Agat‘angełos

The Encyclopedia of the Medieval Chronicle brings together the latest research in chronicle studies from a variety of disciplines and scholarly traditions. Chronicles are the history books written and read in educated circles throughout Europe and the Middle East in the Middle Ages. For the modern reader, they are important as sources for the history they tell, but equally they open windows on the preoccupations and self-perceptions of those who tell it. Interest in chronicles has grown steadily in recent decades, and the foundation of a Medieval Chronicle Society in 1999 is indicative of this. Indeed, in many ways the Encyclopedia has been inspired by the emergence of this Society as a focus of the interdisciplinary chronicle community. The Encyclopedia fills an important gap especially for historians, art historians and literary scholars. It is the first reference work on medieval chronicles to attempt this kind of coverage of works from Europe, North Africa and the Middle East over a period of twelve centuries. 2564 entries and 65 illustrations describe individual anonymous chronicles or the historical oeuvre of particular chroniclers, covering the widest possible selection of works written in Latin, English, French, Spanish, German, Dutch, Norse, Irish, Hebrew, Arabic, Greek, Syriac, Church Slavonic and other languages. Leading articles give overviews of genres and historiographical traditions, and thematic entries cover particular features of medieval chronicles and such general issues as authorship and patronage, as well as questions of art history. Textual transmission is emphasized, and a comprehensive manuscript index makes a useful contribution to the codicology of chronicles.

Words, words, words: Philology and Beyond: Festschrift for Andreas Fischer on the Occasion of his 65th Birthday

This Festschrift comprises a series of papers written in honour of the philologist Andreas Fischer, on the occasion of his sixty-fifth birthday. As in Andreas Fischer s own research, the main focus of the volume is on words: words in modern varieties, such as emergent conjunctions in Australian, American and British English; words in their cultural and historical context, such as English keywords in Old Norse literature; and words in a diachronic perspective, such as Romance suffixation in the history of English. Many contributions are anchored in the philological tradition that has informed much of Andreas Fischer s own scholarship, such as the study of verbal duelling in the late thirteenth-century romance Kyng Alisaunder. Others examine the construction ofdiscourses, such as those surrounding the Black Death. The volume, with its innovative studies,offers fascinating insights into words, discourses,and their contexts, both past and present.

Germanic Mythology in Music: Cultural Memory and Conflict within the Framework of Modern Globalization

The multi-layered enactment of a national past in music has been strongly intertwined with the usage of mythological elements. Having often been compiled as a coherent narrative during the emergence of the European nation-states (like the Finnish Kalevala), the mythological material has often been perceived as a form of historical truth and national justification. This focal role is also apparent in various music genres ranging from folk revival to metal in post-1989 Europe. Within the globalized context, however, local-national interpretations can collide with earlier nationalist appropriations. This complex and sometimes politically conflicting situation becomes particularly evident with groups falling back on symbols and narrations that had previously been employed by Nazi-Germany. While Nazi-Germany had, among others, tried replace the Christmas tradition with elements and songs from Germanic (and other) mythological sources, modern Neo-Nazi music groups often employ central mythological names (like Odin or Tyr) and iconic elements (like Vikings and warriors) in song lyrics and CD cover designs. However, while many covers and lyrics are legally forbidden in Germany, Scandinavian and Baltic groups (like the Faroese Viking metal group Tyr and the Latvian pagan metal band Skyforger) employ similar elements of Norse mythology, which are often combined with traditional material. Discussing selected case studies, this paper highlights central discursive points of colliding historical-national associations and individual interpretations of the mythological elements in musical contexts. How far can the material be disassociated from the earlier historical political usage and instrumentalization? Is this necessary ? And how can the specific global-local conflict points be approached by a theoretical framework ?

Studiën over de metriek van het alliteratievers.

Oudnoorsche metriek.--Angelsaksische en Duitsche metriek.--Oorsprong en ontwikkeling van het alliteratievers.

Die prosaische Edda im auszuge nebst Vo̜lsunga-saga und Nornagests-Þáttr /

Mode of access: Internet.

Von der sprache der götter und geister; bedeutungsgeschichtliche untersuchungen zur homerischen und eddischen göttersprache,

Bibliographical foot-notes.

Maal og minne.

Description based on: 1911.

Bidrag till den germaniska omljudsläran, med hufvudsakligt afseende pa Forn-Norskan /

Thesis (doctoral)--Uppsala, 1865.

Old Icelandic : an introductory course /

Mode of access: Internet.

Deutsche Altertumskunde /

Bd. 4 includes text of Germania analyzed phrase by phrase.

Deutsche altertumskunde /

Mode of access: Internet.

Vejledning til det islandske eller gamle nordiske sprog /

Mode of access: Internet.

Arne Magnussons i AM. 435 A-B, 4to indeholdte håndskriftfortegnelser : med to tillæg /

"The list in A.M. 435B is that of Þormóður Torfason's MSS.-collection, by Árni Magnússon. The appendices consist of a list of Á. Magnússon's purchases at the Rostgaard auction 1726, and a list of MSS. in Bibliotheca Resenii 1685"--Halldór Hermannsson. Cat. of the Icelandic Coll., p. 17.

Registr yfir Íslands stiftisbókasafn /

Added title-page in Danish. Preliminary matter and captions in Icelandic and Danish.

Saga-book of the Viking Club.

By J.A.B. Townsend.