Souvenirs contemporains. Le comte de Chambord, la duchesse de Parme, Napoléon III, Versailles et la Commune.

Autobiographical.

Lettres-patentes du roi, en forme d'édit, qui ordonne la démolition du Château-Trompette, les différentes constructions à faire dans son emplacement, & autres etablissemes utiles à la ville de Bordeaux, ainsi que la suppression du droit de huitain : données à Versailles au mois d'août 1785.

Signatures: A⁴.

Conférence des sociétés savantes, littéraires & artistiques de Seine-et-Oise. Première réunion, tenue à Versailles, les 14 et 15 juin 1902 sous la présidence de G. Picot et de M. Paisant.

Mode of access: Internet.

Les femmes de Versailles: la fin de l'ancien régime,

Mode of access: Internet.

Tableau des témoins, et recueil des faits les plus intéressans contenus dans les dépositions de la procédure instruite au Châtelet de Paris, sur les faits arrivés à Versailles, les 5 et 6 octobre, 1789.

Martin & Walter

Indicateur du Palais et du Musée de Versailles : déscription complète de l'entrée, de la cour du chateau ... du petit et du grand trianon : prècedée d'une notice historique sur le Palais.

Mode of access: Internet.

Paris, Versailles et les provinces, au dixhuitième! siècle : Anecdotes sur la vie privée de plusiers ministres, evêques, magistrats célèbres, hommes de lettres, et autres personnages ancien officier aux gardes françaises.

Vol. 3 has imprint: Lyon, Guyot.

Observations de ... sur la Maison d'Autriche, et particulièrement sur le traité de Versailles, du premier Mai 1756 [microform] : entre le Roi et l'Impératrice de Hongrie.

Master microform held by: ResP.

Annales du musée et de l'école moderne des beaux-arts. Recueil de gravures au trait, contenant la collection complète des peintures et sculptures du Musées Napoléon; et de celui de Versailles; les objets les plus curieux du Musée des monumens français; les principlaes productions des artistes vivans, enpeinture, sculpture et architecture, édifices publics, etc.; avec des notices historiques et critiques.

Subtitle varies.

Procédure criminelle instruite au Chatelet de Paris, sur la dénonciation des faits arrivés à Versailles dans la journée du 6 octobre 1789.

Goldsmiths'-Kress no. 14479.

Tratado definitivo de paz concluido entre el rey nuestro señor y el rey de la Gran Bretaña, firmado en Versailles á 3 de setiembre de 1783, con sus artículos preliminares.

Spanish and French.

La música orquestal peruana de 1945 a 2005 : Identidades en la diversidad

Peruvian orchestral music 1945–2005. Identities in diversity Peruvian music for orchestra has not been studied as a whole before, and is hardly known by Peruvian musicians and public. The aim of the thesis is to give a panoramic view of Peruvian orchestral music after 1945, study the particular historical context in which these works were created and how they reflect the search for a musical identity of its own, be it individual, local, national or Latin American. Identity is a construction that changes permanently, and individuals can share many identities at the same time. This is a central issue in multicultural societies as the Peruvian, and music is an important mean for constructing cultural identity. The hypothesis of this research is that orchestral work is a medium for Peruvian composers to express their relationship with traditional and popular musics of the country in different ways, from quotation of melodies to a more abstract appropiation of concepts or suggestive title references. Representative works by selected composers, of different techniques, styles or special reception are chosen and analyzed. Research methodology includes analysis of works with various methods according to their stylistic and technical features, in order to find the particular ways in which composers have approached or expressed diverse identities. The investigation shows that Peruvian orchestral music includes works in the main stylistic trends and using the main compositional techniques of the modernist and postmodern periods. It also shows that the construction and expression of particular identities through the study and use of other Peruvian musical traditions is a constant interest shared by composers of different age and esthetic. In a multicultural society as the Peruvian, characterized by its diversity, different forms of transcultural composition are an important mean of dealing with identity issues in music. This thesis also includes for the first time a list of all orchestral works composed in the country or by Peruvian composers in the period, their composers and genres. KEYWORDS: Peruvian music, contemporary music for orchestra, identity

Programmazione e controllo dei gruppi pubblici locali. Dagli strumenti esistenti alle soluzioni innovative per la governance.

Il tema dei servizi pubblici locali è sicuramente centrale nell'attuale contesto socio-economico nazionale ed internazionale, in quanto essi hanno un impatto determinante sulle condizioni di vita dei cittadini e sulla competitività dei sistemi economici. In ragione di ciò, negli ultimi anni in Italia numerose riforme si sono susseguite, con lo scopo di individuare l'assetto più efficace ed efficiente per tale settore. Le suddette riforme hanno così ridisegnato il ruolo degli Enti Locali, che saranno sempre meno gestori diretti e sempre più direttori di una multiforme orchestra composta dalle aziende esterne chiamate a fornire in prima persona le prestazioni agli utenti finali. Il presente lavoro si propone di individuare, anche attraverso una ricerca sui Comuni capoluogo di Emilia-Romagna e Toscana, strumenti di programmazione e controllo in ottica di gruppo che consentano agli Enti Locali di svolgere questo nuovo delicato ruolo. Tali strumenti verranno disegnati sulla base delle necessità informative delle amministrazioni indagate e nel rispetto delle più recenti riforme in tema di programmazione, rilevazione, gestione, controllo, valutazione e comunicazione delle performance pubbliche.

4-6-20, signature de la Paix avec la Hongrie, la salle du Grand Trianon après la signature : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 59532