este trabalho objetiva, em primeiro lugar, tecer algumas considerações gerais sobre o ciclo de novelas Corpo de baile, publicado por João Guimarães Rosa em janeiro de 1956. Em seguida, no contexto da obra – aqui considerada como uma representação moderna do topos milenar da máquina do mundo –, tenciona-se avaliar criticamente a novela “O recado do morro”, aplicando-se à análise conceitos como mitopoesia, cosmopoesia e alegoria.

Anita Garibaldi coberta por histórias

Onde termina o mito e começa a mulher? Se a vida repleta de aventuras de Anita Garibaldi já deu origem a vários filmes e minisséries, também é tema recorrente na literatura não apenas brasileira, mas até na hispano-americana. No livro Anita Garibaldi coberta por histórias, Fernanda Aparecida Ribeiro analisa com elegância e concisão as imagens construídas da revolucionária catarinense por dois escritores brasileiros - João Felício dos Santos e Flávio Aguiar - e dois argentinos - Julio A. Sierra e Alicia Dujovne Ortiz. Ribeiro discute o esforço desses autores de contextualizarem melhor o mito dominante em torno de Anita - o da heroína de dois mundos, que lutou por seus ideais na América do Sul e na Itália. E também a tentativa que eles fizeram para se desvencilhar da outra imagem, mais domesticada, da companheira de Giuseppe Garibaldi, vista antes como esposa e mãe do que como revolucionária por vários historiadores brasileiros, principalmente no começo do século 20.

Monteiro Lobato: um estudo de A chave do tamanho

Pós-graduação em Letras - FCLAS

Monteiro Lobato e seis personagens em busca da nação

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Meninices de uma poetisa: um estudo de O menino poeta, de Henriqueta Lisboa

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Viabilidade do parasitismo por Haemonchus contortus em bovinos experimentalmente infectados

Pós-graduação em Zootecnia - FCAV

A multiplicidade poética de Emílio Moura: o encanto da hora amarga

The modernist poet Emílio Moura (1902-1971) incorporates a strictly modern language regarding the imagistic suggesting a mainly poetry metalinguistic. That way, from the works Canto da hora amarga (1932) and Cancioneiro (1944) we attest, through the poetic analysis, that modernity Moura’s poetry takes place in confluences with ideas ranging from biblical tradition and come to the depersonalization of the modern I and questing. We objectify, therefore, demonstrate and explore the metalinguistic and intertextual character that results in the personification of poetry, as clarified muse. To achieve this, this same poetry undergoes a dualistic and pessimistic sentiment, baroque, the I that is divided into life and death, light and shadow; goes through a romantic feeling of anguish and desolation and reaches the multiplicity of the poetic speaker, which promotes a constant struggle with the language. More than draw a correlation between classical and modern ideas (in the sense that the poet creates depersonalization and appropriates of free, short prose or verse, typical of modernism), intend to supply, at least in part, the dearth of studies on the miner poet who has found fertile ground to question and analyze internally the role of poetry in the multiplicity of man and modern society to therefore conclude that universalism the Emílio Moura becomes distinctive and mature. Thus, we will check how poetic inflows corroborate both works for reevaluation and critical insertion of poetic the Emílio Moura in the context of modern/Modernist Brazilian literature

O poeta popular Leandro Gomes de Barros e a sátira ao discurso burguês-militarista no contexto da Primeira República

Among the popular poets from the northeastern backlands who criticized the governmental measures of the republican government, the figure of Leandro Gomes de Barros has highlighted. His satire extends to the representatives of the government in the context of the First Republic, striking politicians, bachelors, priests, colonels and oligarchs. We show here the biographical traces of the poet and a stretch from my Doctoral Thesis in which Leandro satirizes the bourgeois-militarist speech from Olavo Bilac.

Peias e espartilhos: sátira popular à moda francesa na Primeira República

In the first decades of the Republic, the streets of the main Brazilian capital cities, especially of Rio de Janeiro and Recife, recently urbanized based on the Haussmanian Paris and smiled upon by the fever of cosmopolitanism that invested Europe, women had been used as runways where they could exhibit her imitated or imported models, especially in Paris. The iconography of the time and the advertisements conveyed by magazines and illustrated periodicals, such as the Almanach de Pernambuco and the magazine Kosmos, for instance, form the testimonies of the massive presence of the French in Rio and Recife, owners of stores and maisons, interested in fulfill the demands of the republican public. In spite of the Strong adherence of the Brazilians to the sociability models to the imported from Europe, the less-favored classes, through the popular literature, showed some resistance to these changes in the habits and clothing, especially in the Northeast, where traces of the Catholic and patriarchal moral and mentality were still alive.

Em Cristo, poetas denunciam a podridão da modernidade: uma análise da obra Tempo e eternidade

This assignment aims to do a critical and interpretative review of the masterpiece Tempo e Eternidade, published by the Brazilian poets Jorge de Lima and Murilo Mendes in 1935. It is a result of a project called Restaurando a poesia em Cristo, created by many different Brazilian poets as Tristão de Ataíde, Augusto Schimdt, and others. It is worth highlighting the importance of these poems, because of the period when they were published and for the modern proposal, as the theme, which the poets denounce the bad aspects of modernity of the century through the Holly Bible, as also for the new esthetics. In the 30s, Brazil was passing through many changes; in aspects of history - the transition between the governments of Oligarchy to the New State, in governance of Getúlio Vargas; and in the literary context, it was the beginning of the second phase of Modernism, from 1930 to 1945. This period remains the consolidation of the literary movement, in terms of esthetics, since the major proposal of Modernism is freedom of the verse and, in this second phase, the search for a renovation of the language and the enlargement of the themes in poetry, such in the religious aspect or the social-political' themes. In this perspective, it aims to show the importance of the masterpiece for the history of Brazilian literature, coated as part of a turning point between the first and second phase of Modernism, also for the thematic renovation in religious poetry and esthetics, with a new proposal of esthetics. The methodology for the analyses of the poems will be through Antonio Candido's proposal, in O estudo analítico do poema, based on interpretation and comments. Therefore it intends showing through the analyses the relevance of the masterpiece written by the Brazilian poets, to the area of religious poetry and for the literary movement of that time